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the impact of globalization on culture
the impact of globalization on culture
the impact of globalization on culture
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The decadent and delicious peanut butter and chocolate covered cake that defines my childhood in Philadelphia remains now a faint memory now that I have entered the state of Georgia. While Tastykakes is a regional treat that can be found in every Pennsylvania grocery store and gas station, the Coca-Cola logo stands as a world wide symbol recognized in Egypt, France and almost in every country. Globalization and the exposure to other country’s goods can influence the culture of the native land. Martin Espada’s poem “Coca-Cola and Coco Frio” demonstrates the idea of two cultures coming together. Within this poem the author uses literary techniques such as diction, imagery and personification to create a story that encapsulates the ideas of a natural world versus a material world. Even the title of the poem shows the contrast of the two worlds, the “Coca-Cola” representing the material and “Coco Frio” representing the natural. This vivid contrast between the two leads the reader to think that materialism can often overpower the simplicity of nature. In this poem the author also makes a literary criticism on how an over-industrialized America takes away the natural beauty and heritage of one’s native land.
The speaker uses the literary technique of diction to show a contrast between the natural and material world in the poem. The “island of family folklore” provokes the feeling of mystery and heritage closely associated with the natural homeland of the speaker (2). The speaker also describes the Coca-Cola given to the boy as a “potion” that he drank in a “bored” fashion (3). Even though the speaker describes the Coca-Cola, a materialistic element, “potion” carries a frightening and scary connotation. This use of the dark diction de...
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...flood their shores. Exposure to new customs encourages acceptances of others; however, forgetting the past never leads to a good future. Keeping traditions alive allows people to feel connected to their homeland where ever they live. Ironically, a Georgia based company recently bought the legendary Philadelphia trademark company Tastykake. The future remains uncertain whether Tastykake will become the “Coco-Cola” of the South and flush out the “Coca Frio” Lil Debbie snacks. Whatever the future holds for Tastykakes down south, I know that when I go back to my homeland of Philadelphia there will be a Peanut butter Kandy Kake waiting for me.
Works Cited
Espada, Martin. ""Coca-Cola and Coco Frio"" Portable Legacies: Fiction, Poetry, Drama, Nonfiction. Ed. Jan Zlotnik Schmidt and Lynne Crockett. 5th ed. Boston, MA: Wadsworth Cengage Learning, 2009. 421-22. Print.
A writer’s choice of nouns and verbs alters the feel and meaning of a poem. A prime expel of this fact is in the Crowder Collage literature book, on page even hundred seventy-three, more topics for writing, number two. I chose the poem “When the Time’s Toxins,” by Christian Wiman, for the exercise.
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
I do not know how without being culpably particular I can give my Reader a more exact notion of the style in which I wished these poems to be written, than by informing him that I have at all times endeavored to look steadily at my subject; consequently, I hope that there is in these Poems little falsehood of description, and my ideas are expressed in language fitted to their respective importance. Something I must have gained by this practice, as it is friendly to one property of all good poetry, namely, good sense; but it has necessarily cut me off from a large portion of phrases and figures of speech which from father to son have long been regarded as the common inheritance of Poets.
Every day , Puerto Rico is slowly adapting into the American way of life and is gradually losing what is left of their culture. Perhaps this is because Puerto Rico is a commonwealth of the United States. The poem “ Coca Cola and Coco Frio” by Martin Espada is a great example of someone who encounters the Americanized culture of Puerto Rico. Puerto Rico is struggling to preserve their own identity.
... a boy when he could control his sexual urges. This violent description of a boy's first sexual encounter is both intriguing and disturbing. Yet, at the same time, the poem seems to speak to the higher theme of industrialization. As a boy, fascinated by the prospect of wealth and fame, the speaker destroys the nature around him to harvest its treasures, just as society does. However, this cannot satisfy the boy, and he realizes the importance of nature that money can never replace. The violent, sexual imagery intensifies and emphasizes the horror of the act committed by the boy. Although society feels no guilt in its actions of demolition, the speaker uses the poem to chastise people for their disregard for nature. These two different readings of the poem offer two completely diverse tones, but which both depict a violent corruption and defilement of innocence.
The poem heavily appeals to the senses, which describes the more sinister parts of nature. Because when people think of nature they usually think of the more beautiful parts of it (e.g. mountains etc.) The poems appeal to senses shows how filthy and grubby nature can be describing the sight, smel...
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
Second of all, in the poem “Lake Isle of Innisfree”, the reader sometimes fails to understand what is really happening. “I will arise and go now, for always night and day I hear lake water...
The speaker reflects on the teenage girl’s childhood as she recalls the girl played with “dolls that did pee-pee” (2). This childish description allows the speaker to explain the innocence of the little girl. As a result, the reader immediately feels connected to this cute and innocent young girl. However, the speaker’s diction evolves as the girl grew into a teenager as she proclaims: “She was healthy, tested intelligent, / possessed strong arms and back, / abundant sexual drive and manual dexterity” (7-9). The speaker applies polished language to illustrate the teen. This causes the reader not only to see the girl as an adult, but also to begin to grasp the importance of her situation. The speaker expresses what the bullies told this girl as she explains: “She was advised to play coy, / exhorted to come on hearty” (12-13). The sophisticated diction shifts towards the girl’s oppressors and their cruel demands of her. Because of this, the reader is aware of the extent of the girl’s abuse. The speaker utilizes an intriguing simile as she announces: “Her good nature wore out / like a fan belt” (15-16). The maturity of the speaker’s word choice becomes evident as she uses a simile a young reader would not understand. This keeps the mature reader focused and allows him to fully understand the somberness of this poem. The speaker concludes the poem as she depicts the teenage girl’s appearance at her funeral: “In the casket displayed on satin she lay / with the undertaker’s cosmetics painted on” (19-20). The speaker elects not to describe the dead girl in an unclear and ingenuous manner. Rather, she is very clear and
Delicious, sweet, refreshing: just some of the few words that are used to describe the taste of soft drinks. For over 125 years, one of the most iconic soft drink brands in the world has been the Coca-Cola Company. However, when an image as iconic as the Coca-Cola logo is reimagined and placed in a new situation, its entire meaning can change. In this case, by transforming the Coca-Cola logo, the message of the icon is shifted from the original intention to convey its relatively recent controversy with racial discrimination.
Structuring the placement of “water” with precision throughout her 32-lined poem allows Hogan to portray its ultimate solace. Hogan’s use of “…water’s broken mirror” (1) and depiction of water as “dark” and “cold” (14) conjures the image of a “broken mirror,” suggesting a fractured reflection, as if water’s clarity has been corrupted. Additionally, the diction of “dark” and “cold” signifies a loss of vision as well as a trembling physical reaction.
It is relatively easy to see the repression of blacks by whites in the way in which the little black boy speaks and conveys his thoughts. These racial thoughts almost immediately begin the poem, with the little black boy expressing that he is black as if bereaved of light, and the little English child is as white as an angel. The wonderful part of these verses is the fact that the little black boy knows that his soul is white, illustrating that he knows about God and His love.
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
In this poem, the author tells of a lost love. In order to convey his overwhelming feelings, Heaney tries to describe his emotions through something familiar to everyone. He uses the sea as a metaphor for love, and is able to carry this metaphor throughout the poem. The metaphor is constructed of both obvious and connotative diction, which connect the sea and the emotions of love.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.