Mia Hebib is a Bosnian born artist based out of New York, who works primarily in jewelry design and sculptural forms. She was in a show called “Islam Contemporary” at the Lichtenstein Center for the Arts on August 2, 2013. Mia Hebib started her education as a jewler at the School for Applied Arts and Design in Zagreb, Croatia. In 2001, she received a Bachelor of Fine Arts in Metals and Jewelry from the Savannah College of Art and Design. Mia moved to New York City to continue her exploration in metal. She started a corporate jewelry design career with Jacmel Jewelry, Liz Claiborne, Henri Bendel and BCBG Generation and offered design consultation to Tory Burch jewelry design team. Since she was part of a corporate jeweler, she became distanced from her fine art background. In order to rekindle her fine art roots, she launched her series “Oblik Atelier”. After her experiences working with corporate jewelry,she wanted to return to hand crafted work rather than working as a jewelry designer.
When Hebib was younger she moved to the United States in 1996 from Croatia, where she grew up. 1996 was a year after the conflict in the Balkan ended. Her mother was politically active at the time and moved to Germany. “We were apart for 3 years. In order to be together and for me to have an opportunity to pursue higher education in the so called "the land of opportunity", my mother, stepfather and I embarked on our USA journey.” With this in mind, Mias work relates to how nomadic the people of Islam were, always switching location of their Great mosques, and their capitals. Mias work, has a very portable quality that is similar to many of the rugs, articles of clothing, and vessels in traditional Islamic works.
Mia is very interested in the s...
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Hebib, Mia, Always in Motion, Sterling Silver, Patina, $2800
Mia Hebib, “Irregularities", stackable rings, sterling silver with patina
Mia Hebib, Medusa, earrings, sterling silver with patina $800
Masoero, Francesca "MIA HEBIB, GROWING UP IN THE US BETWEEN WAR AND ART" Khiruna:Stories of people living abroad. http://www.khiruna.com/index.php?living-working-moving-and-travelling-to-north-america_25/mia-hebib-growing-up-in-the-usa-between-war-and-art_116/ (accessed December 5, 2013).
Mausoleum of Uljaytu, Sultaniyya, Iran, (1313 Timrud)
Mosque Lamp of Sayf al-Din, Tuqutzimur, 1340 (Mamluk)
Navajo, Copy of Spanish Cape as earrings, Charles W. Bowers Memorial Museum, Santa Ana, California
Shah Mosque Portal, Ishfan. unknown "Mia Hebib" MAD. http://www.madmuseum.org/learn/mia-hebib-0 (accessed November 3, 2013).
Shoemaker, Nancy. “ Native-American Women in History.” OAH Magazine of History , Vol. 9, No. 4, Native Americans (Summer, 1995), pp. 10-14. 17 Nov. 2013
Elizabeth Fernea entered El Nahra, Iraq as an innocent bystander. However, through her stay in the small Muslim village, she gained cultural insight to be passed on about not only El Nahra, but all foreign culture. As Fernea entered the village, she was viewed with a critical eye, ?It seemed to me that many times the women were talking about me, and not in a particularly friendly manner'; (70). The women of El Nahra could not understand why she was not with her entire family, and just her husband Bob. The women did not recognize her American lifestyle as proper. Conversely, BJ, as named by the village, and Bob did not view the El Nahra lifestyle as particularly proper either. They were viewing each other through their own cultural lenses. However, through their constant interaction, both sides began to recognize some benefits each culture possessed. It takes time, immersed in a particular community to understand the cultural ethos and eventually the community as a whole. Through Elizabeth Fernea?s ethnography on Iraq?s El Nahra village, we learn that all cultures have unique and equally important aspects.
The display that I will be focusing my research on is called First Californians. The display encompasses many of the different artifacts pertaining to the first Native Americans of California. All artifacts are displayed behind glass cases with brief description of how the items were used. Artifacts from many tribes are displayed. However, the two most prominent tribes displayed are the Chumash Natives of the Northern Channel Islands and the Gabreilino (Tongva) natives of modern day LA and Orange County Regions. In the center of the room lay...
By her admission the women volunteers of the social welfare organizations were predominantly middle and upper-class. Deeb does not consider how women from other socio-economic groups pursue and engage in piety and modernity, and how they view “authenticated Islam.” As such Deeb’s description of an authenticated Islamic community in al-Dahiyya seems to represent the formulations provided by a privileged class of women. The absence of other socio-economic is coupled with a cursory description of the peripheries of the community. Less emphasis is placed on the inhabitants of al-Dahiyya who are marginalized and excluded from the enchanted modern. A greater study of how authenticated Islam is understood by member of other socio-economic classes and the more marginalized members of the community would have given a greater insight, not only into the development of the enchanted modern, but also the social dynamics which govern
Pilcer, Sonia. "2G." Visions of America Personal Narratives from the Promised Land. Ed. Wesley Brown and Amy Ling. 4th ed. New York: Peresea Books, 1993. 201-206.
Wheelwright, M. (1942). Navajo Creation Myth. Navajo Religion Series, Vol. 1. Santa Fe: Museum of Navajo Ceremonial Art.
Navajo pottery exhibits isosceles triangles, line bordering dots, and hooked spirals, and other figures as in Figure 3 (Live Auctioneers, 2016).
The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
Menocal, Maria Rosa. The ornament of the world: how Muslims, Jews, and Christians created a
The Byzantine Empire was a primarily Christian empire whose reign started in 330 A.D and ended in 1453 A.D with the capturing of the its capital, Constantinople by the Muslim Sultan Mehmed II. In the years following the fall of the Byzantines, many of the Christian basilicas were transformed into mosques for Islamic worship, inspiring many artists to create works that embodied their religious politics. One of the pieces created following the fall of the Byzantine Empire is the painting of Yusuf Fleeing Zulayhka, created in 1488 by Kamal al-Din Bihzad, a famous Persian painter who worked under the patronage of several Persian sultans. The illustration depicts Yusuf’s struggle to escape his master’s wife Zulaykha as she chases him through her elaborate palace in an attempt to seduce him. The representation was made using paint, ink and gold, and features jewel-like colors in order to portray the extravagancy of the palace Zulayhka has built specifically for the seduction of Yusuf (Stokstad 286). This essay will assess three accounts of the story of Yusuf and Zulaykha and the reasoning behind why the narrative is often labelled as a cautionary tale and of what kind.
American Street by Ibi Zoboi is a wonderful book documenting the adventures of young Fabiola, a US born Haitian immigrant who is coming to the US with her mother for a better life. As soon as she arrives in the US her mother is immediately sent back because of her status as a citizen but Fabiola gets to stay as she was born in the US. Though her mother is sent back Fabiola stays and goes to live with her family in Detroit, but soon she realises how different it really is. The family she stays with is her cousins and aunt, her cousins are known as the “Three Bs” and play a vital role in the story. As the book progresses we can see Fabiola’s emotional and social struggles as she finds out about a drug-related death that might be tied to her
“Northwest coast Indians have habitually decorated everything they possess, from their humblest housewares to their most sacred regalia, with stylized images of
The Islamic tradition, as reflected in Naguib Mahfouz’s Zaabalawi, has over the course of history had an incredible impact on Arab culture. In Mahfouz’s time, Islamic practices combined with their political relevance proved a source of both great power and woe in Middle Eastern countries. As alluded to in Zaabalawi, Mahfouz asserts the fact that not all Muslims attain religious fulfillment through this common tradition, and other methods outside the scope of Islam may be necessary in true spiritual understanding.
Purpose Statement: My goal today is to inform my audience about the Traditional Palestinian Embroidery Henna dress (Thob).
“The Harem Within” is a pioneering work that opens discussion of women’s rights in Islamic societies. With her humble life story Mernissi gives not only a voice to Moroccan women, but stands her advocacy for individual freedom and battle against the harem within. The narrative is a literature example that figures the women discrimination and appeal for