Modernism And Postmodernism And Modernism Essay

Modernism And Postmodernism And Modernism Essay

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Throughout history and through the nature of man, categories and classifications have been created for anything ever known. No matter if its concerning the homo sapiens or an object considered miscellaneous – there is place for everything and everything seems to be in its place. With art there is no exception. Society classifies each painting or sculpture into a time frame or accompany pieces with similar meanings together. A perfect example of this would be walking through a museum and noticing the different sections – European art, Impressionism, the Modern Wing, etc. Two categories, modernism and postmodernism, stand out among the rest because of how the manifestos of art began to change and their mutual dependency. Modernism and Postmodernism are separate yet co-dependent categories that relied on the immergence of Modernity to develop.

Both of these art era’s can be viewed as a frame where the manifestos are changing, but to first understand Modernism one must understand Modernity. Modernity is a historical time period that ranges from early modernity in the 1500’s and late modernity starting in the 1900’s until now. The development and intense urbanization and industrialism transformed how society functioned and thus the art followed suit. Such strong and fast development distanced this era farther from the past in more than just terms of years – technology had created a completely modern society with new norms. This was the consequence of mass consumption and mass reproduction’s efficiency and speed. Modernity is an era but the sensibility that was produced was Modernism.

Consequently, art has been known to correlate with the values held high by society. Therefore, Modernism was less about representation and more about...


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...as possible but also has an authority in legitimizing what is considered art – museums follow in modernism’s obedience to a manifesto. Postmodernism art, in an almost sarcastic critique, deconstructs the established conceptions of what is considered art with the reorganizing of original art pieces and hedonism. As Kramer would argue, “Modernism exerted a moral as well as an esthetic authority… [while]… under the new post-modernist dispensation, anything goes…” (Crimp 44). His point is letting the everyday, the banal, or practically anything have the potential to be art destroyed the legitimizing characteristic of art. What Kramer does not realize is that postmodernism questions museums role of representing art coherently. Art does not have to be put into categories that make sense, or are of tradition. Life imitates art, and sometimes life is a Chinese Encyclopedia.

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