Analysis Of To Live

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In the film To Live, a man and his family experience the effects of historical events of their own lives while living in China from the 1940s until the late 1970s. This film is a work of fiction, but it creates a generalization about the lives of the common folk and their imaginable struggle through life that they went through during the war. The war represented an ideological split between the Communist CPS and the KMT’s brand of Nationalism. Xu Fugui is one of the main characters and his name in Chinese means “Lucky & Rich.” Describing his character at the start on having an addiction to gambling and does not take responsibility for his actions. The film also hints slight social norms of gender inequality, such as with his wife, Jiazhen, …show more content…

A young socialist group was created by the name “Red Guards” are hunting down “capitalist-roaders” who are guilty of the “Four Olds” which is old customs, old habits, old thoughts, or old culture. This is shown when the village chef comes for Fugui to get rid of the puppets because everyone knows that they are part of the old culture and though the puppets remind Jiazhen of her son Yongqing, the family burns the puppets. The audience is shown that the Communist party has infiltrated people’s houses and propaganda is even in the marriage song between Fengxia and Erxi. It is known that by this time the Revolution is at it’s strongest. Education is depicted to not matter and that proves to cause a disaster as later in the film during Fengxia’s childbirth the doctors are all gone and only the students are left. It is noticed that these students are all young woman and the Communist party is trying to make gender roles equal for these young woman, however it is clear that since the doctors were the only ones educated to help this puts the death of Fengxia who dies of blood loss after giving birth to her son Mantou. Fengxia who is mute and considered back in China as a disability in Chinese culture as a “dishonor” since disabilities was considered that no doctor or nurse would that treat them, manly because they did not know how. This part in the film is symbolic to this part of China during that time as it shows both children, Youqing and Fengxia victims of the Communist Party polices. At the end, when Erxi buys a box full of young chicks for his son, which they decide to keep in the chest formerly used for the shadow puppet props. Implies the history of Puppetry in Chinese culture such as it was made for an emperor who had lost a loved one and so an Official made a shadow puppet of her and when presenting it to the emperor he was overjoyed that he could see his loved one again.

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