Music and Race Essay

Music and Race Essay

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Although artists do not create certain music to cure diseases or to make scientific or technological discoveries, music is one thing society can never live without. To both artists and their listeners, music provides an indispensible beauty that helps fulfill lives, and connect to nature. Music expresses the human condition in the purest way and affects everyone at a personal level. Plato, a well-known classical Greek philosopher once said, “If you want to measure the spiritual depth of society, make sure to mark its music.” Generally performer collaborate songs to represent the popular pop culture, and social issues, and wish for their society as well as their current era. For instance, controversial issues such as sex, violence, racism and discrimination has been represented through many musical genres including the blues, R&B, Disco/Funk, and Hip hop. When comparing previous historical periods to our current era, one can see tremendous differences in how they are exemplified in the genres have illustrated their music to address these specific issues. For instance, when talking about historical period they focus more on messages that are important to black communities such as freedom from racism, sexism and discrimination for example R&B conveyed a fight for freedom and stereotypes. On the other hand, recent genres such as Hip Hop do not portray a message, or if they do portray a message, the messages do not represent black culture as a whole.
The blues is a music genre that laments inequality, while expressing sensitive distress for death of loved ones, optimism for an improved life, trade, and cash. The central idea of blues performances is that after listening or performing the blues, one is able to overcome grief and ov...

... middle of paper ...

... social norm that the music are created within. Historical period music involved around racism and the dominant race while racism is still around in recent decades it’s not as talked about or blunt in the society.

Works Cited

Nelson, George. The Death of Rhythm and Blues. New York: E.P. Dutton, 1988.
Nelson, George. Hip Hop America. New York: Viking, 1998.
God Love Sex: Disco and the Gospel Impulse and “Disco Sucks,” in WERNER, pp. 203-211.
LaGrone, Kheven Lee, “From Minstrelsy to Gangsta Rap: The "N-----" as Commodity for Popular American Entertainment,” Journal of African American Men, Fall 2000 v5 i2 p117
Marcyliena, Morgan. “Hip-Hop Women Shredding the Veil: Race and Class in Popular Feminist Identity. South Atlantic Quarterly, V104 I3, p425-444.
Katel, Peter. "Debating Hip-Hop: Does Gangsta Rap Harm Black Americans?" June 15, 2007 Volume 17, Issue 23.

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