Criticism is one of the most important aspects of literally works because it helps the reader to have a broader perspective of the works, which could be poetry, literature or drama work. The process of critiquing works of art can be focused in areas that include psychological, theological, gender, and Marxist ones. There are a number of approaches that can be used as forms of carrying out literally criticism; one of them is the use of archetypal approach.
There is no specific way to explain exactly what literature means and is to each individual person. It can be a type of genre historically or fictional, a poem, a novel, or short story that can be used by the writer to express a certain situation or emotion. It can also be a form of information used to gain knowledge about a specific period of time in history. Either way we all view literature in our own ways and to me, I have always viewed literature as a way to gain more meaning/knowledge and as an escape to my everyday life. When reading Kate Chopin’s writing called The Story of an Hour, I have found myself using the archetypal approach and analyzing the tone and imagery in the story.
The meaning of the term archetypal can be loosely be taken to mean the original, whereby in this context original can simply be taken to mean the initial idea of the pattern that can be duplicated to produce others, it is can also be considered or said to be a blue print of something. According to the context which this term is used, it could stand to mean an approach which contains elements of all the other approaches because they have borrowed from it.
The reason as to why this form of criticism captured my interest is because it brings out a combination of elements that are present in o...
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...s. However, the end of the story brings about suspense as her husband comes home alive and Mrs. Mallard’s life is cut short. “When he doctors came they said she had died of heart disease- of joy that kills (Clugston 2010).” It is obvious that the character Ms. Mallard dreaded being married and hoped only to be alone with no one to answer to.
Kate Chopin set the tone and used a great deal of imagery to express and show the characters emotions throughout the story. By doing this she was able to draw me into the story and make comparisons to that of my own life. She easily captured my imagination and helped me gain more insight from the characters perspective on life and also drew me away from my everyday life as well.
Works Cited
Clugston,R.W. (2010). Journey into Literature. Retrieved from
https://content.ashford.edu/books/AUENG125.10.2/sections/ch00
They hear the key turning in the front door and Mr. Mallard walks in the door. He was not on the train that he was always on, so he did not die, and it was only speculation from Richards that he had died. Mrs. Mallard was in shock when she saw her ‘dead’ husband walk through the door, and she died right then and there. The doctors said that she died from the “joy that kills”(Pg. 280). But it seems that is not true because she became glad that her husband had passed
A traditional method assumes that the criticism involves both explication of what actually went on when the speaker engaged his or her audience, and an evaluation of how well the speaker performed the task of changing the audiences’ perspective of reality. It is also assumed that the traditional method will create a feeling of identification and sense of relatedness between the speaker or writer and the
Chopin's style, as mentioned before, is what captivates the reader. It gives the story personality, every quirk in her writing evident and interesting. The words used are exactly what she means them to be, and more. Her use of literary devices paints a stunning picture of life in the late nineteenth century, especially her unique use of syntax.
Unfortunately, her hope for long years and many beautiful spring days was abruptly ended in an ironic twist. Unbeknownst to herself and her company, Mr. Mallard had survived, and within an hour the promises of a bright future for Mrs. Mallard had both began and came to an end. Her grievous death was misconstrued as joy to the others: "they said she had died of heart disease-of joy that kills" (Chopin 471). This statement embodies the distorted misconception that a woman lives only for her man. The audience, in fact, sees just the opposite. To Louise her life was elongated at the news of her husband's death, not cut short. Throughout the story, one hopes Louise will gain her freedom. Ironically, she is granted freedom, but only in death.
Mrs. Mallard was at first overjoyed with freedom because her husband was supposedly “dead,” yet at the end of the story, Mrs. Mallard comes face to face with Mr. Mallard. A whole new wave of emotions overcame Mrs. Mallard as she laid eyes on her husband instantly killing her from “a heart disease-of joy that kills.” It is ironic how Mrs. Mallard is overjoyed about her husband’s death, and she ended up dying because she found out he was alive instead. Her joy literally was killed, killing her on the inside as
The main character in this story, Louise Mallard shows us her dream of freedom and proves these people wrong when her husband, Brently Mallard, dies. Louise’s husband was on a list of people that died in a railroad disaster. They tell her carefully since she has a heart condition. She starts crying, but afterwards she begins to think of all the positive things that come from his death. Her sister, Josephine goes upstairs to make sure she is okay,and once she finds out she is they come down. As they walk down the stairs she sees the door being opened and her husband comes in. Having her heart condition, she dies. The doctors thought “she had died from heart disease-of joy that kills.” However, she didn't die from the joy of getting to see her living husband but from losing her future filled with freedom.
Susan Sontag, in "Against Interpretation," takes a very interesting critical standpoint on the idea of literary interpretation. Unlike most literary critics, Sontag believes that literary criticism is growing increasingly destructive towards the very works of art that they, supposedly, so greatly "appreciate" and "respect." Her standpoint could not be more accurate. Reading her work generates numerous questions, the most important of which is quite possibly, "How are we to take her final statement, ‘In place of a hermeneutics we need an erotics of art.’" In the light of her previous statements, made throughout the work, one could only see this particular statement as an attempt to reach through the fog that blinds the majority of modern critics. According to Sontag, no work of art, especially literature, can escape the surgical eye of the modern critic; therefore, what is to stop her own work from coming under this blade of criticism?
...els. When Mrs. Mallard sees her husband, the chains of bondage are thrown back onto her. The reviving and refreshing experience she has just had in her room is put out, and she dies. The doctors say that Mrs. Mallard dies "of joy that kills." Actually, her soul cannot handle the oppression after it has felt such freedom. Josephine's and Mrs. Mallard's differences are reflected in their reactions to Mr. Mallard's coming home.
Kate Chopin was a woman and a writer far ahead of her time. She was a realistic fiction writer and one of the leaders and inspirational people in feminism. Her life was tragic and full of irregular events. In fact, this unusual life had an enormous effect on her writings and career. She depicted the lifestyle of her time in her works. In most of her stories, people would find an expansion of her life’s events. In her two stories “The Storm” and “The Story of One Hour” and some of her other works she denoted a lot of her life’s events. Kate Chopin is one of those writers who were influenced by their life and surrounded environment in their fiction writing, and this was very clear in most of her works.
Mallard’s emotions over the presumed death of her husband. The author used both dramatic and situational irony to mislead the reader and surprise them with a plot twist ending. By utilizing both external and internal conflict the author expresses the internal debate of Mrs. Mallard’s true feelings and those of the people around her. The author used symbolism to display Mrs. Mallard’s desire for freedom from her marriage. In the end it was not joy that killed Mrs. Mallard but the realization that she lost her
She realizes that this is the benefit of her husband’s death. She has no one to live for in the coming years but herself. Moments after this revelation, her thought to be deceased husband walks through the front door. He had not died after all. The shock of his appearance kills Mrs. Mallard.
Mallard. Her self-assertion surpassed the years they were married and the love she had for him. She is beginning to realize she can now live for and focus on herself. The text insists “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.” (Chopin 477.) Finally she can live freely and no longer worry about being confined in her marriage and inside her own home. She has come to realization that she is now independent and can think freely and achieves happiness and freedom. She is no longer held down or back by her marriage. She will no longer be someone’s possession she will be free and respected. Her husband Brently returns and he is alive the happiness and freedom she once possessed briefly with the mere image of her deceased husband were quickly torn away. “When the doctors came they said she died of heart disease of joy that kills” (Chopin 477). She was free but still confined without the knowledge of her husband who wasn’t dead. Chopin illustrates at the end that she was free because joy killed her. She was joyous because she was finally set free but she is now once again confined by the grief knowing her husband was not killed
Mrs. Mallard who says her husband was loving and nice, still feels a sense of joy and freedom when she thinks he has died. Louise feeling this way suggests that all marriages are oppressive in some way and take away independence from those in them. Louise is introduced as “Mrs. Mallard” at the beginning of the story and referred to as “she” up until she becomes “free” after her husbands death. This lasts until the reader figures out Brently is not dead and her status as a wife is reestablished. The very last sentence in the book, “When the doctors came they said she had died of heart disease-of joy that kills” (Chopin 301) .The fact that the doctors, who happen to be men, had the last say in Mrs. Mallard’s life is another example of men dictating the way she lives. Chopin makes the setting confined to one hospital room to illustrate the confinements Mrs. Mallard is living in due to her marriage. She finally escapes from that room at the very end of the story but only for seconds before discovering her husband is still alive and it destroys everything she was looking forward
Literature is creative writing of recognized artistic value. Literature represents the very best of human expression. We read and celebrate Literature for many reasons. A few of these reasons are,- to be inspired, to be delighted, to embark on incredible ventures and others.
Literature is an intricate art form. In order to attempt to understand the meanings and ideas within literary work, there are many forms of criticism that propose different approaches to its interpretation. Each criticism is crucial to the understanding of how individuals interpret literary works. Since each criticism has a different approach to enrich the understanding literary works, the question is raised whether one criticism should be used over others, whether a certain combination of criticisms should be used, or whether all criticisms should be taken into account. This may all be dependent on the reader’s individual preference or opinion, but each criticism presented builds on the others to create a well-rounded and unique understanding