Meursault gives simple nonliving objects authority as a way of excusing himself for his negative actions. At the point where Meursault goes back for the Arab, he consistently sets everything in place – everything besides himself. Beginning with the first sentence of the passage, Meursault realizes that he can overcome the situation simply by turning around and walking away. However, he refrains from finding fault with himself, and turns it back to the beach as “the whole beach, throbbing in the sun, [is] pressing on [his] back” (Camus 59). Because he gives the beach control over an actual living object, Meursault continues with his actions. Not only does he deflect blame from himself, but he also desists from turning completely against the Ar...
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...n Meursault’s part when he shifts away from passive voice and tells the story in a way that mirrors the unfortunate events that he took part in initiating.
In conclusion, Camus’s glorification of language demonstrates Meursault’s attempt to blame the blameless throughout the negative events of The Stranger. Through the personification of nonliving objects, the juxtaposition of Camus’s simple sentences with his complex ones when describing objects with fault, and the incorporation of passive voice, Camus makes it possible to deflect blame from the antihero. This passage of the novel assists in creating the attitude of the character throughout the rest of the story, while also attempting to explain the situations and reasoning toward the beginning of it.
Camus, Albert. The Stranger. Trans. Matthew Ward. New York: Vintage International,
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