Gregor’s alteration shows how he has lost control over his own body and that it affects his family and himself. Gregor is unable to move properly due to his condition. He struggles to get out of his bed. In short, he is becoming dehumanized. The blanket that is on top of Gregor symbolized how he is human. When the cover came off, Gregor is in his bare, bug-life appearance. Gregor did not worry about his current condition. Alternately, he is concerned about his job as a traveler. He absolutely wanted to quit his job, however he had to keep working to pay off his parent's debt for their sake. Gregor’s dehumanization : “His numerous legs, pitifully thin in comparison to the rest of his girth, flickered helplessly before his eyes... his back was all covered with little white spots that he was unable to diagnose...” (Kafka, 11-12). Gregor’s white spots relates to Kafka’s sickness, tuberculosis. Gregor’s family tries to get him out of his room which failed due to his incapability of speaking properly. He strives to get to work, despite the way that he looks, that is something other than a human....
... middle of paper ...
...ay away from him as far as possible. She wants to be the center of attention and demands to get rid of Gregor for good. His mother seems to care a little more about Gregor unlike the other members of the family. She begged her husband to not kill Gregor after the throwing of the apples incident.
Ben-Ephraim, Gavriel. “Making and breaking meaning: deconstruction, four-level allegory and”The Metamorphosis.’.” The Midwest Quarterly 35.4 (1994): 450+. General OneFile. Web. 13 Mar. 2014.
Kafka, Franz, and Stanley Appelbaum. The Metamorphosis and Other Stories. New York: Dover Publications, 1996. Print.
Smith, Jennifer. "The Metamorphosis." Short Stories for Students. Ed. Vol. 12. Detroit: Gale Group, 2001. 188-212. Gale Power Search. Web. 12 Nov. 2013.
Stephen Spender, “Franz Kafka,” in The New Republic, Vol. LXXXXII, No. 1195, October 27, 1937, pp. 347^8.
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