Essay on Much Ado About Nothing By William Shakespeare

Essay on Much Ado About Nothing By William Shakespeare

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In Much Ado About Nothing by William Shakespeare, Benedick displays his shift away from being too prideful for commitment to wanting to commit to loving Beatrice in act five scene two lines 26-41. Through his allusions to tragic love stories, use of homonyms, and song and poetry, Benedick shows a transition from bachelorhood to marriage because of his desire to impress Beatrice while also conveying his inward fears of commitment.
Benedick alludes to one Greek myth and one Shakespearian story about men in love who experience complications. These allusions show Benedick’s difficulties in switching between wanting to always be a bachelor to wanting to be married. The first allusion Benedick makes is to a man named Leander, who swam across a strait to meet the woman he is in love with. This parallels Benedick going to great lengths to earn Beatrice’s love. Benedick had vowed to live his life as a Bachelor so many times that when he changes his mind, he is ridiculed by his friends. In the myth, Leander ends up drowning because he could not find his way across the strait which displays Benedicks fears of falling in love.
The second allusion is about a man named Troilus in the tragedy Troilus and Cressida by William Shakespeare. The play Troilus and Cressida switches between comedy and tragedy, but ends with the two protagonists not being in love. By Benedick alluding to Troilus it shows Benedicks fear of committing to marry Beatrice, only to have the marriage fall apart because women were seen to be deceptive at this time, which is emphasized by the recurring theme of men’s fear of being cuckolded by their wives throughout the play. The allusions that Benedick makes to faulty relationships displays his internal struggle against his fear...


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...ted all suggestions of him becoming married but now, through poetry, he shows his transformation out of his bachelorhood mentality. Through the use two art forms, poetry and song, Benedick expresses his change in character.
In act five scene two lines 26-41 Benedick displays his transformation from having a bachelor mentality to confessing his love for Beatrice. Benedick conveys this transformation through allusions to a Greek myth, and another Shakespearean story, as well as using homonyms to show his switch between his original and changed self, and admits his vulnerability through a song and an attempt at creating verse. Benedick’s transformation marks not only a shift in his character but also a shift in the play from the two relationships of Benedick and Beatrice, and Claudio and Hero, being pulled apart to the resolution that leads both couples to end in unity.

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