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critical analysis of moll flanders
Analysis of Moll Flanders
critical analysis of moll flanders
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In Moll Flanders, the main character, she believes money makes the world go round. In this novel the novelist tried to show hardship and the bad luck that women breed being irresistible to men struggling women determined not be defeated by a cruel world. “Many critics and historians argue that a woman named Elizabeth Atkins, a notorious thief who died in prison in 1723, was one of Defoe’s inspirations for the character of Moll Flanders.” (“Moll Flanders”) Most of Moll’s actions are due to the need and desire for money. She is easily attracted to men that have interest in her beauty, but also comment on her beauty. She searches for husbands who have money and are willing to spend it on her needs, and also gives them an impression that she is wealthy.
She was born in prison and wasn’t fortunate to have what others had in a plain England life in the 1800s. She was ripped from her mother’s hand once she was born and after that gypsies stole her. As a young girl she always realized she wasn’t meant for the life she was living. At eight years old, she said, “she was able to do anything to earn money as a servant.” She went to one of the wealthiest families to beg them to take her in. After a few years later, she finally felt like she belonged there, even though the family saw her as a daughter and also as a servant. She continues her education with their daughters learning to sing, dance, and speak French. As she matures to be a beautiful young she falls in love with the oldest brother from her adopted family, Ronald who flirts and seduces her. It wasn’t a challenge for Ronald to concur all of this. They become lovers and he gives her money when they get together because she believes that they are going to get married and live a wea...
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...e would be loved. And, so she got used to her habits of getting money and continued on until she found the actual love of her life.
Works Cited
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Defoe, Daniel. Moll Flanders. New York: Alfred A. Knopf, 1930. Print.
"Moll Flanders." Novels for Students. Ed. Elizabeth Thomason. Vol. 13. Detroit: Gale, 2002. 145-169. Gale Virtual Reference Library. Web. 6 Mar. 2014.
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Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
She was an orphan, the niece of Leonato. Her most obvious objective is to stay a lonely spinster. She has known Benedick for years and because he wants to be a bachelor their hate for the opposite sex clashes- until they fall in love that is. She never realized that she could love anyone other than her self until she found someone that was the exact copy of her. Once she fell in love she couldn't be helped.
*Abrams, M.H., ed., et al. The Norton Anthology of English Literature. Sixth Edition. Vol.I. New York: W.W. Norton & Company, 1993.
...and doing so through the means of her boyfriends. She discovers an opportunity to do so through moving to Africa, but almost lets it pass her by because of her brothers’ persecution over money. She finds outs through experience and sound counsel that money isn’t everything and it won’t help her reach all her goals in life, it will simply make the journey easier.
In actuality, she was defiant, and ate macaroons secretly when her husband had forbidden her to do so. She was quite wise and resourceful. While her husband was gravely ill she forged her father’s signature and borrowed money without her father or husband’s permission to do so and then boastfully related the story of doing so to her friend, Mrs. Linde. She was proud of the sacrifices she made for her husband, but her perceptions of what her husband truly thought of her would become clear. She had realized that the childlike and submissive role she was playing for her husband was no longer a role she wanted to play. She defied the normal roles of the nineteenth century and chose to find her true self, leaving her husband and children
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
Hansberry, Lorraine. A Raisin in the Sun. Literature and Its Writers: An Introduction to Fiction, Poetry, and Drama. Eds. Ann Charters and Samuel Charters. Boston: Bedford Books, 1997. 1829-96.
her marriage, resulting unfortunately by portraying her true colors of being greedy and unappreciative of the little money her family had.
Moulton, Charles Wells. Moulton's Library of Literary Criticism of English and American Authors through the Beginning of the Twentieth Century: Volume 1. New York: Frederick Ungar, 1966. Print.
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
Dawson, Dawn P. Magill’s Survey of American Literature. Pasadena, California: Salem Press, Inc., 2007. Print.
Glaspell, Susan. Trifles. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 1999. 1172-1181.
The roots of the novel extend as far back as the beginning of communication and language because the novel is a compilation of various elements that have evolved over the centuries. The birth of the English novel, however, can be centered on the work of three writers of the 18th century: Daniel Defoe (1660-1731), Samuel Richardson (1689-1761) and Henry Fielding (1707-1754). Various critics have deemed both Defoe and Richardson the father of the English novel, and Fielding is never discussed without comparison to Richardson. The choice of these three authors is not arbitrary; it is based on central elements of the novel that these authors contributed which brought the novel itself into place. Of course, Defoe, Richardson and Fielding added onto styles of the past and writing styles of the period, including moralistic instruction and picaresque stories. Using writing of the time and the literary tradition of the past, Defoe first crafted the English novel while Richardson and Fielding completed its inception.