In my first ever visit to the MOCA Museum of Contemporary Art, was an interesting one. My summer job this past summer was working on Case Western Reserve Campus of 115th and Euclid. Every day I would take the RTA Healthline to work and sometime would dine at the restaurants around the MOCA museum. So every day I would walk pass the museum and not knowing what that unique building was. I went online to search for the museum address and when I saw the Google street view of the building, I was surprised to discover what that magnificent looking building truly was. Entering the museum for the first time was mesmerizing. The MOCA museum’s website states that “The nearly 34,000-square-foot structure, which is 44 percent larger than MOCA’s former rented space, demonstrates that a museum expansion need not be large in scale to be ambitious in all respects. Devised for both environmental and fiscal sustainability, the design is at once technically inventive, visually stunning and highly practical. The dynamic structure was designed by Iranian-born Farshid Moussavi of London”. The museum stands beautiful from the inside and the staircases give the impression of a maze. I then entered the Lewis gallery to find a work to use in the discussion of my essay. I walked around the entire exhibit searching for a work of art that to me was visually appealing and had a thought-provoking emotional or spiritual purpose. This essay will discuss my first experience to MOCA and the vibe of the gallery when in the presence of a photograph. On display in the Lewis gallery was DIRGE – an exhibition of 23 national and international artists reacting to and reflecting on death and mortality, both their own and their loved ones. Different artist on display were... ... middle of paper ... ...ood dreams? What sets you apart from everyone else? What is missing from your life? Do you think that everyone can be an artist? Where do you come from? Do you find your lot an enviable one? What have you given up? What do you do with your money? What household task gives you the most trouble? What are your favorite pleasures? What would you like to receive for your birthday? Cite three living artists whom you detest. What do you stick up for? What are you capable of refusing? What is the most fragile part of your body? What has love made you capable of doing? What do other people reproach you for? What does art do for you? Write your epitaph. In what form would you like to return? Calle, Sophie”. Works Cited “Museum of Contemporary Art Cleveland.” About. N.p., 2014. Web. “Sophie Calle.” ARNDT. N.p., n.d. Web. “Sophie Calle Quotes.” Scribd. N.p., n.d. Web.
The white walls of the museum came to life by the art works on and surrounding them. As soon as I walked in, I was facing Sheila Hicks, Vivace, Vivace, (2014) which lit up the room with its vibrant colors, serving as the
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
"An Artists's Life." Litzmann, Berthold. An Artist's Life. New York: Da Capo Press, 1979. 532. Book.
The Tampa Museum of Art was not always the same museum that we see today. It went through multiple stages throughout the years. The works vary, creating a large spectrum from the old to the new. The social angles change with the exhibits in the museum, combining to create the diversity we see today. Visiting this museum in person helped me to appreciate it even more than I would have thought possible. Observing and analyzing the other visitors helped me to understand the museum’s impact on the community more than I would have been able to just by reading about it. This museum is much different from others than I have visited.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
As I look at the painting of The Adoration of The Shepherds, two artists, Andrea Mantegna and El Greco, showed it different ways with same subjects. First, the title of the paintings is about Jesus's birth. Andrea mantegna artist had lived from ca 1430 to 1506. He established his reputation when he was 20 years old. This painting is the evident of his highly individual style. He worked it during ca 1451 to 1453. He painted it in horizontal format with 153/4x217/8(40x55.6). He used tempera on a canvas that transferred from a wood. In difference, El Greco(Spain 141-1641) worked it with oil color on canvas by vertical format. The size is 125 5/8x707/8(319x180cm). In Greco's painting, the objects are full on the canvas that big two angels and others are placed on top of the middle place, and the people are placed in triangle position based on the landscape. The landscape is very detail. The people I find it that Holy Maria is standing in the middle and the mountain is placed behind of Maria among the landscape things.
With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.
When entering the room, one cannot help but feel pulled into each and every painting. The realization that the artwork hanging on the walls was created hundreds of years ago, and still exists in pristine order, to me makes these pieces of art, relics. Gazing around the still and almost silent gallery, I could not help but think that each of these paintings are windows into the past. In his essay Ways of Seeing, John Berger states that “An image became a record of how X had seen Y” (136). At the time the paintings in this gallery were painte...
The Metropolitan Museum of Art came about as an idea from Jon Jay in Paris, France in 1866 with the idea of “national institution gallery of art” within the United States. Once this idea was proposed, it was immediately moved forward with his return to the United States. With the help of the Union League Club in NY they began to acquire civic leaders, businessmen, artists, and collectors who aided in the creation of the museum. For over 140 years, the visitors who go here have received everything the mission of the institution states.
Overcoming the grief that is felt after losing a loved one is a physically and mentally agonizing task. According to Dr. Christina Hibbert, a clinical psychologist who graduated from the California School of Professional Psychology, three main stages of grief include anger, depression and acceptance. Each one of these emotions can be seen in William Shakespeare’s Hamlet and The Descendants (2011, Payne) as the artists explore the effects of grief and the different emotional responses that one can have due to the loss of a loved one. Additionally, in Ismail Kadare’s Broken April, the Berisha family feels the sufferance that is associated with unexpected death, as well as the various temperamental reactions that one will have after losing a loved one. Each of these works of art represent a powerful example of the stages that one will go through after feeling the intense sorrow that is connected with death, as well as the unavoidable effects of grief.
The facility was smaller than expected by many on the tour group. However, the tour guide had a very nice explanation to each of the artworks. By visiting the museum to gain the aesthetic experience it has open many people point of views to how they can express his or her self through art.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
Vincent van Gogh, one of the most inspiring artists to both the world and on a personal level. Being a fan of his artwork, it was an easy choice to decide to watch the film Lust for Life, which portrayed Mr. Gogh’s life through the good, and through the not so good. While watching the film, I learned more about Vincent than I could have imagined a movie could represent. The movie was a marvel and it really showed how Vincent was an amazing artist, even though he might not have been the best human in terms of health. For the entirety of the paper, the following content, unless otherwise stated, will come directly from the movie Lust for Life by Vincent Minnelli (1965).
During my visit to the Pérez Art Museum Miami, I did more than just observing beautiful artworks. With the guidelines provided I could appreciate and study also the hidden meaning of some of the pieces I had in front of me. Some of them were easier than other ones, due to previous knowledge I had, but all of them made me examine them in a critic way that enriched my cultural heritage.
The theme of death in the poems “War Photographer”, “Remember”, and “Mother in a Refugee Camp” were all portrayed in different forms to explore death and the suffering it brings. The variations of death in the three poems create a diverse image of death, which some people can relate to through the different situations of loss. “Remember” by Christina Rossetti fashions an image of death because the speaker wanted her husband to remember all the memories they had shared during her life. Rossetti found it necessary to portray death as a spiritual place rather than a physical state of decomposition so that she can finally escape to a place of silence to avoid all the darkness in her life. “War Photographer” by Carol Ann Duffy is about a man who takes photographs of death in vivid, dark and disturbing images of conflict, which Duffy conveys thoroughly throughout the poem to powerfully showcase his grief and disheartening on the situation. “A Mother in a Refugee camp” by Chinua Achebe, displays the struggles of a mother desperately trying to support and save her child while writhing in her caressing arms at death’s doors. These are the poems that represent the theme of death.