Tragic family backgrounds propel the monster and Pinkie toward their future evil actions. Because the monster was created from human corpses, his creator views him with disgust. The monster’s deformities “forever barred” him from experiencing the sensations a normal man would enjoy (Shelley 217). This isolation renders the monster incapable of developing proper relationships with man, leaving the monster “miserable” (144). The monster’s virtues, left unrecognized, succumb to abhorrence for the human race. Likewise, an improper upbringing in impoverished Nelson Place cripples Pinkie. Pinkie’s parents prematurely expose him to sexual intercourse, and in order to escape this horror, Pinkie is willing “to commit any crime” and kills his parents (Greene 156). After these experiences, Pinkie loses the ability to feel emotion. A deep-seated animosity toward society fills the void of happiness in Pinkie’s life. Plagued by their childhoods, both the monster and Pinkie enter lives of struggle and evil.
Society’s prejudices create similar struggles for the monster and Pinkie and inte...
... middle of paper ...
...so he continues his evil pursuit (Greene 198). Pinkie, aware of his amoral actions, persists in his evil ways. While the monster attempts to combat his own wretchedness, Pinkie fosters his malice, and these responses display the amount of humanity left in each after their misfortunes.
Although both endure similar adversities of bad family backgrounds and society’s prejudices, the monster’s and Pinkie’s different views on companionship and guilt set them apart. Through their inhumane acts, the monster and Pinkie are metaphorically bloodless. Because of this lack of blood, each monster thirsts for the blood of his enemies. However, their thirst for blood may have been a mechanism to express their desire for a possibility of redemption. The monster, more deserving of pity and redemption than Pinkie, receives it in the end by setting himself on fire in the arctic.
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