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symbolism in moby dick
symbolism in moby dick
the myth of sisyphus by albert camus essay
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Herman Melville’s novel Moby Dick and Albert Camus’s idea of Absurdism share the same philosophical core. This core consists of the absurdity of the individual’s role in the quest for meaning. While Moby Dick and Camus are separated by a century’s worth of literary and cultural changes, the very same ideas present in Camus’s work are also found in Moby Dick. The readings of The Myth of Sisyphus and The Stranger,—two of Camus’s major works—are in their own facet, related to the themes of determinism and individual meaning present in Moby Dick. With regard to determinism in Moby Dick, Camus’s essay The Myth of Sisyphus offers up its own case for the motives behind Ahab’s vengeance and concludes that Ahab must therefore be an Absurd hero. While in Camus’s novel The Stranger, the idea of individual meaning is examined by comparing the protagonist, Meursault’s existential ambiguity to Ishmael’s own lack of characterization. These examples illustrate that Albert Camus’s writings not only lend credence to but also share the same philosophical backbone as Moby Dick; in order to understand Moby Dick, one must first understand Absurdism.
Johannes Silentio explained the concept of Absurdism best in his forward to Fear and Trembling “The Absurd [Absurdism] refers to the conflict between the human tendency to seek inherent meaning in life and the human inability to find any” (Silentio 17) The main distinction between this belief system and all of its predecessors is that Absurdism is first to say that an inherent meaning to the universe has yet to be detected. It makes no claim as to whether or not meaning exists. And this is the central point being an Absurd hero, an acceptance of ignorance but still traversing on through life.
In Moby D...
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...the boulder with the intent of being free from his task, so too, Ahab did not pursue the white whale with the intent of finding meaning. He hunts Moby Dick to find choice.
Up until now, all the similarities between Sisyphus and Ahab have been in their justification for their actions, yet not necessarily in their causes. As stated, Sisyphus was condemned to push his boulder, but no such stated axiomatic limitation was placed on Ahab. So then, what, external to Ahab, caused him to continue his pursuit? The answer lies within idea determinism. Indeed, Melville hints that the men aboard the Pequod are not there of their own volition. “[D]oubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances” (Melville Chapter 1)
On the first day the man on watch was sniffing the air and he declared that the whale must be near and Captain Ahab was frantic with excitement, constantly changing their course slightly during the day. Finally they spotted the white whale, and they left the ship into a small boat to hunt him. Moby Dick then wrecked their boat, but luckily nobody died.
9. Captain Ahab and Q and their stories are similar in a few ways. First, just like Ahab was obsessed with finding the white whale, Q was obsessed with finding Margo. Second, both characters cannot be identified as being foolish or heroic. Finally, both characters actions lead them to disappointment by Q not convincing Margo to come back with him and by Ahab not finding the whale, which caused his death. In conclusion, Moby Dick represents Margo and Q’s story and
A tattooed man he meets in an inn, named Queequeg keeps Ishmael company throughout his journey. At first, Ishmael is alarmed by Queequeg’s tattoos and brute like habits, but eventually he becomes fond of him. Together the two get on a whaling ship, known as the Pequod. The captain's name is Ahab. He is a rather strange character. The primary conflict of the story is that Ahab holds a grudge against Moby Dick, the great
Ahab’s quest for the whale is not an honorable pursuit of God, but man’s vain endeavor in his hatred of God to destroy the all-powerful deity. The symbol of the whale as God makes sense as it is white a color that is associated not only with purity and honor but the deity of God himself. Because this whale caused him personal damage in an earlier encounter, Ahab views the whale as an “inscrutable thing”, making it his life’s quest to get revenge (335). Not only does he associate the whale with this damaging experience, he connects the deity of God with “the white whale that razeed me; made a poor pegging lubber for me forever and a day!” (334). His quest for vengeance distorts his ability to have a relationship of God as who can endure the pursuit of such a being if the pursuit is driven by enmity? Ahab’s pursuit of Moby Dick, “Be [he] agent, or be [he] principal” is driven strictly by hostility and a lack of righteousness (335). Only those who have experienced the sweetness of reconciling grace can look at the tremendous
Joseph Adriano’s quote from his article “Brother to Dragons: Race and Evolution in Moby-Dick” asserts not only Herman Melville’s goals of producing a novel that gets people discussing the problem of racial inequality, but also aids in revealing the main point of Moby-Dick, which is that in order for blacks to become assimilated into American society, people must accept change. While people in his time period were not willing to be this flexible, Melville saw it as a necessary step to achieve the essential objective of racial equality. Herman Melville’s Moby-Dick, written in 1851, reveals his disposition on the topic of equality in an interracial society and the importance of keeping an open mind when it comes to reform. Melville ultimately accomplishes his goal of creating a protest novel by introducing a plethora of characters, themes, and situations that go against the status quo of the racist American society that he belonged to in the 19th century.
Oh! my God! what is this that shoots through me, and leaves me so deadly calm, yet expectant, ---fixed at the top of a shudder! Future things swim before me, as in empty outlines and skeletons; all the past is somehow grown dim. (Chap. 135: 463)
Herman Melville's Moby Dick is a book which can be read as a general metaphor for the battle between the evil powers of the Devil versus the divine powers of God and Jesus, both try to obtain the souls of mankind in order to assist in each other's destruction. In this metaphor, the Devil is shown through the person of Captain Ahab, God becomes nature, Jesus is seen as the White Whale, and the representation of mankind is the crew. The voyage of the Pequod, therefore, is a representation of a similar voyage of mankind on earth, until the death of Jesus, during the whole thing the influences of these three “supernatural forces” are connected. Thus, the basis of this idea is that in the plot of Melville's book, there are also peeks of the "plot" of the Bible.
Analysis: Melville's Great American Novel draws on both Biblical and Shakespearean myths. Captain Ahab is "a grand, ungodly, god-like man … above the common" whose pursuit of the great white whale is a fable about obsession and over-reaching. Just as Macbeth and Lear subvert the natural order of things, Ahab takes on Nature in his
Ahab is dedicated towards regaining control of his life by conquering the whale. His obsession with Moby Dick is what fuels his desire to spend months and months at sea. Ahab is so involved that he tries to get into the mind of the whale. He becomes obsessed with the whale’s every move. Similarly, the narrator is highly analytical of Bartleby’s behavior. He feels the need to know exactly what it is that makes Bartleby ‘tick’. Eventually the narrator is mentally defeated by Bartleby and is forced to change the location of his offices in order to avoid him. Ahab on the other hand is constantly chasing his antagonist and does whatever he can to get closer to Moby Dick.
At first glance, Herman Melville’s novel Moby Dick, appears to be the story of a man, his captain, and the whale that they quest to destroy. But a closer look reveals the author’s intense look at several metaphysical ideologies. He explores some of the most ponderous quandaries of his time, among these being the existence of evil, knowledge of the self and the existential, and the possibility of a determined fate. All of these were questions which philosophers had dealt with and written about, but Melville took it to a new level: not only writing about these things, but also doing so in a lovely poetic language backed by a tale packed with intrigue. He explores the general existence of evil in his antagonist, the white whale, and through the general malice that nature presents to humans throughout the novel. The narrator, Ishmael, gains a lot of knowledge about himself through his experiences on the whaling voyage, where he also is able to learn much about the phenomenon of existence itself. Also, through Captain Ahab, he sees more about the existence of man and the things that exist within man’s heart. Especially through Ahab and his ongoing quest for the white whale, and also in general conversation amongst the whalers, the issue of fate and whether one’s destiny is predetermined are addressed in great detail, with much thought and insight interpolated from the author’s own viewpoints on the subject.
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).
Near the beginning of Moby Dick, Father Mapple reminds Pequod sailors of the biblical prophet Jonah and his unique encounter with a whale. The whale, known as a Leviathan in the Bible, swallows Jonah because Jonah refuses to obey God's command to preach to a wicked group of people. Father Mapple in his sermon says, "If we obey God, we must disobey ourselves; and it is in this disobeying ourselves, wherein the hardness of obeying God consists" (47). Once Jonah admits his sinfulness and follows his maker, the whale frees Jonah. Father Mapple says that obeying God can be difficult and might not seem logical to the person listening.
“Absurdism” (coined by Albert Camus) is a philosophy based upon the concept that the life and the world are meaningless, irrational, without sense or reason. And any effort we make to try to find meaning in them will ultimately fail.
An absurd hero is developed by the six tenets of existentialism: anxiety, death, the void, existence precedes essence, absurdity, and alienation. These six tenets explain the overwhelming question, “Why do we exist?”. To understand why we exist, one must first question why the absurd happens. Camus did such. Camus develops the plot of his existential novel through a plethora of absurd events that boosts the overall theme of the novel. One example of this is how the town of Oran turns it back on the sea at random moments of time. This is very strange, why would a town that is isolated between the sea and a mountain range want to turn away from the one source of its salvation and one of the few ways it could connec...
Within the Stranger, Albert Camus brought up many questions and, on most cases, did not answer them. He designed a different character to society and showed us how he lived. His name, Meursault. His ideas on absurdism are shown many times in part one of The Stranger. In class, we had explored the idea of absurdism and had gone over examples in the story of it. Absurdism is definitely a theme in this novel.