William’s deductive processes are representative of the typical multicursal labyrinth described by Kolter and at the onset of the fourth day after the murder of Berenger; William explains the approach to his method of deduction:
Solving a mystery is not the same as deducing from first principles. Nor does it amount simply to collecting a number of particular data from which to infer a general law. It means, rather, facing one or two or three particular data apparently with nothing in common, and trying to imagine whether they could represent so many instances of general law you don’t yet know, and which perhaps has neve...
... middle of paper ...
... 38.1 (1984): 181. MLA International Bibliography. Web. 7 Apr. 2014.
Halpern, Paul, and Felicia Hurewitz. "Eco's Symbolic Cosmos: Trapped in the Labyrinth of Metaphor." Ometeca 5-6 (2002): 326-328. MLA International Bibliography. Web. 12 Mar. 2014.
Hernandez Martin, Jorge. “ Jorge of Bugos: Eco’s Minotaur.” Readers and Labyrinths: Detective Fiction in Borges, Bustos Domecq, and Eco. Ed. David William Foster. New York: Garland Pub., 1995. 163+. Print.
Kolter, Jody. "Abductive Reasoning as an Aesthetic of Interpretation and a Logic of Creativity in Umberto Eco’s 'The Name of the Rose'." Res Cogitans. 2.1 (2011): 169. Print.
Sibley, Rochelle. "Aspects of The Labyrinth in the Name of the Rose: Chaos and Order in the Abbey Library." Illuminating Eco: On the Boundaries of Interpretation. Ed. Charlotte Ross, and Rochelle Sibley. Aldershot: Ashgate, 2004. 40. Print.
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