I believe nurturing connection to this energy heightens quality of life. Through connecting, we attune to the vibratory rhythm of nature and ultimately our own self. Connecting lifts us to heights of awareness like no other force, and through my work, I attempt to relate. Purposefully through art, I make an effort to touch or refer, to capture this force, this frenetic energy of nature. I know the outcome can only translate or reference this energy at best, however in trying, I believe I can sometimes allude to this force in my work. And, if I’m lucky, my work may remind the viewer of his or her own personal experience with this energy’s essence, this natural force.
I attempt to realize this energy through two main methods of painting. Primarily opposed, one draws on internal sources, and the other external. For clarity, I refer to each method using acronyms. For some time now, I have fondly referred to my earlier method and an upcoming pun exists for those who know my work. I do not intend it to be derogatory, only descriptive. Besides, I can not resist the urge to laugh at my own peculiar way of b...
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Furthering distinction, OMG touches upon another curiosity of mine, String Theory. String Theory suggests, a symphony of vibrating strings of energy, smaller than quantum particles, organize in perfect harmony, manifesting everything you see before you, the universe in its entirety. Scribbling away on the page, I am often unavoidably reminded of that theory, while conjuring the image before me. String theorist’s employ a tremendous act of faith, spending lifetimes working that theory, attempting to describe an entity that can not even be seen. That natural force of energy draws in a variety of disciplines attempting to capture a glimpse.
This series, Natural Force, chronicles change in technique, but importantly, it also offers up for discrimination a suggestion to figuratively consider the frenetic energy permeating nature and within ourselves.
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