Michelangelo And The Pope 's Ceiling, By Ross King Essay

Michelangelo And The Pope 's Ceiling, By Ross King Essay

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For the close observation section, I selected paintings that are from the 15th and 16th century. I chose the book, “Michelangelo and the Pope’s Ceiling,” by Ross King; therefor these works of art are from the time when he was alive. For the observations of the paints I chose, I made both simple and more in-depth for most of them.
For the first painting, “The Adoration of the Magi,” (c. 1440-1460) by Fra Angelico and Fra Filippo Lippi, I noticed that it is a very colorful painting due to the garments of all the people. The garments are also more formal than what most people would have worn at that time. Those who were not there to praise Jesus wore more dull clothing, in style and in color. Also, every person within the painting is white and I believe that is because of the artists, whom were Italian, interpreted the nativity scene with a more “European” view for the time of the painting. Some other observations would be that at the bottom of the painting, it appears that the people are on a very elaborate rug, due to it contrasting from the grass heavily in color and that it has little golden designs on it.
There are also peacocks on top of the stable. That most likely would have been unusual during the time of the birth of Jesus because they are not native to countries within the Middle East. With reference of the stable, something else that was notable was that Mary, Joseph, and Jesus where not actually inside of the stable but a bit away from it. Instead of them being inside, cattle and workers were inside.
My second painting was, “Ginevra de’ Benei,” (1474) by Leonardo da Vinci. This painting was very dark in color except for Ginevra’s skin and background that wasn’t hidden from the trees within the painting. Some of th...


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...This man however, has a goat or sheep in his hands upside down and is also wearing a straw hat on top of his head. The straw hat would be uncommon to wear due to it being more associated with Asian culture and not European.
A few other small details would be that in the bottom right hand side of the painting near one of the women is a snail by some twigs. It is very small in size compared to the rest of the painting. There is also a feather being held by the woman that could be identified as Mary in her right hand as well as a stone tablet on the ground in front of the one man who is kneeling down in front of Jesus. At a closer observation, it contained the word, “Perino;” the name of the artist. That could be the artist’s signature for this painting however it was not his full name and appeared to have someone else’s name, unless this artist went by various names.

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