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Metropolitan Museum of Art introduction
art history 1 chapter 2
art history 1 chapter 2
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The Museum of Fine Arts One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most. The first art that interested me was the art of Indonesia which in this exhibit depicted the culture, history and art of Indonesian people. For instance, Bali a small island in the Indonesia valued most of its art based on the rich resources they occupied such as most art was composed of gold, diamond and sapphires which people of Bali believed that it will resemble their higher standards in the society. Art of Bali amazed me the most when it came to their “King’s crown” and “Queen’s crown” which was completely “fashioned in pure gold with diamonds, rubies, and sapphires” (Bali). The king’s crown was much simpler compare to queen’s crown which contained many varied of gold decorative that looked like gold flowers, and all of its designs such as rubies or sapphires were perfectly horizontally lined to each other that sort of depicted as a shiny necklace. The Bali’s art that I observed was very interesting know about the society they lived in those centuries with representation of their upscale society (Bali). Secondly, the art of India fascinated me a lot especially the 13th Century art of “S... ... middle of paper ... ...social values of rich stones resembled their higher standards of living in those days. Also, two different types of art based on Indian culture and society such as “Shiva Nataraja” and “Adios, Mahatma” depicted great religious and social perspective of Hinduism and free spirit of will, respectively. Also, “Heheya Kachina” and “The Light Inside” presented two unique forms of art which is so rare or so common in the modern society that we sometime forget to notice if these types of art exist. Works Cited Bali (Indonesian Art). 19th Century. Museum of Fine Arts, Houston, TX. Garcia, Domingo. Adios, Mahatma. 20th Century. Museum of Fine Arts, Houston, TX. Heheya Kachina. 20th Century. Museum of Fine Arts, Houston, TX. Shiva Nataraja. 13th Century. Museum of Fine Arts, Houston, TX. Turrell, James. The Light Inside. 20th Century. Museum of Fine Arts, Houston, TX.
The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
On my trip to the Metropolitan Museum of Art, I decided to take my mother with me. While being in the museum, I decided to focus on “The American Wing”. In “The American Wing”, there are amazing pieces of art, jewelry, and antique silver. I was amazed on how each piece of artwork and item was carefully designed. They had an amazing design that you do not see now in days.
As the painting is viewed from the outside a large rectangular border is shown. This border appears to be a page from the album. It is light gold and light brown in color, and it is outlined with a solid gold outline on both ends. On the inside, it is imprinted with rows of small gold plants, each one with a six petal flower, two leafs, and a shot stem. These rows of flowers are shown from a top side view which is consistent with the theme of the painting. These rows of flowers run from top to bottom and side to side. The plants made with gold represent the wealth of Mughal kings. Inside of this border is a second border.
been a heightened interest in all Indian things, such as in their art. Expression in the art
This second floor is firmly rooted on the modern arts. These modern artworks include: abstract images, spiritual, and inspiring works. The entire exhibition is dedicated to abstract concepts in everyday things. I wasn't really all that interested in this exhibit because I have no taste for such things. It was neat and pleasant being able to perceive how artwork has changed over the years. Moving on to the last exhibit was my favorite one. This exhibit was unlike any other because the artwork was captured through photographs. This exhibit was called, "Hungry Planet: What the World Eats." Each photograph was from a different country and with a different family who lived in that country. The centralized focus of this exhibit was to show the lifestyles of different cultures of people in the world. The way this was done was by photographing the families with their food and possessions. Furthermore, you could see the clear differences in varying lifestyles through every image. Whether it was a Samoan, German, Argentinian, Japanese, or Italian family, they were all unique and content. In essence, this became my favorite exhibit because I really enjoy learning about other cultures and how they live. This brought back memories because I come from a Filipino background that is entirely different from the accustomed lifestyle of Americans. In summary, culture is an interesting and unique
Perterson, L.K., & Cullen, Cheryl. 2000. “Hindu symbolism and colour meanings dominate Indian culture and society,” in Global Graphics: Gloucester, Massachusetts:Rockpoint Publishers, pp.175-176.
I visited the Minneapolis Institute of Art November 11, 2015 to study works of art in person and to consider how these works are displayed in a museum setting verses how they were originally intended to be seen. I will be comparing certain works of art from Greece and India, to other pieces if artwork found in Understanding Art 10th Edition by Fichner-Rathus.
In my life, I have never been to any museum, and I never thought museums were that cool and incredible view. Today first time I went to San Jose museum art because my art teacher recommended to all class students to go there for extra credit. Also I never expect the positive experience, which I got from this visit, for example; I got parking in short time, no line to buy tickets, and no crowd at the museum which helps me to spend more time on each photo to understand it better. So because of this positive reason, I observed many things about Indian history of art and Mexican famous artist about Jose Clemente Orozco.
period is generally regarded as a classic peak of North Indian art for all the
The artistic style of sculptures during this time and the Indian arts started taking a different approach when Buddhism had come along. The monks brought new perspectives into the artwork and how they viewed artworks. The people during the Gupta era had started to use copper to make figures of the Buddha and use different techniques inspired by the monks . The artwork had a big impact on India during the Gupta era. It was considered very popular at the time because of the Buddhists love for the arts. It even had its own style that was called the “International Style”. This style was popular throughout India because of Buddhism .
Man has always found pleasure in expressing himself by creating art. Through the centuries, man’s art has left behind clues and insight that enables the generations of today to understand their ancestors. In particular, historians and artist alike can see what certain Asian sculptures reflect of the culture and religious beliefs of Hinduism and Buddhism. Hinduism is the parent religion to Buddhism; much like Judaism is to Christianity. Despite Buddhism and Hinduism sharing similar philosophies and various idealisms, their respective sculptures also show their differences. There are two important characteristic of the sculptures of these religions. The first is motion versus rest, and second the subject matter. It is these two types of characteristics historians and artist can help use to decipher Hindu and Buddhist sculptures.
Islam employs the use of geometry as a primary form of artistic expression, linking through impression the omnipotence and omnipresence of Allah, inciting the viewer to see Allah’s permeation of all existence. Hinduism employs both geometry and imagery; with imagery commanding a prevalent role in ornamentation. Hindu connection is made in the representation of the infinite divine through Islam’s geometry, easily observed in the mosque window; similarly, Hindu’s artistic mandala, a geometric illustration, is not merely decorative as it is used to construct ritual altars as well as assisting in the composition of temples, also signifying the sacred interminable universe while correspondingly inciting the presence of divine deities (Gaeffke). Significantly, yantras, are found in Hindu art as well, geometric diagrams present in “paintings and used in meditation” (Molloy 106), these ornate, yet meaningful, renderings are exceptionally impressive. While Hindus can relate with the similarities in Islam’s artistic geometry, their use of this art form takes an understated role as vast competing forms of means and mediums are used to portray their sacred faith in more opulent and extravagant ways. Hindus may find the emphasis of geometry as a primary religious art form lackluster as it would seem to underrepresent the magnificence of the Creator of the universe, in comparison with the inspirational sculpture that