Musical Masons
The Maximum Exposure Showcase engineered by Trevor Blair had outlined 2010’s musical pace. Trevor who is the Owner/C.E.O. of Revolutionary Entertainment is setting his own musical revolution. Each band fits in accordance with the greater picture of audiences experiencing music on a personal level. Many concertgoers did not immediately realize they were in a Masonic dwelling. The master of ceremonies selected a setting befitting of the love of music.
Ben Franklin was a Grand Master and Founding Father of America who did not confine himself to being a scientist. He also enjoyed the pleasure of invention as an author and ambassador to France. Franklin was known to have played the guitar, the violin, the harp as well as being skilled at music composition for string sections. One of his inventions was the self-rotating glass harmonica reflecting his passion for the arts. The Scottish Rite Event Center in Long Beach, California provided a background rich in history and tradition for the musical festival. The esoteric society opened their doors to music goers where all types of music lovers gathered under one roof. Freemasonry stands for brotherhood and audiophiles felt like family tied together by three stages playing host to diverse bands from all over the great state of California to as far as Nashville, Tennessee. The six degrees of separation put bands and their fans on the same level allowing everyone to enjoy themselves in a safe manner.
Music is a core aspect in the Masonic world. Mozart’s promotion to journeyman Mason then master Mason helped shape his character. He was not only associated with one lodge as was also welcomed in all lodges as a brother. Mozart’s Masonic belief that one’s class and spirit...
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...The opportunity to play a non-traditional venue with Revolutionary Entertainment excited the headlining band. Sugarcult acquired the gig through a mutual friend and concertgoers enjoyed a concert venue which doubles as a historical landmark. Many of the Masonic members run large corporate ventures, but the structural design redefines the idea of having to hold a festival by reinforcing what constitutes art. The Scottish Rite Event center certainly meets the goal of serving the community by proving esoteric societies do not shut out the public in fact this lodge encourages the growth of members of the community. The architecture alone is a testament to the 20’s style remaining forever young. Marko DeSantis, the Sugarcult guitarist proclaimed, “I love supporting independent venues. You do not play a corporate venue because you want to support the corporate venues.”
Thursdays at Cal State L.A. seemed like any other typical day- warm, busy, and tiring. However, on December 2, 2015, something was particularly different; not only was it the last day of class before finals, but there was also a Mariachi concert directed by Cynthia Reifler Flores. As I was walking towards the State Playhouse, I thought about how the music would be composed. The first thing that I expected was the music to have a quick, upbeat tempo, something that would be played at a festival or a party. I walked through the screen door and was given a pamphlet. In it contained detailed information about their programs, musicians, Flores’ biography, and the prodigious mariachi group. After waiting for what seemed like an eternity, the doors
Philip Auslander’s book “Performing Glam Rock” talks about a type of music that until this class, I have not heard much about. When I think Glam Rock I think of artists like Prince and Kiss, ...
Imagine attending a concert in which if you were to close your eyes, you would assume that the music you are hearing is being created by a cast of band members, each playing their respective instruments. Contrary to your assumptions, however, this band only consists of one member. Keller Williams, dubbed by critics as a one-man-band, is one of a kind both in his musical talent and his solo act. Very few solo musicians have mastered such a multi-dimensional sound and captivating live show as Keller, making him standout amongst today’s musicians. Keller’s ability to perform improvisational live shows, form a large and dedicated fan base, and share the beliefs and attitudes of the hippie generation has given him the musical identity of the jam band genre in addition to his personal identity of being a solo act.
Thile presented a professional but laid back presence which allowed his audience to relax enough to focus on his musical abilities. Thile also escaped catastrophe through witty comments that did not avoid the troubles but instead recognized them and helped move the show forward and away from the mistakes in order to continue to appreciate his performance instead of worrying about the unavoidable flaws. In choosing to perform as a solo artist, Thile presented himself thourgh his music, allowing it to remain spontaneous and accurate to his own abilities which spoke greatly to the talented performer he is. Thile’s concert was a recognizably unrepeatable event that displayed the abilities of an artist who’s live talents demonstrate his successful musical
Yarberry, G.A. (1979). An overview of the past, present and future of the band movementin America. Bulletin of the Council for Research in Music Education, 14(2), 1-9.
Trevor Blair enjoys working with bands that take their careers seriously and are determined to reach their career goals. Blair’s Battle of The Bands doubled as a preparation field to observe bands that are driven and focused on their music. As the owner and C.E.O. of Revolutionary Entertainment Trevor balances the roles of being the owner and C.E.O. along with the daily tasks required to producing a successful event by remaining focused and remembering to have fun.
“Five dollars dude”, a gruff sounding man says while an equally gruff looking bouncer checks over my I.D. I pull the money out of my wallet and hand it to him in exchange for a wristband, or stamp of some kind, signifying that I’ve paid and am of age. I walk into the venue; dark, noisy and crowded. The smell burns at my nostrils and my ears ring with the echoes of chants and screams. Then he appears on stage; his name: Kevin Barton; his band: Tabernacle. Like a reaper and his servants preparing you for the journey, seemingly to the gates of hell, the crowd waits with anticipation. The solemn look on all of their faces matches their attire: black shoes, black slacks, black pencil ties, and white shirts. These aren’t just any Mormons (actually none of them are) but rather masters of hardcore. What set them apart from other bands though are their unique blend of personality and character, and their ability to come together and play music.
"The Mozart Project- Biography." The Mozart Project. mozartproject.org, 25, Apr 1998. Web. 22 Jun 2010. .
My book report is from the biography of Mozart written by Robert W. Gutman. It was illustrated by the Jacket art courtesy of Music Lovers Society and was published by Harcourt Brace and Company. It was printed in New York City and the year of publication was 1999.
This time around I noticed something that I had never really noticed before, which is how much music can mean to someone. I understand that music can mean a lot to some individuals, however seeing that spark in someone eyes or in their facial expression is a whole other story. It is a story that is truly incredible to witness. It is difficult to describe what exactly this facial expression looks like because it is different for every person. You know it when you see it, it is almost as if they are in a whole other world. I did not notice this spark in any of the members of the Wilmington Orchestra, rather I
A young girl steps out of a yellow cab with a sparkle in her eye. As she looks up, she sees the biggest and brightest marquee hovering over Sixth Avenue, on the corner of Fiftieth Street. Wearing her finest red dress and paten strapped shoes, she grabs her mother’s hand and smiles with excitement. Walking into the largest indoor theatre in the world, this young girl is about to experience a spectacular like she has never seen before. New York City has forever marked the heart of this seven-year-old girl. For this one experience eternally transformed her view of the theater. After entering Radio City Music Hall and seeing the glistening chandelier hanging from above, the magical charm of this New York City landmark will forever be engraved. A “palace created for the people”, Radio City Music Hall is a place for entertainment, amusement, elevation, and inspiration (“History”). If the history wasn’t enough to keep Radio City alive, the future continues to look bright. Radio City is not only an artifact of the past, but the origin for the future. With advanced innovations and consistent pressure to compete with the rest of New York City, Radio City Music Hall thrives as the showplace of the nation.
As the mass of band members entered the field with their assortment of instruments and wild west props, the suspense in the crowded stadium grew. The process of setting up the props and the front ensemble with its arsenal of keyboards added to the excitement in the air. When the band was in place, the drum majors climbed their podiums and the audience fell silent. The stillness was broken when a small group of brass players
When I was an extremely young fellow, simply starting to advance, I was welcome to feast at the home of a recognized New York giver. After supper our master drove us to a huge drawing room. Different visitors were pouring in, and my eyes observed two alarming sights: workers were orchestrating little overlaid seats in long, flawless columns; and in advance, inclining toward the divider, were musical instruments. Clearly I was in for a night of Chamber music.
Rawlinson, J. (2013). Music Festival Tourism Worldwide - International - June 2013. Retrieved 02 28, 2014, from Mintel Report: http://academic.mintel.com/display/643783/
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.