The Movie ' The Trailer Of Netflix 's Series ' Making A Murderer ' Essay

The Movie ' The Trailer Of Netflix 's Series ' Making A Murderer ' Essay

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“We can all say we’re never going to commit a crime, but that doesn’t mean you won’t be accused.” The trailer of Netflix’s series, Making a Murderer, begins with this statement. Before viewers have even begun watching the series, this quote prods them to go down a scary thought path. Where would you find the strength to stay hopeful while in jail? How would you prove your innocence? Would you succumb to the pressure of pleading guilty for the chance of early parole? The first seven seconds of the trailer captures the viewers’ attention, and from there they are hooked. Netflix creates the infamous good vs. evil scenario in this series. Steven Avery and his family are portrayed as the poor and innocent citizens, while the investigators and prosecutors are the corrupt and evil system taking advantage whenever they can. Making a Murderer is a successful text because Netflix creates it from an improved version of a popular television model and establishes a clear good and evil side that prods viewers to root for and oppose.
In 1985, Steven Avery, a 22-year-old Wisconsin man, was convicted of the rape and attempted murder of Patty Beernsten. The first episode in the series, “Eighteen Year Lost,” creates a timeline of the suspicious events preceding his arrest. For example, Avery runs his cousin Sandra Morris, a sheriff deputy’s wife, off the road and points, what he claims was, an unloaded gun at her. Shortly after being released, Mrs. Beernsten describes her attacker to Deputy Sheriff Judy Dvorak, a friend of Sandra, who says, “That sounds like Steven Avery.” Although Mrs. Beernsten’s original description did not actually describe Steven, and, in fact, more accurately describes a known rapist in the area, Gregory Allen, she becomes con...


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...their own instead of the innocent man he helped put behind bars.
Whether Netflix feels as impassioned about the two men sitting in jail as they made the millions of people they informed of this travesty is unknown. Nevertheless, there is no doubt that Making a Murderer is a successful text because Netflix creates it from an improved version of a popular television model and prods viewers to root for the good side and oppose the evil one. Removing the part of a show that gives closure, like knowing an innocent person gets exonerated or a heinous criminal never gets to walk the streets again, takes away the audience’s sense of happily ever after. Pairing this with one clear good side that has been wronged by one evil side leaves viewers aware of such a wrongdoing that they feel obligated to spread Steven and Brendan’s stories and give them the justice they deserve.

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