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How the media can influence public opinion
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Cole Chase-Beach
Mrs. Lucibello
English 11 H
December 8, 2015
The Mutation of Fame
What person would not want a pinch of fame to be added to the mixture of their life? The vast majority of people will never get to taste that sweet flavor, causing them to look for another source to feed their hunger. The next best thing to your own fame is indulging in others’. However, many people do not stop to look closer and uncover to truth behind this epidemic. No one thinks about the disease that has slowly consumed the population — the industry of celebrity. One could claim that with social media, magazines and daily articles at our disposal it is nearly impossible to resist the temptation to idolize those who don’t deserve their fame. This extends to individuals as well. The way we present
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Contemporary celebrity is built upon the twisting of truths and at times outright fabrication that are passed off as fact. This runs opposite to Thoreau’s ideals. Although it is the epitome of openness and truth, reality television is not Thoreau’s idea of truth either. He was transcendentalist, the definition of which is, “in order to understand the nature of reality, one must first examine and analyze the reasoning process that governs the nature of experience.” It’s quite possible that he would’ve believed that the act of placing a camera in someone’s home would alter the nature of reality. Society’s way of recognizing who is deserving of being distinguished has become so warped that we now view anyone who is letting us to their lives deserves our praise. Leo Braudy, Ph.D., professor of english at USC stated that, “Fame has become so immediate that it has lost its posterity...with media our entire definition of fame is visibility.” (Neimark). Although we believe that we are seeing the complete truth, a lot of strategy goes into the sculpting of the “truth”. We are meant to see what they intend us to
As celebrities stand distinctively among the masses and cast out their halos of personality charm and strong suits of skilled abilities, the controversies about them are unavoidable shadows created from their fame. With the popularization of celebrity culture, information synchronization, and communication technology, their lives are publicly exposed and various forms of media (depending on eras) record their flaws. Tough information transmitted to audiences are frequently biased, evidences of objective reality remains, even in the remote past.
Reality based television has a broad landscape ranging from competitive game-like shows to programs following the daily lives of a group of people. Every major network now has some form of reality programming because the genre’s shows are high in viewership and require low costs for production. The genre is appealing to viewers because it provides them with a first-hand look into the lives of everyday people, which allows them to observe social behavior that helps them determine what is appropriate or not (Tyree, 2011, p. 397). Since the majority of modern reality stars start out as unknowns, frequent viewers of reality programming believed that fame is obtainable if they appear on a popular show (Mendible, 2004). According to Mendible’s evaluation of the genre in the article Humiliation, Subjectivity, and Reality TV, people enjoy reality programs beca...
In a world where billionaires and celebrities can have more influence over the public than government, the word power has become interchangeable with success. Although many of us have fantasized of our lives if we were famous, the majority of the population have given up on the notion of becoming famous, and have become more realistic towards future dreams and desires. However, what qualities drive people of fame to do things that keep their name out in the eye of the public? People desire power. Genuine power is the ability to influence.
“Posts.” Fame is a dangerous Drug: A Phenomenological Glimpse of Celebrity.” N.p. ,n.d. Web 15. Feb 2014
The star text of a celebrity can help to decipher their image and transitions they may undergo. In order to better understand these transitions, one must know the definition of a star text. A star text is the sum of everything we affiliate with celebrities, which includes their body of work, promotion, publicity, and audience participation (Jackson, 08/09/16). One must note that “celebrity doesn 't happen because someone has extraordinary qualities – it is discursively constructed by the way in which the person is publicised and meanings about them circulate” (O 'Shaughnessy and Stadler 424). Destiny Hope Cyrus, “an American singer and actress, became a sensation in the television series
After observing and researching all the sources portraying celebrities I have came into a conclusion that todays society it seems like all we want is to be accepted and we tend to look at other people and judge. Its not right, we all are different and thats what makes the world go round. It would be a pretty boring world if we were all the same. Celebrities deal with this everyday, I think the paparazzi know more about some celebrities lives than they actually do. They judge them for who they are and what they do, it is not right nor fair.
A celebrity is not a person known for his/her talent or achievement, but an individual recognized for his/her reputation created by the media. The phase of stardom is slippery, and media may choose to represent celebrities varying from exaggerated admiration to mockery. The three texts chosen, movie "Sunset Boulevard", feature article "Over the Hilton" and television show "Celebrity Uncensored Six" are texts presenting different perception of celebrities than their usual images - either corrupted by the encircling media, overloads oneself with self-indulgence, or just mocks celebrity in a broad spectrum. Such media items empower and impresses the audience by perceiving celebrities as people who pay the price of privacy to gain well knowness, signifying the vanity of stardom from the commonly accepted images.
January 6, 1973, famous anthropologist Margaret Mead published an essay in TV Guide in which she addressed her view of PBS’s series “An American Family.” This series was groundbreaking during that time because is followed the Loud’s, a California family who were neither actors nor public figures just average middle-class family, which was unheard of at the time. The Louds were filmed for seven months and the product was twelve one-hour episodes which showed everything from the monotony of their everyday life to the corrosion of Bill and Pat Loud’s marriage. Meade called this series “a new kind of art form” and marveled at the shows ability to show the drama and entertainment value of the average human condition. Forty years later, as Meade had predicted, reality based television and films have become more understood, respected and prevalent in our modern culture. Extreme success stories of documentaries such as Justin Bieber’s 2011 “Never Say Never” and countless reality shows indicates that a celebrity’s presence , musicians particularly, on reality media channels can change audience’s perceptions, promote new material and help them to stay relevant in the public eye. These “reality” documentaries and TV shows present the audience with carefully edited material that conveys only a fraction of that individual’s personality and character yet has profound effects audience perception and acceptance. The British boy band One Direction is a prime example of how using the model of framing in reality television shows and documentaries effectively promotes projects, molds the opinions of audiences, allows artist to appear more open and relatable and leads to extreme monetary success.
The fame that comes from being a celebrity or entrepreneur does not render them immune from ridicule, speculations, loneliness, or exploit. Those chasing the American Dream may see this end goal of becoming wealthy enough for all of their problems to disappear, but this ...
Is this the reality we are seeing or will be seeing in the near future? Has the lead up to this degree of reality television begun? We are so addicted to the media and its spot light, even young children’s ambitions have been changed from things like being an athlete or an accountant to being ‘famous’ not for a particular cause but because in this day and age individuals are becoming famous for being on television. So Truman as he leaves ‘The Truman Show’ would be famous since he has been on the show from the time when he was conceived.
There was once a time when there were more simplistic views on life; where truth and justice prevailed above all and the main concerns of society were much more primitive. However, those times have long vanished and have now been strategically replaced by the commodity that celebrity culture fully encompasses. Guy Debord writes in The Society of the Spectacle, that the “spectacle is not a collection of images, but a social relation amongst people, mediated by images” (Debord, 4). By this, he simply means that the spectacle is constructed by the daily images devised by celebrities, reality television, and pseudo-events. And those images have altered and strongly influenced the way people perceive themselves and others, as well as the social
We are part of a generation that is obsessed with celebrity culture. Celebrities are distinctive. Media and consumers alike invented them to be a different race of super beings: flawless, divine and above all the real moral world. In a 1995 New York Times article “In contrast, 9 out of 10 of those polled could think of something
Hollywood is known to be the home of many celebrities, ranging from musicians, actors to models. The celebrity life is something everyone wishes to live. Driving big cars, living in mansions and having attendants to attend to various needs all seem to be something to make life easy and comfortable. Despite all the love that is shown to the celebrities, the celebrities live a life of intense scrutiny. The common people, who are their fans, keep track of every single detail of their life. Each short coming is noticed and put on the limelight with the help of the media who are the main information givers on every move celebrities make. “The paparazzi, in turn, have become watch dogs who never let them out of our sight, staking out their gyms,
Much of today’s society seems obsessed on what actors/actress, athletes, and music artist are wearing, eating, who they are marrying, dating, where they are vacationing, what affairs they are having or have had, and how they live their everyday lives. What’s so interesting about this obsession is as a society we are implacable and often place celebrities on a pedestal, only to destroy them when they are illusive or promiscuous. Media outlets are swift to report when celebrities are in trouble but quickly forget all their accomplishments. It’s as if we want them to be perfect but once they are associated with a scandal we embark on destroying their reputation and character. Should society hold celebrities to higher standards just because they are paid millions for endorsements and a craft they worked hard to perfect? Do we as a society have the right to castigate celebrities when they misbehave? Do celebrities have the right to become livid when they are focused on for their immoral behavior? Do they love the media attention only when it benefits them? Before we can answer the above questions, would we, furthermore, can we live our life as a celebrity if given the opportunity?
We know everything about them and we know nothing about them; it is this conflicting concept that leaves audiences thirsty for a drink of insight into the lifestyles of the icons that dominate movie theater screens across the nation. This fascination and desire for connection with celebrities whom we have never met stems from a concept elaborated on by Richard Dyer. He speculates about stardom in terms of appearances; those that are representations of reality, and those that are manufactured constructs. Stardom is a result of these appearances—we actually know nothing about them beyond what we see and hear from the information presented to us. The media’s construction of stars encourages us to question these appearances in terms of “really”—what is that actor really like (Dyer, 2)?