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“What did you do this summer?” our teacher grinned, as he announced the topic of our first essay this year. Everyone around me groaned in disappointment, but I raised my head, smirked, and realized, for the first time, my summer was extraordinary.
As part of a deal my dad made, with my mom, for forgetting her birthday, we spent our summer in Rome. Every emotion was heightened, from getting off the plane to stepping into the taxi; this was the first time our family had stepped on European soil. After we were dropped off at our hotel, we unpacked, freshened up, and looked over our itinerary. We were to visit every major site and monument that could be fitted into 3 weeks. As I was reading through the list, I realized Pompeii was not part of the tour. So, for the last 3 days, we booked another tour, and visited Pompeii, and that is where the fun began.
The tour company was called ‘Dark Rome Tours’ the name itself sent chills down my spine as we entered Pompeii, a bustling Roman city, destroyed by a still active volcano. Our tour guide walked us through the streets, cut out by carriage wheels 2,000 years ago. He showed us the ruins of various houses, both for the elite and the poor and the public bath. After a late breakfast, we visited the exhibit I was most anxious to see, the people, frozen in plaster death casts for thousands of years. As we entered the exhibit, my little sister got scared, seeing the faceless people in glass boxes, so my parents waited outside with her, as I looked around at the people who were frozen in the position they were in when the volcano erupted. I approached a figure, whose face was upturned, like in prayer and its hands holding what looked to be a stick of some sort. I touched the glass and thought,...
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...architecture and politics of an amazing Roman city.
Works Cited
Cooley, Alison, and M. G. L. Cooley. Pompeii a Sourcebook. London: Routledge, 2004. Print.
2. Cornell, Tim, and Kathryn Lomas. Urban Society in Roman Italy. London: Taylor & Francis e-Library, 2005. Print.
3. Laurence, Ray. Roman Pompeii Space and Society. London: Routledge, 1996. Print.
4. Morton, Marguerite W. Scene from the Last Days of Pompeii. Cambridge [eng.]: Proquest LLC, 2005. Print.
5. "AD79 Eruption." AD79 Eruption. N.p., n.d. Web. 04 Dec. 2013. .
6. "Ancient Pompeii's Society." Architecture of Ancient Pompeii. N.p., n.d. Web. 04 Dec. 2013. .
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Sebastian Pether’s piece of work called The Eruption of Vesuvius (1835) combines the silver watery reflection of the moon with the hot red molten lava that is flowing down its mountainsides. Though during Pether’s generation he wasn’t the only one to paint the well-known Mount Vesuvius, Joseph Wright of Derby also painted 30 paintings of the volcano. This art piece is currently located at the Nelson-Atkins Museum of Art. The piece is oil media on panel that is framed with a beautifully designed border, where it is hanging on a wall in the one of the rooms, with a one-dimension view. The quality of the piece owes itself to the color and lighting, which captures your immediate attention and guides the viewer through the piece.
There are several prominent geographical features that played a major role in the daily life of Pompeii. The geographical location of Pompeii, its economic and industrial activity, entertainment and the Roman influence in the city’s architecture all convey different geographical features. These features contributed in shaping the way the city’s inhabitants went about their daily lives, and all had a profound impact on Pompeii
The Pompeii exhibition featured a number of objects, and how these objects were showed to the public presented a story. We were welcomed by the people into the home and gardens. Later we were given our parting with the photo albums and illuminated Pompeii art. This exhibition shows how much information and history can be presented in a few pieces of art.
Honour, Hugh, and John Fleming. "Hellenistic and Roman Art." A World History of Art. London: Laurence King, 1999. 179-213. Print.
Spiegel, Frances. "Trier and the Porta Nigra: Roma Secunda – the Romans’ Second Home | Suite101.com." Frances Spiegel | Suite101.com. 11 May 2011. Web. 05 Feb. 2012.
Castriota, David. The Ara Pacis Augustae and the imagery of abundance in later Greek and early Roman imperial art. Princeton, N.J.: Princeton University Press, 1995. (P. 64)
The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression
Nearly two millenniums ago a massive eruption rocked the Roman city of Pompeii, destroying buildings and coating the town in deep layers of volcanic ash. Fortunately, this same ash served as a tool for preservation and has allowed archaeologists to discover the remains of various types of Pompeii’s art. The values, beliefs, and daily workings of Roman culture have been brought to new light through the paintings, mosaics, statues and other forms of art found in the lost city of Pompeii.
Marcel Le Glay, Jean-Louis Voisin, Yann Le Bohec. A History of Rome. West Sussex, UK: Wiley-Blackwell, 2009.
Gregorio Dati, Diary, in Gene Brucker (ed), Two Memoirs of Renaissance Florence (Waveland Press, 1991) p. 107
Pompeii is possibly the best-documented catastrophe in Antiquity. Because of it, we know now how the Pompeians lived because they left behind an extensive legacy of art, including monuments, sculptures and paintings. Pompeii lay on a plateau of ancient lava near the Bay of Naples in western Italy in a region called Campania, less than 1.6 kilometers from the foot of Mount Vesuvius. With the coast to the west and the Apennine Mountains to the East, Campania is a fertile plain, traversed by two major rivers and rich soil. However, in the early days, it was not a remarkable city. Scholars have not been able to identify Pompeii’s original inhabitants. The first people to settle in this region were probably prehistoric hunters and fishers. By at least the eight century B.C., a group of Italic people known as the Oscans occupied the region; they most likely established Pompeii, although the exact date of its origin is unknown. “The root of the word Pompeii would appear to be the Oscan word for the number five, pompe, which suggests that either the community consisted of five hamlets or, perhaps, was settled by a family group (gens Pompeia)”(Kraus 7). In the course of the eight century B.C., Greek and Etruscan colonization stimulated the development of Pompeii as a city around the area of the Forum. A point for important trade routes, it became a place for trading towards the inland. Up until the middle of the 5th century B.C., the city was dominated politically by the Etruscans.
Each show was kicked off with the pompa – a morning procession that occurred during several other public events in Rome – led by the editor’s standard-bearers. Following the pompa was the venation...
Cohen, E. S., & Cohen, T. V. (2001). Daily life during the Italian Renaissance. Westport, Conn.: Greenwood Press.
On the 25th July, I travelled to Rome to take in as many wonderful sights as possible, such as the Trevi Fountain, Rome’s most popular tourist attraction. Trevi Fountain was completed in 1762 and it was designed by Nicola Salvi. Trevi Fountain is the world famous Baroque fountain. It features a mythological sculptural composition of Neptune, god of the sea, flanked by two Tritons. On my journey towards the Trevi Fountain there were huge crowds of people, but even thoug...
My favorite summer vacation was when my Father took me to Universal Studios in Orlando, Florida. It was one of the most memorable experiences of my life. What made it even more memorable was the fact that it was my very first time on an airplane. I cannot recall another time in my life when I experienced so much joy. That trip to Universal Studios was the first time my Father and I actually did something together, just the two of us and was something brought me close to my Father. In this essay I will tell you about my plane ride over there, what I did right when I got there, and about my time at Universal Studios.