I would define art as transferring creativity and imagination into tangible
manifestations, whether it is music, paintings, sculptures, drawings, portraits, or
dance. Art comes in many colors, themes, sizes, styles, and forms. Much of this, I
think, is due to the individual artist’s social interaction, ethnic and cultural
background, and social status. This could’ve held true for the past as well, but in
today’s world, the amount of time exposed to informational media
(television/radio news, computers with internet access) have to be added to the list
of influences. I believe that all these can have an influence or impact on how a
contemporary artist of today may express him/her self.
The great masters of art from the past stood out from the rest because of a
smaller world population and lack of televisions, telephones, and other electronic
devices that would have been tremendous distractions. They had all or most of
their time available to focus on being creative, much unlike today’s fast-paced
society. With so many billions of people in the world today, as compared to the
population centuries ago, the chances of finding people with good or even great
artistic ability may be very high.
Beard 2
A work of art is something that is created from imagination and deep
thought, and usually serves more of an aesthetic purpose than a practical one.
It can be a beautiful and elegant painting, sculpture or drawing that effortlessly
attracts attention to itself; on the other hand, some art can be made from trash or
junk materials such as homes constructed with cans, beer or plastic bottles, or
other discarded objects/materials.
In Argentina, Tito Ingenieri, a 57-year-old man spe...
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...ey see in the piece. I think that artists like Picasso, Marc
Chagall, Piet Mondrian, and Paul Klee, for example (who represent modern art),
display a child-like style (as if a child could have painted them). In my opinion,
art and architecture were most impressive between the Greek and Classical
periods. Many of the artists between these periods possessed great patience and
genius. Their artwork was awe inspiring (especially the architecture).
Beard 6
Works Cited
“An Argentine Builds a Beer Bottle Castle with Six Million Waste Bottles.”
Thompson, Reuters.
May, 2011.
www.theweathernetwork.com/news/storms_watch_stroies3&stormfile=an_argentine_ builds_as_beerb_090511
N, Stromberg. “Bernini-Galleria Borghese: The Rape of Persephone.”
Italian History and Art.
March, 2011.
http://maitaly.wordpress.com/2011/03/02/bernini
Regardless of taste, an appreciator of art should be able to recognize when an artist exerts a large amount of effort and expresses a great amount of creativity. Understanding the concepts incorporated by truly talented artists helps the viewer better understand art in general. Both Van Eyck and Velasquez are examples of artists that stood out in their time due to their unique vision and their innovative style, and are therefore remembered, recognized, and praised even centuries after their works were completed.
behaviours and values shared by a large group or groups within society at a particular period of
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to one source, the reincarnation system for the Living Buddhas is the main point distinguishing Tibetan Buddhism from other forms of Buddhism.
Ultimately, it can be seen that all artists are influenced or incorporate issues and events of their time in their works, whether this is from the desire to portray Greek perfection to that of religious beliefs and the creation of the camera. To become renowned like Polykleitos, Michelangelo and Pablo Picasso, this statement must be followed.
In this article Winckelmann states that the good taste in art that is present in contemporary works stems from the work of the ancient Greeks. The beauty in the modern works of artists like Raphael (especially his Madonna and child with St Sixtus and St Barbara) hold such beauty, complexity of emotion, and good taste because he draws on the ideas set up by the great ancient sculptures and society in which they lived and drew inspiration from. Winckelmann categorizes the ancients greatness into two main ideas that are necessary for contemporaries to draw from in order to reach greatness: Natural beauty and noble simplicity and quiet grandeur.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
We encounter art everyday. Art is paintings and sculptures, music and dance, film and photography. It is also fashion designing and architecture, novels and magazines. These seemingly different things have one thing in common – they are all ways in which humans convey themselves. For thousands of years, humans have used symbols to tell a story or describe a struggle. Art is the use of these symbols, symbols that represent us in some distinct way.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
“Art must be an expression of love or it is nothing.” Art is just that, one of many ways that people can express love. LOVE by Robert Indiana and The Kiss, by the French sculptor, Auguste Rodin are just two sculptures that demonstrate love. LOVE is a structure of the word love in red with the first two letters above with the “O” slanted, and the last two letters bellow the first two, that is displayed publicly in New York City. The Kiss can now be found in the Musée Rodin in Paris, France. The sculpture is of two characters of the opposite sex kissing. The materials and colors used in the two sculptures, as well as the aspect of love that they represent and the history behind the sculptures, The Kiss seems to be more romantic.
can make the audience feel and how it can impact a person’s perspective. I also looked deeper to
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
...essive aspects that were quite advanced, the subject matter of his art was serious and dark. For his brilliance outshined all critisms, this made his art some of the most recognizable contributions.
AA theory by Clive Bell suggests the pinpoints the exact characteristic which makes a work true art. According to Bell, an artwork must produce “aesthetic emotion” (365). This aesthetic emotion is drawn from the form and formality of an artwork rather than whether or not it is aesthetically pleasing or how well it imitates what it is trying to depict. The relation of objects to each other, the colors used, and the qualities of the lines are seemingly more important than what emotion or idea the artwork is trying to provoke. Regardless of whether or not the artwork is a true imitation of certain emotions, ideals, or images, it cannot be true art unless it conjures this aesthetic emotion related to formality (367).
ideas. The popularity of street art has been in a continous increase as young generations sticked by it and used it as a platform for expressing