Music and Morality is an expository article that was written by Roger Scruton in 2010. Scruton is a moral philosophy professor at St. Andrews University and has written other works about the subject of music. The purpose of Music and Morality is to inform individuals who listen to music that there are morals behind music. He encourages readers to really listen to the music, and persuades readers that if we stop submitting to the music we will actually find the moral qualities. Scruton uses historical background as well as social context and political beliefs when he provides explanations to his claim that the beat of music is changing, and it is starting to control people. For readers to grasp what Scruton is saying, we must consider the music, and the experiences it gives us to fully understand the meaning of morals in the music in which we listen to. Scruton’s audience would be anyone who appreciates music because Scruton says in Music and Morality that music is everywhere, whether it is in the background of people’s conversation, or listening to it on their rides to work (2010); however it could also be argued that musicologists would also find Scruton’s article interesting because it breaks down current music and how it effects the public.
Music and Morality is an informative article that is based on research in the field of music. Scruton combines political beliefs and historical backing when he discusses Plato, and his concerns for what is considered morally just. Scruton believes that Plato was right when he said, “that changes in musical culture go hand in hand with changes in the law, since changes in the law so often reflect pressures from the culture” (512) and I think that this is a good claim bec...
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...on did not state his thesis until end of the second paragraph because he compares today to Plato’s time, which I think was necessary because it gives relevance to his quote and also, why Plato has shaped his views on music’s morality.
Scruton’s piece is argumentative and informational at the same time; however there are no sections, which I think makes the article a little bit harder to read because the author has so many claims, but there is no rhyme or reason for how the arguments are situated. Also, another point to be made is that the author uses language that reflects his knowledge on the subject of musicality. He gives examples of numerous instruments, and by doing this he shows the reader that he is not only fully capable of talking about the subject of music and its morals, but he also proves that he has done substantial amounts of research on the subject.
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