In Franz Kafka’s The Metamorphosis, Gregor is a man who has a rude awakening when he discovers his change into a dung beetle, but he quickly dismisses his problem to attend to his family 's needs and to try to explain why he is not up for work. Although I believe his mother and sister Grete were morally justified in their response to his transformation, I claim that his father is not right in his response because a parent or family member is supposed to be respectful and interested in their children 's well being. To begin, his little sister Grete is the person who shows the most compassion through his adaptation to the bug life. As no one could see what is going on with Gregor on the morning of his transformation (because he locked himself in his room every night) “there was an embarrassed silence...in the room to the right his sister was sobbing (577)”. This proves she is obviously showing concern with her brothers well being. She asked him many times if he needed any assistance. Gregor refuses to answer her and even after realizing his transformation she is drawn to feeding him. She cares for his nourishment and
As the only man of the house after Gregor turned into a monster, he had to man up and stand up to Gregor because the mother was freaking out at the sight of him. As the man of the house his father had a duty to act in such ways but he quickly dismisses the thought that the huge beetle may actually be his son when there happens to be a misunderstanding between buggy Gregor and the two women. He says “Just what I expected….just what I’ve always told you, but you women wouldn’t listen (596)”, suggesting that he lost his trust in Gregor. He did not respect him as a human because of his appearance and lack of
Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back” (Kafka 16). Throughout the text she becomes the sole reason Gregor stays alive. Grete spends her days worrying about the various foods Gregor likes and dislikes, how to make his room more comfortable, and trying to make him feel more comfortable. Gregor is not the only family member whose health is cared for by Grete. “Now his sister, working with her mother, had to do the cooking too; of course that did not cause her much trouble, since they hardly ate anything” (Kafka 25). Kafka incorporates household chores and her mother’s illness, escalating Grete’s isolation. During her mother’s many asthma attacks, Grete arrives first
It is notable that Grete is a very good violin player. We see that Grete seems to take care of Gregor in a way, but that leads to her starting to act like his owner, and that he is a piece of property. “She had grown accustomed, certainly not without justification, so far as a discussion of matters concerning Gregor was concerned.” (Kafka, 161) Though, near the end of the story, Grete begins to care less and less for her older brother, and eventually decides to let him go. ““He must go,” cried Gregor’s sister” (Kafka, 176) It's just another example of Gregor never fitting in. He is stereotypically, just a bug. A quote, more than less an example that really hits it
Gregor Samsa’s mother, whose name is never revealed, is a physically and constitutionally weak woman. She cares dearly for Gregor which is first shown by her distress as Gregor does not wake up at his usual time. It is evident that Gregor’s mother has the hardest time coping with his transformation. She can not bear to lay eyes upon Gregor. Though she has trouble adjusting, she doesn’t stop loving her only son. As Gregor’s mother and sister begin to move furniture out of his room, his mother stops to contemplate whether this is the right course of action. As Sheldon Goldfarb states in his critical essay, “When his mother and sister start removing his furniture, his mother's second thoughts provoke him to resist: he does not want to give up his human past and the possibility of returning to it” (Goldfarb). On the outside, Gregor’s mother reacts with repulsion at the sight of the bug, but on the inside still cares deeply about her son underneath. Gregor is able to see this and it gives him new hope.
“It has to go”, cried his sister. “That’s the only answer, Father. You just have to try to get rid of the idea that it’s Gregor. Believing it for so long, that is our real misfortune. But how can it be Gregor? If it were Gregor, he would have realized long ago that it isn’t possible for human beings to live with such a creature, and would have gone away of his own free will” (Kafka 52). The relationship between family member’s in Kafka’s Metamorphosis is an interesting theme addressed, and somewhat distressing subject. Why is it so hard to accept that this monstrous bug is Gregor? Is it so bad for him to want to stay and be near his family- the only thing he’s ever had and known? For the sister to even come out and say these words seems somewhat selfish. Why can’t it be turned around to a viewpoint through which we have a family loving their son, unconditionally, regardless of what state he’s in? The word love is definitely one which is not seen in close companionship with the Gregor family. And we can see that this lack of affection carries on to be one of the driving forces behind the theme of alienation in the novel.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
Before the transformation, Gregor was a human form of nonchalant reclusiveness. It’s almost as if it was crucial for him to go through the conversion so he could become more emotionally aware despite the irony of him not even being human but a bug. For someone who has been human for about 20 years with absolutely no experience of being an insect, then suddenly become more humane as a creature is odd and outlandish. Gregor’s care for his family increases and begins to worry about their loss of financial and emotional security. He fears that what “if all the peace, the comfort, the contentment were to come to a horrible end?” Gregor’s attitude towards his transformation is hopelessly mundane: he does not question why he has been transformed into a cockroach. Significantly, he fails to find the horror and the absurdity in the situation. Right before his death, Gregor feels all kinds of warm and fuzzy feelings about his family members. Despite his pathetic condition, he seems more humane than the rest of the characters. In a way, Gregor’s transformation and all of the events after that day illustrates both the rewards and sacrifices of defying social convention and living the extraordinary
Throughout the entirety of the writing he is met with different challenges and obstacles. Grete, his sister and his parents have a unique bond that is not always the strongest. Gregor has not been close with his parents for awhile, but Grete especially at the beginning was the only person who truly cared about his predicament. This conflict results in the desertion of Gregor and the downfall
Gregor is the focal point of the family, he provided for them when they needed the money. Gregor also brought the family into turmoil with his change. Just as Gregor brought them into turmoil he brought on growth for the family. His death gave his family a new life. Before Gregor’s metamorphosis, his family was a helpless and selfish. There was little meaningful interaction among them. Once Gregor had become a creature the family had to become resourceful, they learned valuable skills. Gregor gave his family something that could bond them together, they discussed what to do about Gregor almost every night. Gregor’s tragedy brought his family together. Gregor served as a “savior” for his family, he played the same role that Jesus did for the world. Gregor’s life was taken so that the rest of his family may achieve salvation. His family had changed from a selfish and lazy group of people to a loving and caring family. As Gregor grew closer toward death, his family grew closer to
Kafka’s The Metamorphosis takes on an wide variety of main themes. One of the most important of these is the collapse of morality and mercy, even among those people who are expected to be most fair and compassionate. Gregor’s metamorphosis is indeed terrible, but more terrible still is the psychological corruption of Gregor’s family. Their inability to adapt to the changes that have occurred signal a total breakdown in the family structure, and offer a cautionary tale about the fragility of notions of justice and mercy and how a certain change can change a persons perception of them.
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
Gregor as a human loved and would do anything to help his family, even if the same affection was not reciprocated to him. As a bug, he attempted to stay true to his human values, even if he was no longer human. This can be seen in the very beginning of the story, when Gregor was anxious to get to work to support his family, even though he was a bug. But, as the story progresses, Gregor becomes less human and more buglike, as seen in this quote: “‘I hereby declare,’ the middle lodger said, raising his hand and casting his glance both on the mother and the sister, ‘that considering the disgraceful conditions prevailing in this apartment and family,’ with this he spat decisively on the floor, ‘I immediately cancel my room. I will, of course, pay nothing at all for the days which I have lived here;.’
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
In The Metamorphosis, by Franz Kafka, Gregor’s evolution to an insect symbolizes the loss of thorough communication, representing the disconnection of the individual from his family and his surroundings. Through this metamorphosis, the once loving family begins to remove itself from any past interactions with Gregor. In addition, the setting and surroundings of Gregor completely overcome him and persuade him to lose hope. The family and surroundings, not the change to an insect, lead Gregor towards death. Not only do the uncontrollable surroundings change Gregor, but so does the family.