Music Piracy: From the Pirates Perspective
I don't wear a black patch over my eye. I don't have any missing limbs, replaced by a hook or a wooden leg that clicks when I walk. I have never owned a parrot; I don't have a cool name like Black Beard or Calico Jack; I don't even have a big, black hat. Though I lack all the defining characteristics, I am a pirate. My ship is a laptop computer and my booty is not measured by dollars and cents, but by precious kilobytes. With the aide of my spy glass, the KaZaa Media Desktop, I discern my next target. Wielding my trusty mouse, I make a few clicks, issue commands, board ship, and hijack the music recording industry, claiming yet another copyrighted song as my own.
My zealous desire for music began in the early nineties. I got a little CD player when I was ten, but I didn't realize its true potential until a year later, in '92, when I purchased Nirvana’s Nevermind. Even though I was too young to understand lyrics like, “travel through a tube and end up in your infection,” I was forever changed by the power chords and distortion. Enlightened, I embarked on a journey to claim more of this newfound music for myself. Scratching together loose change, along with my meager allowance, I sought out CDs by Pearl Jam, Soundgarden, and Stone Temple Pilots, giving up everything I saved for these musical gems.
As I grew older, my CD collection expanded along with my musical taste. My CD cases grew in capacity, from 12, to 36, to 75, finally reaching 200. By the time I graduated high school, I had amassed well over 300 CDs, ranging from classic rock to bluegrass to rap. At an average price of $15 apiece, that is over $4,500; more money than I spent on my last car. This collection devoured a majo...
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...be forced to pay for the 13 other unlistenable tracks? Some bands are acknowledging this problem by making their songs available on their websites and releasing enhanced CDs with video clips and interactive elements.
The recording industry is finally lowering CD prices after years of declining sales, but they are not addressing new technology. By providing legal means of music downloading, the industry could profit from website advertising and from the exposure their artists would receive; not to mention the money they would save in production costs. But they can't expect to attract consumers while they are suing their target audience. The recording industry needs to rethink its methods and many artists need to reconsider their attitudes concerning their music and their fans. Until then, like many others, I will continue to sail the wide open seas of music piracy.
Singers and songwriters need to make a living somehow. They know that downloading music is a way to get their voice heard, but they also know that it is significantly hurting the business. "When your product is being regularly stolen, there comes a time when you have to take appropriate action," said RIAA president Cary Sherman (RIAA 1). There are a lot of people involved in the music scheme when it comes to who needs to get paid by the revenue. From the sale of one CD, singers get one small fraction of the cost, another fraction goes to song writers, musicians also get some of the profit along with retailers, engineers, technicians, warehouse working, and ever...
The music industry can trace its roots to the 18th century when classical composers such as Wolfgang Amadeus Mozart sought commissions from the church or aristocracies by touring to promote their music (Boerner). By the early 20th century, recorded collections of songs were available for purchase for home listening. Towards the middle of the century, record album production had become the norm for getting new music to the masses and album sales had replaced sheet-music sales as a measure of popularity, with the first gold-recor...
“It is estimated that such illegal product costs the music industry more than 300 million dollars a year domestically.” This is why the Recording Industry Association of America (RIAA) is taking a strong stance against MP3 piracy. The damage done to the recording industry in lost profits, increased prices, and lost jobs is overwhelming. In an attempt to put a damper on file swapping, and recapture lost revenue the RIAA has been suing people ...
While many suggest that music piracy is destroying the music industry, others claim that it is actually helping. On average, people who pirate music “legitimately purchase 30 percent more music than non-P2P (Peer to peer) users.” This is what Betsy Issacson claims (Issacson). Most of this music is copied from friends and families that bought it from a music store. In 18-29 year olds, this is where they get about 30% of their music from.
Big time record companies and artist are losing billions of dollars due to people illegally downloading music files. The
Richard Simmons, the lead singer of the rock band KISS, has been cited (should “as” be here? Not sure.) speaking out in a distasteful and informal manner against illegal file sharing with the following quote: “It’s only their (you should define who “they” are before this. Seems a little out of context. It seems like you are still addressing file sharing, which is what you introduce the quote as being about, but in reality, he is addressing the people who allow it, whoever they may be) fault for letting foxes get into the henhouse and then wondering why there’s no eggs or chickens. Every little college kid, every freshly-scrubbed little kid’s face should have been sued off the face of the earth. They should have taken their houses and cars and nipped it right there in the beginning”(Source). In his statement, Richard encapsulates the indignation many musicians feel towards people who steal music through file sharing (also known as music piracy). This anger is warranted by the morally accepted viewpoint that stealing is unethical. Music piracy is not measly pilfering, either. “As a consequence of global and U.S.-based piracy of sound recordings, the U.S. economy loses $12.5 billion in total output annually”(Source). However, what if the unhappiness that Richard and other artists feel from illegal file sharing also caused millions of people to be happy? Would the wrongs (that) stealing music caused be morally justified by the prodigious quantity of pleasure generated by music piracy? This is a question similar to one that the founder of a philosophy known as utilitarianism, Jeremy Bentham, asked himself. Through the question, Bentham concluded that “[t]he highest principle of morality is to maximize happiness, the overall balance of...
An “analyst” was quoted in the case (in 2002) as saying that “people will pay for music on the Internet, eventually.” This person was skeptical of the willingness of consumers to pay for
Back in the early 1980’s, record labels controlled what people could hear through airplay, record distribution and manufacturing, and selective promotion of music based on their judgement of their audience. An artist’s only feasible option was to go through this system. To obtain music of high quality, people had to buy vinyl singles or albums or tape, and later, only CDs. There was no practical way to listen to music before buying it without listening to or taping off the radio. Music was very restricted by several different record companies.
In today’s evolving and changing society, many people do not appreciate how extraordinary music truly is. Since the birth of the vinyl record, there are less people who own and are interested in them. Even though vinyl records have recently been making a comeback, they are still not as popular as they once were. People take for granted how easily accessible music is today though in the past it was not as simple. Even though vinyl records may be costly and may not have a large quantity of songs, as time progresses and technology continues to develop, the way that people listen to music degrades their appreciation for music due to easier accessibility, weaker sound in terms of quality, and decaying genres.
Piracy is a form of theft. Specifically, it refers to the unauthorized copying or use of intellectual property. Intellectual property is knowledge or expression that is owned by someone. There are three major types of intellectual property: 1) creative works, including music, written material, movies, and software, which are protected by copyright law; 2) inventions, which are protected by patent law; and 3) brand-name products, which are protected by trademarks. Many of the issues surrounding piracy have to do with the difference between intellectual property and physical property. A CD, for example, is a piece of physical property, but the songs on the CD are intellectual property. A customer in a record store can purchase a CD, but someone else still owns, or more precisely, has the copyright to the songs on the CD.
In today’s technological age and consumer-driven economy, there is no doubt that media piracy and file sharing are in demand and makes a big business. Not only the so called “bootlegged” materials cost less, but most of it also managed to completely imitate the quality of the original materials. It is much easier to people to download movies or music online or buy bootlegged DVDs for 5 dollars than to watch the movie in theaters or pay for the whole CD when there is only one song that the person likes. People know about the possible consequences of these actions, but they do not have a choice especially in these times of economy recession, plus everyone nowadays is doing it, so it would not be considered such a big deal at all if they illegally download or purchase copyright materials. On the other hand if everyone is doing it, why there are still some people getting caught? Not that they should not be punished, but being put into jail and paying a fine that is ridiculously impossible to pay are just practically harsh. Maybe if those people are business tycoons of counterfeit materials, but the fact that most of those people getting caught are just ordinary people trying to be practical and doing what the rest of the world is doing which is doing these “illegal” downloading or purchasing bootlegged movies and music. The government and the entertainment industries are using ordinary people as scapegoats and have been doing draconian methods in moms, children and maybe even old people by suing them for downloading or sharing pirated materials for free, because of the fact that they are having a hard time pursuing the big time “master minds,” who are making a profit out of someone else’s work.
Moreover, hackers came up with new ways to remove the digital copyrights so the same as before one downloads music and distributes them around. The industry gets its revenue from selling this content, whether it’s online or in stores, this funds new projects and allows for better products in the future. The public should be aware of this, downloading the content for free, and not buying it will decrease revenue for the companies, stopping them from undertaking future projects. “Production companies should lower the price on their products, I can’t buy music for at least 20$ per album and DVDs for 30$, I only make 200$ per month,” said George Issa, a music fan who spends most of his nights downloading music from the internet, “when there is an album or movie that I really like, I try to buy it legally, I don’t think I am doing anything wrong, they are wrong making money off our backs,” he added.
The term "software piracy" covers different activities: illegal copying of programs, counterfeiting and distributing software - even sharing a program with a friend.
Music piracy is a developing problem that it affects the music industry in many different ways including being responsible for the unemployment of 750,000 workers, as well as a loss of $2,5 billion; therefore, I want to explore ‘To what extent has music piracy affected the music industry market in the United States over the last 10 years?’
Let’s flashback to the early years of childhood when artists would announce when their album would be released and us kids would get all excited and couldn’t wait to get into the store to buy it. We would save up all of our money for that day, beg our parents to drive us to the store, then would put the CD in our little CD players and listen to it on repeat. Nothing made us happier than buying that new CD from our favorite artists.