A gentle hand reaches out; a mother’s arms embraces a new life that enters into this complex world. A simple gesture, yet one that will come to signify an infallible bond between two lives. A mother love for her children is supposed to be something that never dies. Love itself can be expressed in many different ways depending on the situation. Sometimes, this “love” is shown in such a variety of different ways such as through aggression, affection abusiveness, kissing or even touching. In the episode “Mother’s Day”, from the show Orange is the New Black, the story writer displays how each character had a unique relationship with their mother, which as a result played a part in them ending up in prison. According to the character Big Boo “a …show more content…
She does not understand the Nicky was trying to give her a gift from the heart. It later becomes clear that Nicky’s mother depends on the nanny to provide her daughter with love because her materialistic things are what’s important to her. Judging from this particular scene the rich mother don’t have time for her child because she was so busy living her own live. For me this scene this scene was very irreverent because I do not come from a royal upbringing like Nicky but some people do. For that reason alone I found this scene to be very clear, precise and unique because not only did it show how much a child yearn for a mother but also how much of an influence a mother is to their child. Therefore, although I cannot be certain I’m sure that the consequence of Nick having such a poor relationship with her mother played an important reason in why Nicky turned to drugs later in her …show more content…
Focusing on the Mother’s Day celebration is a brilliant way to take the long view of life at Litchfield, allowing viewers to examine many of the characters. By showing a variety of well-detailed and in-depth flashbacks the producers were able to show the effects a mother love can have on her. Also by showing a numerous amount of flashbacks viewers are able to understand a wide range of different point-of-view, all of which all important in their way. Each glimpse into the past is counterbalanced with a scene in the present, sketching out a rough path for each featured character and what led them to this day. As the episode comes to a Big Boo convincingly explains how a child that grows up poor, neglected, or abused is highly more like to become a criminal. In conclusion, when one sits back and takes the time to think about it, all the characters in this particular episode that were included in a flashback were missing at least one of those things. As a result, it made them more likely to become a criminal, whether they knew it or
shows how Boo is being made a prisoner in his own home, for no reason,
After being exposed to the affair, Nick is later lectured by Tom about a particular book he 's been reading up on, “The idea is if we don’t look out, the white race will – will be utterly submerged!” Albeit this was written and situated in the 1920s, Nick himself does not express an opinion on the subject, while Tom is strident about his misguided contingency. Despite Tom, Nick endures through the dinner and sticks around for information about Daisy 's child. However, Daisy appears to not show much interest for her own daughter, instead expressing believable bitterness towards life and everything, leading here, “Her eyes flashed around her in a defiant way, rather like Tom 's, and she laughed with thrilling scorn. 'Sophisticated – God I’m sophisticated! '" Nick realizes the insincerity in her act it was once he actually reads into her lines, but isn 't sure of what to comment on. Daisy winds up extending the conversation into the room Tom and Jordan are lingering in, leaving Nick in an uncomfortable position. Fast forward to after Nick makes his realization on Jordan, the two of them are riding along in a car debating Jordan 's driving skills or whether she should be more careful, and she eventually admits, “I hate careless people. That’s why I like you." Although Nick and Jordan are in a relationship, neither of them truly cares for one another, as Nick blatantly dislikes nearly all of Jordan 's traits yet still finds himself gripped to her solely on his fascination for the careless 1920s living style. Jordan most likely couldn 't care less of what Nick thought about her, seemingly dating him for almost no reason whatsoever besides a simple shrug. Presently, nearly all of Nick 's acquaintances are
Mother is introduced to us from “The Rescue” and we continue to learn of her tortures throughout the book. Mother is a woman who is angry, specially towards Dave, specially when he is in need of punishment. Mother does not take care of her appearance anymore, she walks around in robes all day, watches tv, never bothers to put on make up, and often smells of alcohol. She is vindictive, cruel and abusive, always barking orders, assigning impossible chores and coming up with more sickening ways to break Dave. Mother attacks Dave’s self esteem by making him repeat and believe that he is a bad boy. Dave’s self esteem deteriorates even more as she treats him worse than one would a dog, yet acts towards his brothers with care and affection and even goes on to teach them to look down on Dave.
In 1988 Gloria Naylor wrote the novel Mama Day in hopes to show the world that one can either accept the hand they are dealt and make it come out to the advantage of themselves and others, or one can hide from their pain and live a life scared of what may come in the future. Mama Day is set on an island off the coast of South Carolina and Georgia that is inhabited by the descendants of a slave population. The main characters in the novel; Ophelia, Abigail and Miranda, also called Mama Day, all experienced a lot of pain in their lives; it is how they chose to deal with their experiences that sets them apart from each other.
Janie’s mother first signifies the vulnerability that women can often suffer from. At age seventeen Janie’s mother gets raped by her school teacher and after giving birth to Janie abandons the baby and disappears. As a result, Janie’s mother represents the harsh reality that many women of the time period faced with the dominating nature of men (Kitch 69). Janie’s mother ultimately makes the decision to leave Jody with Nanny because she does not know what to do with her newborn baby. Janie’s mother thereby reflects the often vulnerable nature of
Nick also matures throughout the novel. In the beginning he is very innocent, saying he only drank once in his life, and he believes in the good of people. Throughout the novel Nick’s innocents drains slowly. He see’s Gatsby as a role model until he finds out how much Gatsby does for Daisy, which bothers him. Nick has also admired Gatsby for living a lavish lifestyle which is betraying in what he believes in. Nick would do anything to make Gatsby happy; his...
...sm is obvious when Nick and Gatsby try to distinguish the charm in Daisy's voice. Gatsby says, "Her voice is full of money", and Nicks reaches a revelation about society: "That was it. I'd never understood it before. It was full of money-that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals' song of it…. High in a white palace the golden girl…." (120). With this realization Nick finally sees that when Daisy's charm and beauty is stripped away then only an ugly selfish personality is left. He becomes so wrapped up in the drama and parties around him that he looses sight of his original reason for moving out East, which is ultimately one of the reasons why the American Dream is no longer a realistic goal for Nick.
Nick is our narrator and the voice of reason in a time and place where parties are the goals and having a good time is all that matters. Parties at Gatsby’s mansion are the rule not the exception and all who attend pay homage to their false prophet Gatsby. He is their leader the charming man living in a mansion and driving and awesome care. Too bad he has no sense of real worth. Yet nick seems to be loyal to him the whole time “They're a rotten crowd, “I shouted across the lawn. “You're worth the whole damn bunch put together.”I’ve always been glad I said that. It was the only compliment I ever gave him, because I disapproved of him from beginning to end. First he nodded politely, and then his face broke into that radiant and understanding smile, as if we’d been in ecstatic cahoots on that fact all the time” (Pg 162). Nick appears on the sidelines more than in the mix with all the drinkers and boasters and unfaithful spouses. “I forgot to ask you something,...
In the novel, Daisy is superficial and careless. Daisy, while lounging at the Buchanan mansion with Nick, Jordan, and Gatsby, chooses to briefly see and hug her daughter, Pammy, instead of spending any genuine time with her. As Nick correctly mentions, Daisy “wanted to show [Pammy] off,” but did not actually care for her (117). Daisy’s willingness to not actually care for her own daughter, but instead treat her as a plaything and symbol of wealth clearly displays Daisy’s superficiality. Daisy’s shallow attitude is not restricted, however, to her relationship with Pammy. Daisy relationship with Gatsby, in the novel, is financially based. In the novel, Gatsby uses financial imagery to describe falling in love with Daisy. Gatsby stresses Daisy “vanishing into her rich, full life,” and her status “above the hot struggles of the poor,” evidencing that Daisy considered herself “better” than others because she is rich. Daisy in the movie, however, appears gentle and kind, once again because of Luehrman's cuts. Luehrman chooses to cut the Daisy and Pammy scene, and by doing so, easily allows Daisy to be likeable. In addition, when Daisy views Gatsby’s fine silk shirts she cries because she missed Gatsby. Nick, in his voiceover for the scene says “Five lost years struggled on Daisy’s lips,” suggesting that Daisy cries because she is heartbroken. In the movie,
29. Nick describes the charm of Daisy’s voice as “full of money”; he describes her later in that paragraph as “the golden girl”. In a sense to cash money Daisy is connected to his father 's vulgar work (mostly revolving/involving a nice flow of cash.)
Released from the compelling power of her voice, Nick perceives this as yet another of his evening poses, a gesture emphasizes her relationship of a rather special set. He feels that she is deliberately trying to trick him into an emotional response and is therefore manipulating his feelings by the power of her voice; perhaps this is the reason why Nick stays completely quiet as Daisy spills out her emotions.
Although Nick’s morals are “inclined to reserve all judgements”, this displays his neutrality (Page 1). Nick believes in people’s free will, thus not interfering with their choice, leading them to be responsible for their mistakes. An example is when Tom introduces his mistress, Myrtle, to Nick. Nick is just a ride along, Tom feels comfortable confiding in him. Tom has the trust in Nick that he wouldn 't tell Daisy about her. Although he isn’t honest with Daisy about this, he is a loyal friend to Tom. This somewhat shows the Nick’s equality and loyalty between Tom and Daisy. He doesn’t take sides with either of the affairs: Tom with Myrtle and Daisy with Gatsby. Nick is loyal to them because he doesn’t stick his nose in places. He doesn’t judge too quickly because of the advice his father told him in his younger years, “just remember that all the people in this world haven’t had the advantages that you’ve had” (Page 1), Nick is more of an observant person, who see the connect of the characters and relate it to the American
"I have already experienced the worst. After this, there is no worst possible thing" (Amy Tan 121). Throughout The Joy Luck Club, Amy Tan tells stories of how mothers use the misfortunes in their lives, to try to teach their daughters about life. Many of the mothers had bad experiences in their pasts and do not want to see their daughters live through the same types of problems. They try to make their daughters' lives as easy and problem free as possible. However, the daughters do not see this as an act of love, but rather as an act of control. In the end, the daughters realize that their mothers tried to use their experiences to teach them not to give up hope, and to look at the good of an experience rather than the bad.
Why would he help Daisy have an affair if he was such an honorable gentleman? One reason he might’ve helped Gatsby and Daisy was because he knew Tom was an awful husband and person and Tom and Daisy’s marriage was unhealthy. He thought that Daisy deserved better and Gatsby could give her better than Tom. Another reason was because of the advice his father gave him. “Whenever you feel like criticizing anyone just remember that all the people in this world haven’t had the advantages that you’ve had.” Nick is a pretty tolerant person and tries not to judge people. Because of this he doesn’t say anything to Tom about his promiscuity or to Gatsby about his infatuation with Daisy. It’s also the reason he sees Jordan. She’s obviously dishonest but he overlooks it as a way of being tolerant. This is another reason why everyone likes him, he doesn’t say anything about their bad deeds. This is not one of his best traits. Its good to be tolerant in some cases, but Nick can sometimes act as an enabler. His tolerance can also lead him to awkward situations. For example, he could’ve pushed harder to leave when Tom invited him to spend the day with him, Myrtle, and the others, but he doesn’t want to judge Tom so he stays. This happens again when he spends the afternoon with Gatsby and Daisy after they first reunited. Although, at the end of the book Nick becomes tired of being tolerant of things he doesn’t agree
In the novel, Sons and Lovers, by D.H. Lawrence, the protagonist, Paul Morel, represented the epitome of the phrase “mama’s boy.” Mrs. Morel was very demanding, and smothered Paul to the point where he felt it was wrong to love anyone else but her. Paul’s disturbing infatuation with his mother became an obstacle in what could have blossomed into successful relationships with two very important women in his life, Miriam and Clara.