On Sunday, April 19 2015 at 2:00 pm in Carnegie hall, the American Symphony Orchestra performed five pieces by various composers. The pieces performed at the American Symphony Orchestra include Alleluia, Dream-king and his love, Symphony NO.2, Music for Cello and Orchestra, and Cantares. Various well-known composers such as Randall Thompson, Horatio Parker, George Rochberg, Leon Kirchner, and Roberto Sierra composed the pieces included. All of which have an amazing skill and talent in composing music, which has been demonstrated by the American Symphony Orchestra. The American Symphony Orchestra opened with the first piece “Alleluia” composed by Randall Thompson. This piece by Randall Thompson was composed on July 1-5, …show more content…
This piece by Horatio Parker was composed in 1891. The piece, which lasts approximately 12 minutes, premiered on March 30, 1893, at Madison Square Garden in a concert for the winners of a National Conservatory of Music competition, which was composed by Parker himself. Its composer, Horatio Parker, was born on September 15, 1863 in Auburndale, Massachusetts and died on December 18, 1919 in Cedarhurst, New York. Horatio Parker was a talented composers, conductor and teacher demonstrating his ability to compose as a professor at Yale, where he began choral conducting and taught well known individuals such as Charles Ives. He was later appointed as Dean at …show more content…
Horatio Parker’s work “Dream-King and his love” which was performed at the American Symphony Orchestra is a Cantata which was original written in German and has gained a lot of attention by composers all over the world, which led Horatio Parker to win the first prize in a composition contest. Even though there are no online recordings of the “Dream-King and his love”, listening to it in person gave me the feeling of grief and despair due to its slow pace and low pitch. The piece sounded as if a tragic event has been going on in a person’s life and took a sudden turn and things went straight, giving the piece an anticipated upbeat
In the first part of this recital the vivaldi, contained a string Quartet. After the first intermission, I looked down at the podium and noticed that the precussions were added which included the timpani, bass drum, tylophone, and cymbals. In this recital Nancy Menk was the conductor, Judith Von Houser was the soprano which played a high note, and Mary Nessinger was the Mezzo-soprano which played a slight softer note. This part of the concert was divided into four pieces. First there was the Magnificant by M. Haydn (the orchestra accompaniment was edited from the composer's manuscript by Mark Nabholz). This piece consisted of strings without violas, two french horns, and an organ.
“You gotta play this piece like an English military band would,” said Jules during band one day while rehearsing the first movement of Gustav Holst’s Second Suite in F. “1. March” begins with four notes played by the low brass which is then echoed by the upper woodwinds. The trumpets have a noble melody which broadens when the entire ensemble joins in. Next, the piece lightens up with an upper woodwind melody. Later on there is a euphonium solo, and following that is a grand theme with an extremely distinguished style. After, there is a change in style and time signature. One simple theme repeats with different dynamics and instrumentations every repetition. The Wind Ensemble played this piece at the Winter Band Concert on December 11, 2013. This work, though easy looking at first glance, was genuinely difficult to put together. It had few layers, so mistakes or intonation problems were extremely noticeable. Furthermore, the style of the piece was extremely intricate and hard to master. Therefore, “1. March” had positives and negatives regarding intonation, balance and blend, articulation, style, and dynamics throughout the entire ensemble and the low instrument section.
One of the pieces the UC Davis Symphony Orchestra performed was Carnival Overture, op. 92, composed by Antonin Dvorak. The conductor at this concert was Christian Baldini and the main violinist was Shawyon Malek-Salehi. This piece was made in the Romantic era with an orchestra instrumentation. The genre for this piece is concert overture and has a sonata form in a similar formate to other sonata forms from the Romantic era, making it sound dramatic compared to the Classical era’s sonata era. The live performance was true to Dvorak’s original score, which took the traditional sonata form of the classical era and changed it to incorporate a common Romantic era sonata form. Although the live performance focused on the first violinist, it still maintained the dramatic atmosphere from the original piece by keeping the sonata form, rhythm, texture, and instrumentation.
...rs where the violins, viola, cello, flutes, bassoon, French horns and timpani played a bigger role. I’m not saying that this piano concerto was horrible but I just didn’t enjoy as much the piano’s performance in those two movements. It might have been the pianist interpretation, and exercise of improvisation. These two movements were the last performance of the pianist and once the second movement ended the piano was removed from the orchestra. Mr. Robert Levin received his applause once he finished and when he walked back from the curtains. Over all I did love the concert because it was the same style of classicism. The last two movements Menuetto-Trio and Presto were conducted by Nicholas McGegan. My favorite was definitely the last one, because it was so exciting, energetic and fast paced. The timpani as well as all the other instruments sounded great. The timpani in this movement played louder and more frequently that all the other movements, including the previous piece. There was only one percussionist and he played two timpani. So finally, I’ll end by saying again that the concert was great, and very well performed. I look forward to attending the New World Symphony again.
Andris Nelsons continues with a couple more pieces from him and the symphony. The piece titled “The Pines of the Villa Borghese” was performed. The melody brought images of the wizard like sounds from the magical Harry Potter. The piano and clarinet players had a lot of attention on them from the cameras. The two instruments put together a very sophisticated texture and form.
The concert I attended was the Liszt, Prokofiev, and Dvořák concert at the Chicago Symphony Center. Emmanuel Krivine is a French conductor who conducted the orchestra to play Liszt’s compositions Les Préludes, Symphonic Poem No. 3. Next was Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 in the Andantino, Scherzo: Vivace, Moderato, Allegro tempestoso, the piano soloist was Russian pianist Denis Kozhukhin who was accompanied by The Chicago Symphony Orchestra. Lastly was Dvořák’s Symphony No. 8 in G Major, Op. 88 was performed by The Chicago Symphony Orchestra, the four movements played was, Allegro con Brio, Adagio, Allegretto grazioso, and Allegro MA non troppo.
Appalachian Symphony Orchestra performed, Morning,Noon, and Night in Boone. The Orchestra was arranged on stage in a normal set up, the concertmaster was on the left hand side of the Conductor, the strings in the front, woodwinds in the middle, and brass and percussions in the back. The instruments in the back were on an elevated platform, so there sound could project and be heard. Before the conductor came out, the concertmaster signaled each section to play a note. Once, the conductor came out the crowd went crazy, they clapped loudly and shouted. And Mrs. Orth was so happy and kind and thanked everyone.
The Los Angeles Philharmonic Classical Music Concert Report. I attended the Los Angeles Philharmonic classical music concert at the Walt Disney Concert Hall on Friday 29 November 2013. The classical concert started at 8:00pm to the enjoyment of the huge audience that had been waiting for this amazing music extravaganza. Classical music concerts always offer magnificent entertainment and the audience in this concert was expectant to derive such entertainment or more. In attendance were Christian Zacharias, who was the conductor, and Martin Chalifour, who was the LA Phil commanding Principal Concertmaster and Bach violin player.
The concert started with a religious piece called Profanation from Jeremiah and it was based on a biblical story of a prophet named Jeremiah and his story in Jerusalem. This music piece tends to be a folk music. The music piece is managed to be divided into three sections, prophecy, profanation, and lamentation. The song starts with a solo horn fading in slowly playing over for couple seconds until a solo flute takes the roll along with a softer drum roll leading to a gathering of bassoons and clarinets.Also, the trombone enters in a high pitch increasing the song tempo.The melody throughout the song was lead by the flutes in first and then by the violins. The symphony ends with a three-note motif in a melodic gesture leading the song to end with a quiet tone.The second music piece is called candidate suite and it was conducted by Clare Grundman and has five parts. The first part is called The best of all possible worlds. In addition to Westphalia choral, Auto da fe, Glitter and be gay, and Make our Garden grow. The song starts with a high timpani hit and a brass fanfare. The melody then is lead by the trombone, and the flute joins the trombone. The tempo and the melody tend to be fast and there was soloist by the flute, clarinet, and the bassoon. The piccolo then leads the melody and shapes a descending tone. In the middle of the song, the theme sounds quiet and slows with a flute solo in the
Music is virtually everywhere we go, no matter if it is background noise in a coffee shop or singing along while shopping for groceries, we can find music somewhere. The event I attended was the Flint Symphony Orchestra on October 8, 2016. I have never attended a symphony before so I was excited to go, especially since I had invited my friend to attend with me. For this event, I was already informed by my teacher that the symphony will be formal so we needed to look the part since others will be dressed fancy. This made me curious how this event will turn out. Walking past the ticket area and through the doors to the lobby made me feel instantly memorized at how grand it was on the inside. I went downstairs and there were a vast
1808. It is also referred to as “Pastoral Symphony.” In 2009, Bernard Haitink conducted the
The performance must be of exceptional quality and must entertain the audience with the repertoire that has been selected by the conductor. For example, the repertoire selected must be of the orchestra’s skill level; otherwise, the performance would be unlikable due to tuning and precision issues. For the sake of the MSYO, Dr. Robert Seebacher, their maestro, chooses repertoire that is workable for the orchestra. To illustrate this idea, this year’s musical pieces includes Prokofiev: Lieutenant Kijé Suite, Borodin: Polovtsian Dances, and Gliere: Russian Sailors ' Dance which are all tough, but doable pieces. Symphony orchestras should tune, prepare, and collaborate with each other before a performance to ensure the entertainment is prodigious for the audience. The Mobile Symphony Youth Orchestra achieves the criterion by developing with auditions, letting the conductor chose the repertoire, and making sure the pieces are doable within their time
The last Piece of the program was Symphony No1. In g minor, op7 (1891-1892), features the work of the composer Carl Nielsen (18...
I attended the University of Michigan Symphony Orchestra, conducted by Kenneth Kiesler on January 25th. They performed Symphony No. 41, “Jupiter” by Wolfgang Amadeus Mozart (1756-1791) and all pieces from The Planets suite by Gustav Holst (1874-1934). I loved the venue of the performance, it was very warm and inviting. Of all the pieces performed, I think I liked Mars, The Bringer of War and Jupiter, the Bringer of Jollity the most. The titles of the pieces really helped immerse me into the music, they helped tell the story of the music. I didn’t like the Mozart as much as I thought I would and I think that was because I haven’t played it before. I know that after I learn and play a particular piece, I always gain a deeper appreciation for
On April 30, 2014, I attended a symphony orchestra at CSU. This is my first time attending a symphony concert; going into the concert I did not think that I would like the concert and the environment also I did not think that there was going to be a lot of people coming. At the beginning of the concert the conductor introduced himself and the symphony and talked about the history of it and played a little bit of each of the four movements and explained everything about them. The Symphony No. 5 in B Flat Major by Anton Bruckner was about 2 hours long it consisted of four movements. The setting of the room was very professional the orchestra was on the stage divided into groups according to their interments and the conductor facing them all and behind the conductor there was the audience sitting behind him. The was a wide variety of instruments being used such as first violin, second violin, viola, cello, bass, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba, piano, and percussion.