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Nathaniel Hawthorne and symbolism
Symbolism Nathaniel Hawthorne uses in his stories
Period of Romanticism in literature
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“The Minister’s Black Veil.” The Dark Secrets Nathaniel Hawthorne is considered by many a towering figure of American literary history. His works include children’s stories, nonfiction sketches, a presidential campaign biography of Franklin Pierce, four major novels, and essays. Isolation is a central theme in his works, perhaps because he was a solitary child of a widowed recluse. After college, he was alone again for twelve years before he married. It was during this time that he wrote “The Minister’s Black Veil.” The Minister 's Black Veil has characteristics that are unique to the Romantic period, particularly those which are directly connected with Gothic literature. In Gothic literature there are several elements to be considered but …show more content…
Hooper. In addition, other details of the story seem to link him to the death of the young maiden. He conducts her funeral on the very day he first wears the veil, and there is the speculation that the maiden’s and Mr. Hooper’s spirits are seen walking hand in hand. The effect of all this is to create, in the reader, the sense that he is being given clues to a puzzle that he can solve. That is, if he reads the story carefully, he may be able to discover exactly the nature of Mr. Hooper’s sin or crime. As a result, the reader is drawn into the story and is given reason to read the story again and again. There is no answer to the puzzle, but the technique is effective and one that Hawthorne used in other …show more content…
Hooper’s remarks to Elizabeth when she attempts to discover why he has chosen to put on the veil. She assumes that he has decided to wear the veil only because of some secret sin or crime, but as part of the development of the major theme, he tells Elizabeth that his veil is additionally a “symbol.” As the story progresses, the exact meaning of the veil as a symbol becomes clear. In his interview with Elizabeth, Mr. Hooper suggests that all mortals could cover their faces just as he has because all have some secret sin or sorrow. At the end of the story, as he lies dying, Mr. Hooper says that he sees a veil on all the faces of those who are attending his deathbed. In this way, the major theme of the story is developed, that is, it is suggested that everyone wears a black veil, that everyone has a secret sin or sorrow that is hidden from all others. Everyone could, like Mr. Hooper, cover his face with a black veil. Mr. Hooper has chosen to make his black veil visible while others have kept their secrets in their own
History has underrepresented females throughout countless centuries. In contrast, Hawthorne allows them to take on essential roles in “Young Goodman Brown,” “The Minister’s Black Veil,” “and “The Birthmark.” The way he presents them distinguishes his stories from others at his time. He proves all of his female characters almost flawless, deeply connects the male protagonists to them, and uses them to reveal the males’ hidden sides.
“The Minister’s Black Veil” is a Romanticism short story written by Nathanial Hawthorne, and it is a story about well-respected and loving parson starts to wear a black veil, and he spends his long life isolated by his parishioners and fiancé. This is a short story classifies to Romanticism category which includes the characteristics of valuing feelings, believing supernatural and appreciating individual rights.
In “The Minister’s Black Veil” Mr. Hooper shocks his townspeople by putting a veil permanently on his face. The veil is a paradox of concealment and revelation (Carnochan 186). Although it is concealing Mr. Hooper’s face, it is made to reveal the sins in society. The townspeople first believed that the veil was being used to hide a sin that Mr. Hooper had committed. Mr. Hooper says that the veil is supposed to be a symbol of sins in general, however the townspeople ignore the message and still focus on his sinfulness. The townspeople know that they have sinned, but they use Mr. Hooper as their own “veil” to hide their sins. Because the townspeople are so caught up on his sins, they fail to figure on the message behind Mr. Hooper’s action and
His lover, Elizabeth, leaves him, because he refuses to take the veil off. The plot to the story is that Parson Hooper tries to overcome the gossiping of the town, and make people accept him. However, his plan backfires and they reject him. “ Mr Hooper had the reputation of a good preacher, but not an energetic one: he strove to win his people heavenward, rather than to drive them thither,” states Hawthorne. The sermon he gives with the black veil on his face, is the same style and manner he gave the last sermon.
As the people make him a social pariah, Parson Hooper becomes a representation of hidden sin and an object of dread. Even as death knocks on his door, Parson Hooper still will not allow himself to be unveiled, in fact, Hooper finally reveals that no one should be afraid of him, but of one another because “men avoided me, and women shown no pity, and children screamed and fled” (417) all because of a simple black veil. Through the use of symbols, Hawthorne is able to use this short story to prove that the community people and the Puritan’s religion and their beliefs are hypocritical and over zealous. One of the first ways that depicts the Puritans or t... ...
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
He realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature. Hooper has come to the realization that secret sin is a veil that can never be lifted from anyone's life until the day of their death, and so he wears the dark cloth on for many years. "There is an hour to come, when all of us shall cast aside our veils. " Take it not amiss, beloved friend, if I wear this piece of crepe till then."
Hawthorne, Nathaniel. "The Minister's Black Veil." 2012. Perspectives on the Short Story. Boston: Pearson Learning Solutions, 2012. 1041-049. Print.
Romanticism is a very important topic in stories, for One thing is the importance of individual freedom in the sense that each person has the right to choose for himself. Just like in this story Mr. Hooper had to choose whether to wear the black veil for the rest of his life. This creates a stir among the townspeople, who begin to speculate about his veil and its significance.
Hawthorne, Nathaniel. "The Minister's Black Veil." The Heath Anthology of American Literature. By Paul Lauter, Richard Yarborough, and James Kyung-Jin. Lee. Sixth ed. Vol. B. [Boston, Mass.]: Wadsworth Cengage Learning, 2009. 2431-439. Print. Early Nineteenth Century: 1800-1865.
...e parable “Minister’s Black Veil” written by Nathaniel Hawthorne, symbols were often used to represent many themes that are still relevant in society and religion now. Hidden sin, guilt, and the shame attached to sin in Puritan beliefs are amongst some of the themes symbolized in the story. Known for playing with the dark side of human nature, in this parable, Hawthorne writes in an intentionally ambivalent tone that leaves endless speculation of Hooper’s actions. This parable is important to today’s life because it teaches the readers to not shudder away from darkness and sin that we often pretend do not exist. It also emphasizes that, in death, everything that is owned and use to cover up transgressions will be stripped and all pretense will be no longer. The themes represented in “Minister’s Black Veil” are timeless and will always be a big problem in society.
Hawthorne, Nathaniel. “Minister’s Black Veil.” Electronic Text Center, University of Virginia Library. http: / / etext.lib.virginia.edu / etcbin / toccer-new2?id=HawMini.sgm & images=images / modeng & data= / texts / english / modeng / parsed & tag=public & part=1 & division=div1
Hooper’s black veil also creates separation between him and happiness. “All through life that piece of crape had hung between him and the world: it had separated him from cheerful brotherhood and woman’s love, and kept him in that saddest of all prisons his own heart; and still it lay upon his face, as if to deepen the gloom of his darksome chamber, and shade him from the sunshine of eternity” (Hawthorne 417). He can never receive sympathy or have conversations with people because they are always perplexed by the veil. Children in the town run from him because of his appearance. Even his wife, Elizabeth, leaves him because she does not understand the meaning of the black veil and she cannot bear to look at it for the rest of her life. The separation that the veil causes between Mr. Hooper and happiness symbolizes how sin can easily separate people from good things in life. Just like the black veil, some sins can even destroy relationships or a person’s dreams. Sin can overall control an individual’s happiness like the veil did to Mr.
From the beginning of the story, Mr. Hooper comes out wearing a black veil, which represents sins that he cannot tell to anyone. Swathed about his forehead, and hanging down over his face, Mr. Hooper has on a black veil. Elizabeth urged, “Beloved and respected as you are, there may be whispers that you hid your face under the consciousness of secret sin” (Hawthorne 269). His fiancé says that in the black veil there may be has a consciousness of secret sin. Also, he is a parson in Milford meeting-house and a gentlemanly person, so without the veil, Hooper would be a just typical minister, “guilty of the typical sins of every human, but holier than most” (Boone par.7). He would be a typical minister who is guilty of the typical sins of every human without the black veil. Also, Boone said, “If he confesses his sin, the community can occur” (Boone par.16). If he confesses his sin about the black veil, all of the neighbors will hate him. Last, he said, “so, the veil is a saying: it is constantly signifying, constantly speaking to the people of the possibility of Hooper’s sin” (Boone par.11). Mr. Hooper’s veil says that he is trying to not tell the sins about the black veil. In conclusion, every people have sins that cannot tell to anyone like Mr. Hooper.
416), while it gave Hooper a more intimidating, enigmatic and somewhat inhuman demeanor that isolated him from the community his services were still available for his community. The book even says that it “enabled him to sympathize with all dark affections” (pg. 416) as many people, particularly the ones who were guilty of ‘secret sin’ felt comfortable and/or compelled by Hooper into confessing their sins. The people felt that they could tell him everything they kept secret, because the veil’s “gloom” and foreboding aura gave him the same aura of mystery. The black veil kind of symbolizes a cover-up that humans use every day to hide their real feelings and thoughts, as many people are never truly honest with others and each convey some sort of secret. It appears that the idea in this story is that humans by nature are sinful and are all guilty of some hidden sin that they try to keep in the dark because having sins is not considered human or moral. It’s not a very positive outlook on humans, but the book does seem to convey that idea, as Reverend Hooper himself is a flawed man guilty of secret sin as revealed in the end, making him no different from the rest of the townsfolk who have their own sins that they hide. However, it also shows that humans are hypocritical by nature because they are so flawed as in the end Hooper proved that he did exactly practice what he