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Jane Smiley uses the characters' changing personalities and attitudes in A Thousand Acres to demonstrate the major effect the break up of a family can have on people. Many of the characters change through the novel with some becoming more insular and others becoming more outspoken.
One of the main people to change in the novel is Ginny. However she still has one major factor that remains throughout the novel - she worries about people. In Chapter 28 when she first sees her father after him staying at Harold's she says that the sight of him "startled" her. Also she immediately says to Rose "look at him." This shows that she is still caring for people and shows her pity. This is constant throughout the novel as she always made the breakfast for Larry and worried when he had a crash in his car. The first part of the chapter is on Ginny's description of Larry's dishevelled look and she describes not only his clothing and hair but also his "demeanour." This shows that she is watching him quite closely and suggest that she still worries about after all that has been said.
In this chapter Ginny is still worried about what other people think of her and the family as, when Harold and Larry are talking to other people she says "I longed to hear what he was saying...." She says this as if she is worried about what he might be saying about her and rose and the sense of shame is still upon her. This is a continuation of the behaviour she showed earlier in the novel when she was worried about what people would think of the family after Caroline's performance in the play as a young girl, "whispered horror over the coming humiliation." Ginny is still quite loyal to Larry as she doesn't want to look like she is plotting against him when she...
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...y and ignores her. "I took another two steps, but he clearly backed away." Ginny describes Larry's voice as "tentative" which is completely different to what it used to be as he used to have an "aggressive rumble." This demonstrates his fragility and senility.
Larry demonstrates his need to cling to somebody throughout the novel first with Rose and Ginny and later with Harold and Caroline. This suggests that under his gruff exterior he is actually lonely.
This chapter leads you to believe that Larry has in actual fact not lost his mind but that it is a ploy to gain sympathy as right at the very end when Rose and Ginny run out a "look of sly righteousness spread over his face." This does not describe a man who is losing his mind and does not know where he is, it actually describes someone who planned a scene knowing the effect it would have on his daughters.
A Fine Balance, written by Rohinton Mistry’s, illustrates the path to wisdom and humility before a calamitous end. The novel, A Thousand Acres, by Jane Smiley parallels a lot of similar themes and ideas depicted in A Fine Balance. As the story develops, a connection forms between the improbable household in both books and they generate an unbelievably uneven dysfunctional family, to either protect or torment one another through the experiences they encounter. Both novels develop the themes of, concern and compromise through the use of characters, conflict through appearance versus reality, and the position of a woman in a male-controlled society.
In his debut novel entitled We the Animals, Justin Torres exposes a story centered around a dysfunctional family. One can argue that the novel consists of multiple small stories instead of one continuous story. The family consists of a mother, father, and their three young sons. Ranging from ages 7-10, Manny is the first-born, followed by Joel the middle child, and Mijo is the baby of the family. It is told from the point of view of the youngest son, whose name is not revealed until the ending of the novel. Readers find out that his name is Mijo during a touching scene between him and his father. Mijo recounts different experiences him and his brothers faced growing up in their home. Torres uses those experiences to depict how negligence
...er’s few remaining powers and do little to stop him from running away into a treacherous storm. Contrastingly, Ginny is a much more agreeable character in comparison to Goneril and is unsuccessful in her plot to murder her sister. Goneril is ruthless as she strives for ultimate power and kills countless characters, including herself, in the process. Her hate towards her father is unjust where as Ginny has a right to be angry with him because of his inadequate parenting and downright abuse. All in all, Smiley added new life to Shakespeare’s ancient storyline from his play, King Lear, in building upon his characters and their behaviours in her modern day novel, A Thousand Acres.
It is no wonder, then, that Ginny goes on trying to have children even after Ty egotistically wants to stop trying because he can't take the disappointment. It becomes a way for Ginny to reclaim control over her body, a secret project through which she can live a second life that is free from social imperatives that ultimately originate with the transcendental signifier, the great "I AM"(211) of Larry Cook. It is telling that her reflections upon her "secret world", full of "secret, passionate wishes" are interrupted by a sudden reminder that her past and present life is dominated by her father's world and her father's wishes (26-27).
It becomes a new work as she creates a story about liberation for Ginny and Rose. Two characters, who were for the most part neglected in Shakespeare’s, find their own inner peace outside of a life dominated by males. This modern twist adds a new layer to this work and helps form a separation from the play. With a new focus to Ginny and Rose, the readers see and sympathize their struggles with their father. Larry, at first glance a senile old man, is painted in a more sinister light. Ginny and Rose were not bad daughters. When they agreed to the division of the land, there may have been ulterior motives, but it is not simple enough to reduce them to bad daughters. Their actions were responses to the patriarchal environment that they were living in. Rose and Ginny end up escaping this system of patriarchy. They start by resisting their father’s demands and wishes. They seal the end of his reign when they win the lawsuit filed against them for the land. Following this lawsuit, “there could no reconciliation now” (Smiley 326). Larry’s system of patriarchy had fallen, and was damaged beyond repair. Larry’s fall from grace ended with a heart attack in the cereal aisle. A death that his two daughters did not care about. Ginny barely affords three sentences about his death in her narration of this story. An equally unglamorous
Whereas Rose's "man-ness" is based on a destructive rage, Caroline's is based on cold calculation, therefore she is more successful playing by the rules of the patriarchy. It must be remembered, however, that she is able to use the system because she has been shielded from its negative side. Ginny and Rose have always protected her from Larry's anger, incest, and complete suppression of their own identities. While Larry signifies so many things to the elder sisters, not least the horribly intimate -familiar- memories of incest, Caroline can say about him that he looks "as familiar as a father should look, no more, no less". In this, as Ginny replies, she is lucky. (362)
That Larry has complete control of the lives of Rose and Ginny is already evident, and now we understand more of why. It is not only a matter of sexual abuse, but of asserting a perverted form of power. This is one of the links formed within the framework of the novel between women and nature: They are objects of property. "You were as much his as I was", Rose says. "There was no reason for him to assert his possession of me more than his possession of you. We were just his, to do with as he pleased, like the pond or the houses or the hogs or the crops." (191). All of this is subject to the power inscribed in Larry and the system he embodies.
“...took off her slippers, and got into the bed. For some minutes, before she fell into a deep, dreamless sleep, she just lay quiet, smiling at the ceiling(201).” Thanks to the words of wisdom that Zooey gave Franny by channeling Seymour’s “fat lady” metaphor that he taught the both of them, being primarily about striving for your ideal best, be idealistic. Overall, others opinions and values should not factor into your own self image. After Zooey said all this to Franny she no longer needed to question the way she views reality because she wasn’t lost on it
George has to tell everyone that Lennie is his cousin to protect him. Even though George knows it is not true he has to tell people that, so they don’t harm Lennie (22). Curly the boss son tries to bother Lennie and George tires to defend Lennie from Curly (26). He tells the swamper that Lennie has not done anything to get Curly to pick on him. Curly hates big guys because he is a small little guy, and he is not big like them (26). George warns Lennie to stay away from Curly because he knows that he will try to cause trouble. This is the only way he can protect him from doing something he will regret (29). The only thing that George tells Lennie to do if anything was to happen is hide where they had planned. This way if Lennie did something bad he could and hid where George told him ...
Lennie is always the source of this anger, whether it be toward him, because of him, or from him. One of the first characters to portray anger in John Steinbeck’s Novel is George, Lennies companion. Straight away in the Novel, anger is shown towards Lennie, Georges anger is because Lennie wants something they do not have, and because it is Lennie who is ‘pleading,’ George is Expected to have it. This is only due to Lennies innocence. George tells him, "Well we aint got no ketchup!" his anger is clearly out of frustration, as he goes on to talk about how he could do "Whatever the hell" he liked if Lennie wasn't around. "I could get my 50 bucks at the end of the month and go sit in a cat house and enjoy myself, but no, I'm stuck with you". George is almost saying that Lennie is a burden to him and that if Lennie were to leave George alone, then George would have a more relaxed life. All of this anger that George is giving to Lennie is because George is frustrated at not being able to further his life in a way in which he wants to.
In A Thousand Acres, I read Ginny as being the reserved quiet daughter who, up until the very end, bends to her father's tyranny. As a result of he fathers incestuous ways, and his constant verbal degradation and abuse of her and her sisters, Ginny bows to her father's every whim. It is only when she realizes the awful things he has done to her that she finally takes a stand.
After this, Harry Potter will write the next entries. After Ginny steals back the diary, her subsequent correspondence will probably be reprimands by Tom. As he tells Harry, “Imagine how angry I was when the next time my diary was opened, it was Ginny who was writing to me, not you (CS, 313).” At this point, Tom still needs Ginny to help him lure Harry, so his correspondence will need to persuasive, which it is. Ginny will end up writing the note about her going into the chamber and go into the chamber under the guidance of Riddle (CS, 313.) It is important to note that Ginny was going to tell Harry, but she could not say it in front of Percy (CS, 329). In many ways, Ginny trying to defy Tom and notify someone shows that her will is stronger than Tom thinks, and it will define her
The three events that mark Jane as an evolving dynamic character are when she is locked in the red room, self reflecting on her time at Gateshead, her friendship with Helen Burns at LoWood, her relationship with Mr. Rochester, and her last moments with a sick Mrs. Reed. Brought up as an orphan by her widowed aunt, Mrs. Reed, Jane is accustomed to her aunts vindictive comments and selfish tendencies. Left out of family gatherings, shoved and hit by her cousin, John Reed, and teased by her other cousins, Georgina and Eliza Reed, the reader almost cringes at the unfairness of it all. But even at the young age of ten, Jane knows the consequences of her actions if she were to speak out against any of them. At one point she wonders why she endures in silence for the pleasure of others. Why she is oppressed. "Always suffering, always browbeaten, always accused, forever condemned" (Bronte, 12). Jane’s life at Gateshead is not far from miserable. Not only is she bullied by her cousins and nagged by her aunt, but help from even Bessie, her nurse and sort of friend, seems out of her reach. In the red room scene Jane is drug by Ms. Ab...
This feeling intensifies when Mr. Brocklehurst arrives to take Jane away to Lowood School. Her aunt is pleased to see her go, but manages to influence Jane's life even after Jane is settled in at the charity school, by informing Mr.
In the same way as Lear, Larry possesses power, authority and land. He is heavily involved in his church community and is seen as a decent family man. Not only are his deeds admirable, but his age also commands respect from those younger than him. King Lear is ruler of one of the most powerful nations in all of Europe and is a loved King with strong allies like, Kent and Gloucester; Lear is also up in age and demands respect from those younger than him. As highly regarded public figures, each character is accustomed to seeing events play out as they wish, meaning that they have little experience in dealing with opposition or disappointment. Similarly to Lear, Larry decides to divide his property in order to avoid family conflict after his death and so that his daughters are not “lumped with inheritance taxes, giving the government money”, however; he faces disappointment in the form of his youngest daughter. For Larry, when his daughter, Caroline “wants to think about [the decision]” instead of praising her father for his ingenious decision, he comes to the conclusion that “She doesn’t want [any shares]. Simple as that”. Larry goes so far as to shut Caroline out of his home when an important business decision regarding the farm is being made. Larry’s disownment of Caroline is nearly identical to Lear’s disownment of Cordelia. When Cordelia refuses to vainly profess her love for her father, Lear admonishes her that “Nothing will come of nothing [and urges her to] speak again” (1.1.4). When Cordelia once again, disappoints her father, Lear banishes her from his kingdom, letting her know that if “[her] banish 'd trunk be found in [his] dominions, The moment is [her] death” (1.1.8). Both these characters willingly push away the people in their lives with the most love and respect for them all because of their pride. It was the youngest daughters of both