Michael Kenna is a photographer from Widens, Lancashire who moved to San Francisco in 1977(“Michael Kenna”, Joseph Bellows Gallery). When he moved to San Francisco, he realized that there were hundreds of galleries in San Francisco where he could display and sell his work (“Michael Kenna”, Joseph Bellows Gallery). This is when Michael Kenna’s journey of photography began. He knew he loved photography, but needed to figure out what he loved to photograph. What he didn’t know was that when he figures out what he loved to photograph it would make his work that much better.
Kenna discovered that he loved photographing nature, but he wouldn’t do it like everyone else. When you think of nature photography, what comes to mind? Most people think about a quick snap of colorful trees, bird, and more, but this was not what Kenna did. Instead, he would take
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His night time photographs are probably some of the hardest to do because he is forced to stay up for hours to get the perfect photograph. Kenna’s love for long exposures forces him to guard his equipment for hours at night. Luckily, his sacrifices don’t go unnoticed. The photos he is able to get with these long exposures are memorizing. They catch the mood and the details of the landscape, that would be hard to get in a snapshot. Kenna sees nigh photography as “more mysterious than color. It is a reflection or interpretation of reality, since most of us see in color all the time” (Sykes, “Interview”). He somewhat uses night time photography as a natural black and white filter. Kenna’s night time photography has changed the views on photographing at night all together. Before Kenna, many may have thought that photographing at night has no use because there would be nothing to see. His photography has taught photographers that if you are patient enough, the night can even give you a great
"A picture is worth a thousand words," we say. From the eyes and mind of the archivist studying the pictures of Robert Ross' experience with war, they are worth a lot more. The photographs in the epilogue of Timothy Findley's "The Wars" play an important role in Findley establishing both a trust with the reader, and a sense of realism to his war story. This satisfies the need for realism in his tale. The result of this image that is brought forth through the medium of the photograph, is that we are forced to see the "before" and "after" of Roberts "experience" and figure out our way through what is deposited in between: the cause and effect.
Born of Irish immigrants in 1823 in a little place called Warren County, New York; Mathew Brady is known as “The Father of Photojournalism.” While a student of Samuel Morse and a friend of Louis Daguerre (inventor of the “Daguerreotype,” a method of photography that the image is developed straight onto a metal coated surface), in which he had met while under the study of Morse, Brady took up his interest in photography in the year of 1839, while only seventeen years of age. Brady took what he had learned from these two talented and intellectual men to America where he furthered his interest in the then-growing art of photography.
5 Light, Ken. Tremain, Kerry. Witness in our Time: Working Lives of Documentary Photographers. Washington and London: Smithsonian Institution Press, 2000.
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
Sontag, Susan. "Essay | Photography Enhances Our Understanding of the World." BookRags. BookRags. Web. 15 Apr. 2014.
For some, a picture is just a beautiful work of art, but for Lewis Hine photography was a way to communicate a message to the world. When Hine was taught the photographic process, it was still being established. This being said, photojournalism was also just evolving as a method to visually communicate information. In an effort to better his photography skills, Hine began to photograph the immigrants of Ellis Island. He was very adamant about social reform and reflected this in his work. Lewis Hine’s captivating photos inspired social change in America for the less fortunate.
The world has many photographers that anyone can look at. You can call me an amateur or say I don’t really understand the art but when I look at most of the pictures available, and I have looked at thousands lately, I don’t see anything different in the style of photography. I just see pictures. I see pictures of beautiful subjects and pictures of ugly subjects. I never really thought about the difference being the photographer instead of the subject, until I saw Elliott Erwitt.
I would only read books that were required for class, and even then I usually would not finish them. Reading was never something that I liked. When I got into high school, I started reading books for fun a little more than before. I was always a Harry Potter fan but since I did not like to read I only watched the movies. I remember reading those books and actually liking them. My junior year was also a time in my reading history that I remember well. As a class we were reading the Great Gatsby in time to see the movie for the midnight premier. Each day we were instructed to read up to a certain page, no further. I did not like the book at first, just like any other book I was forced to read for school. But, one night I was reading and the book got so interesting for me I could not put it down. That was the first book in along time that I enjoyed reading that was assigned to me. After my junior year, I went right back to my old ways of not reading books. My senior year I took AP English, so this required a lot of books. Thinking back to that year of school I remember finishing maybe one or two of those books. Although, I didn’t read all of those books, I still got a good grade in the class. One thing I did learn from that class about not reading all the books was reading the summaries is not good enough because, they leave out all the
My dad taught me that books could be my teachers, my mom taught me that our backyard could be my classroom, and my sister showed me that you could bring books into the swimming pool. I did not know it when I would spend hours in the pool reading a book that my parents weren’t encouraging it in vain, but my family life, for good reason, was centered on books. We were the planets orbiting around one sun that was the bookshelf. Little did I know that books would be the catalyst to academic success in my early life, and I owe it all to my family. Although a life with a book in your nose might seem boring, I was never bored. Living through the characters vicariously, I explored Narnia with Lucy, attended Hogwarts with Harry, and rode dragons with Eragon. Of course
Many summer reading books are just uninteresting; so for me reading then became a chore that I was being forced to do. I already had a negative experience with being embarrassed while reading, so then to get one boring book after the other just solidified that reading was not enjoyable. Other than bad summer reading books I was just a very active child, I enjoyed running around and playing sports. I did not have the patience as a child to read, I always wanted to be on the go.
My relationship with books and reading has not been the greatest adventure for me thus far. I will not say that all my experience has been terrible but for the most part not that great. I know for me it started when I was little and unfortunately it has carried to my adulthood.
"History of photography and photojournalism.." History of photography and photojournalism.. N.p., n.d. Web. 21 Nov. 2013. .
When going for a walk, a person takes in the beauty around them. On this particular day, the refulgent sun is extra bright, making the sky a perfect blue. White, puffy clouds fill the sky, slowing moving at their own pace. The wind is peacefully calm, making the trees stand tall and proud. There is no humidity in the air. As this person walks down the road, they see a deer with her two fawns. The moment is absolutely beautiful. Moments like this happen only once in a great while, making us wanting to stay in the particular moment forever. Unfortunately, time moves on, but only if there were some way to capture the day’s magnificence. Thanks to Joseph Niépce, we can now capture these moments and others that take our breath away. The invention of the camera and its many makeovers has changed the art of photography.
Before reading Harry Potter, I very rarely read for pleasure. I found reading boring, almost old fashioned. My frame of mind more readily paralleled Danny Divito in the movie Matlida, who says that “[t]here's nothing you can get from a book that you can't get from a television faster.” While my view of reading as a child could be summed up in that quote, everything changed when I was introduced to Harry Potter and the Sorcerer’s Stone. I can remember to this day when my Dad began reading Harry Potter to me, and how I did not understand just how much this book would change me. Harry Potter and his world of wizardry became my own personal Shangri-La, my escape, my own world. Anytime I wanted, I could ascend to a world of fantasy and explore the depths of my own imagination in a way that I had never been capable of doing before. I became obsessed with the book, reading it before, during, and after sc...
Photographs of the street are as photography itself is old. Cameras were set on balconies or aimed them out of windows by the earliest practitioners, which took advantage of natural light in capturing the life in the streets below (Paul McDonough, 2010). As camera became more portable and smaller, the photographers took them into the streets and created a photography type. Casually spontaneous or carefully staged by turns, in nature documentary or seemingly without subject as diverse as the streets themselves. In this sense, the term ‘street photography,’ that being used now in the description of photographs taken in any space that is public, is as much as broad as the landscape categories or portrait photography.