My favorite dance on this episode was the contemporary routine performed by stage dancers Derek and Alexia and street dancer Jaja. The dance, as choreographer Stacey Tookey explained, explored the many facets and forms of bravery. This was done so by assigning a character to each dancer: Derek played a veteran, Jaja portrayed a woman leaving an abusive relationship, and Alexia took on the role of a single mother. I thoroughly enjoyed the dance because of the story it was trying to convey. Each dancer dove into character and brought out complex emotions through their movements. They connected profoundly with each of their roles, even though they were portraying people that they could not directly relate to. The performers had to put themselves in the shoes of their characters and depict things that they had never personally experienced themselves. Through their dynamic performance, they showed the strengths of the characters along with their weaknesses and that they were vulnerable yet bold. The dancers also bared soulful emotions in their faces to express their character. Each performer’s hard work and dedication to the piece came through. It was an honest performance, it was not showy or overly dramatic, it was simply raw and full of emotion and passion. Another reason I appreciated this …show more content…
The song, All Waters by Perfume Genius, is slow but intense, like the choreography. The elongated, stretching movements of the dancers reflected the melodies in the music. The music itself was sweeping and lengthy which gave the performers something to work off of. The piece would not have been the same without the accompanying music. The dance was also timed well with the music, none of the dancers’ actions seemed awkward or out of place; there was a harmony between the dance and the background music. The musicality of the dancers was completely in the foreground in this
The next work of the program, Courtly Airs and Dances, is a multi-movement work composed by Ron Nelson. The piece is split into six movements: Intrada, Basse Danse, Pavane, Saltarello, Sarabande, and Allemande. Each of these present distinct characteristics that separate it from each other movement, yet all are united by being a style of dance. The first movement, Intrada, presents a fanfare-like opening to the multi-movement work. The trumpets and brass section as a whole lead this, as they create a sense of nobility. The key is major and the tempo is one that could be described as allegretto—it is not a fast tempo, yet more brisk than an andante pace. The texture is homophonic, as there are different parts being performed by different
In the beginning, the dancers start on the ground and in the motions of the music and essentially “slipping” through the past there was this rise and sink motion that was fluid. Both dancers arced, spoked and carved. Renee made lots of lines with her entire body as he held her straight (horizontally) in his arms and she also arced as she put her arms around him to hang on to him and as she let go of him she continued to make circle with her feet. In addition, in the beginning of the video, they created an infinity symbol with their legs and feet to an extent signify the past as always being a part of your life even after you slip through and let go.
As a society, we are constantly pairing things together in hopes of enhancing them: apple pie and ice cream, Indians and cowboys, and most relevant to this paper, music and dance. In an art form like ballet, it seems as though music and dance complement each other equally. Truly, it is hard to picture, or perform, a dance without music. However, this may not be the case for music, even if that music is composed specifically for a dance routine. The compilation of the music and the dancing from a scene in the American cowboy ballet Rodeo will be examined to ultimately help us understand they way in which they serve each other as a unit and their ability to function independently.
The element that stood out the most to me was how effectively the music and the footwork corresponded. The best examples of this are seen through the dancers solos. Especially Albrecht's solo, his feet glide on the stage at the same tempo as the music. Similarly, Giselle's graceful footwork is truly amazing. I really like the similarities between the choreographed footwork and the music, it makes Giselle seem much more elegant and beautiful. This also seems to make the work look more put together and in sync because the dancers are dancing in harmony with the orchestra. The choreography by itself is amazing. The footwork is rapid and intricate, however, at the same time it is delicate and graceful. The ballerina (Giselle) made it look very easy to do the choreography, when it rea...
I went to see the Parsons Dance Company on Tuesday April 9th. It was a very interesting show. There were actually many different techniques that I observed in this performance. This company uses many different forms of dance all into one technique, which makes them a unique company.
The dance that I will be focusing on is entitled: thinking sensing standing feeling object of attention. The dance, to me, symbolizes the socialization of persons in Western civilization concerning gender roles. In the beginning there are gestures that are separated from emotion and full-embodiment, but as the dance progresses the gestures become more meaningful and recognizable. The lighting starts out very specific and narrow, then the light encompasses the entire stage, and eventually the dancers are silhouetted as they return to a familiar movement motif in the end. The music is mainly instrumental with occasional soft female vocals, and the lyrics suggest emotion, which is interesting because the dancers do not convey emotion until the end of the dance. Also, the showing of emotion is directly proportional to how much clothing the dancers have on at specific points in the dance.
Overall time helped demonstrated the masses’ movement unity as they moved with the time and the individual’s struggle as she moved contrary to the group’s time. The dance began with a lively Bach movement, which created a feeling of excitement as the mass of dancers moved with increasing speed. The short duration needed to complete movements, regularity of the music, and repetition of dance patterns of the group established their synchronization with time. In contrast, this allegro tempo created a nervous, rushed feeling for the individual woman, which established her contradiction to the groups perception of time. The sharp, sudden adagio tempo change in Part 2 created an uneasy mood, while establishing distrust and tension between the individual woman and the masses. The stillness of the mass dancers in response to the woman in Part 2 exemplified this segregation. As the tempo slowed in Part 4, an element of sadness and isolation was apparent in the individual woman’s movement. In contrast, this tempo change for the group created an intimacy between the individual heterosexual couples. This intimacy further isolated the individual women and demonstrated her movement against groups perception of time. The changes in tempo of music and dance movement complimented the third element of dance, dynamics or
dance of the season. He walked over to Baby who was sitting in the corner and said “nobody puts Baby in the corner”. He gets on the stage and said ”I’m going to do my kind of dance with a terrific partner who taught that there are people who are willing to stand up for you no matter what it cost them. Someone who taught me the kind of person I want to be.”. They danced and everyone started dancing; dancers with guest, guest with other staff.
Movies with dancing have always been a big success, simply because they cause people to want to move and be free like the actors on the set. Dirty Dancing, directed by Emile Ardolino, is a movie that makes people want to jump into the screen and be a part of the show. It is a favorite among teenage girls simply because of the kind of dancing that is performed. Another movie, Save the Last Dance, directed by Thomas Carter, is also well liked by teenage girls because of the dance moves. These two movies portray similar stories of girls finding happiness through expression of different kinds of dancing.
The concert began with the song “Now I Walk in Beauty”. This song is a traditional round song and was also used as a warm-up for the choir. The song begins softly, with all women’s voices singing, but throughout the song quickly builds to provide a louder amplitude. This gives the song a certain dynamic as the song continues to go on, always staying loud but dying down just a little bit at certain moments. Despite this, the high pitch of the women never wavers. The tempo of this piece is relatively slow, just providing an audience a sneak peek of what is to come during the rest of the performance. The melody at the beginning is simple, as it does not stray from the same notes. As the song begins to be a round, the singers layer the melody over itself, providing slightly more complexity to the piece. This comes together to provide the piece with a beautiful harmony, as the layering compliments itself. This creates a different timbre within this song than there was at the beginning, with the intensity of the piece beginning to slowly rise. With this song, the women are not only able to warm-up their voices for the following pieces, b...
Dance is a part of every culture. Whether it is the fire dances of the native Hawaiians, or the Tango from Spain, dance is a part of every culture. This event is not an event I would usually attend. I am not into art of any kind except music. At first, there were two reasons I went to this performance.
This piece was based slightly on swing dancing as apparent in the costumes and choreography. The choreographer of this was Joshua L. Peugh. The composers of the music used are Tommy Duncan, Dorothy Fields, Jimmy McHugh, and Bob Wills. My favorite part of the piece was when one of the performers walked across the stage carrying a cactus that would get bigger each time she walked across the stage. This both helped separate each small dance from each other but also added a sense of comedy and a familiar transition throughout the piece for the audience. The performer did this five times and by the final entrance the cactus was easily clearing her head. I liked how this piece from group dances to couple dances and flowed very well. The overall mood of this dance was lively and fun. Another moment that stood out was when the strings of lights came out at the final of the piece. This added a touch of warmth and added to the swing, country feel of the dance. Because I am classically trained in ballet, I appreciate turn out and piles between steps; however, I thought that this piece successfully told a story. It seemed very well rehearsed and the effort put in showed. The dancers portrayed the emotions of the piece as well. I especially thought the costumes were very fitting to the theme as well as the
In addition, the dance portrays a combination of operetta, musical hall and happenings. While watching the performance the viewer wonders where the rain comes from. This is a perfect portrayal of a natural happening outside the performance hall. The dancers are actually not confined within the studio as the outside world is transformed into a natural studio. The overall effect on the performance is a lively dance that keeps the audience glued to the last minute. In this regard, Bausch’s choreography is ‘life’ as she works on what moves the audience without largely concentrating on the movement of her dancer
Preparing for the final evening was as much fun as the event itself. We were a group of eighteen girls. Some, like I, had some background in Kathak while others were dancing in this style for the first time. The teachers worked hard with us over a period of twenty days. They encouraged the team and were patient with us as we fumbled with the steps. It was hard work as the steps of the dance were changed few times till we got the steps all the eighteen girls were comfortable with. We did not grudge the effort and looked forward to performing before the parents.
On the night of the DancePlus performance, I saw numerous little performances. There were six of them in total and the one I had most reactions and favors to is the last one of the first half, which is called Swampin. It was choreographed by John Evans with additional material by Oluwadamilare Ayoride, Jennifer Payan and surprisingly, the dancers. Usually what I would expect from a piece of dance performance is choreographers dominating the process of being creative on the grounds o f coming up dance moves. However, this time, it is nice to see how the dancer actually participating first hand in the creating process of the whole performance which would definitely benefit the quality of the dance, since the dancers would their own choreography