This work includes an overabundance of descriptor language that creates a vivid yet simultaneously fragmented picture within the reader’s mind. This extremely fragmented perspective of this dream-world is what sparks that important sense of questioning within readers. Questions such as “Is this place actually real?” or “What does this place actually look like?” can arise within readers. The speaker’s details offer these vivid images that attempt to capture the true essence of this place, but fall quite short. For example, “The shadow of the dome of pleasure/ floated midway on the waves;” offers this image that readers can in no possible way actually see in their mind. This description is so magical and dream-lik...
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...eading. The audience has the choice to question while not actively seeking answers and just enjoy the work as a whole or readers can question and afterwards actively seek these answers within the work, which would not be embodying the Negative Capability theory. So, in the end, the choice of whether to actively utilize Negative Capability is up to the reader.
Coleridge, Samuel Taylor. “Kubla Khan.” The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 459-462. Print.
Keats, John. “Letters: To George and Thomas Keats.” The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 967-968. Print.
The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 460. Print.
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