The Merchant of Venice is a play written by William Shakespeare in 1596 and finished writing it in 1598. The play starts off with Bassanio wanting to marry Portia. He confronts Antonio to ask him for a loan so he can have enough money to marry his soon to be wife. Antonio finds he doesn’t have enough money to give Bassanio the loan so he agrees to be the person to guarantee the loan. The two of them find Shylock to give him the loan. Portia then welcomes the prince of Morocco, who has come in an attempt to choose the right casket to marry her, he chooses the wrong casket and loses her hand in marriage (Spark Notes: Plot Overview). 3 of the most important things in the play are how people that look nice on the outside may be rotten and mean at heart, giving mercy to enemies may turn back on you (Spark Notes: Themes, Motifs & Symbols, par. 3), and how people treat other people based on their religions or beliefs.
I realized in this play that people that look nice and innocent on the outside may be rotten and mean at heart, Portia is a perfect example of this. Throughout the play Portia turned more and more evil then she seemed to be at the beginning of the play. She seemed looked like a nice young woman but in near the end of the play she turned against Shylock and made him even more poor then he already was:
“Tarry, Jew:
The law hath yet another hold on you.
It is enacted in the laws of Venice,
If it be prov’d against an alien
That by direct or indirect attempts
He seek the life of any citizen,
The party ‘gainst the which he doth contrive
Shall seize one half of his goods; the other half
Comes to the privy coffer of the state;
And the offender’s life lies in the mercy
Of the duke only, ‘gainst all other voice.”(Sh...
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...ases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a
Christian, what is his humility? Revenge. If a
Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villainy you teach me I will execute—and it shall go hard but I will better the instruction. (Shakespeare, 45)
I think Shylock did a good job portraying his thoughts in this quote as to showing how he was fed up being treated differently just because of his religion and beliefs. I agree with him fully about how Antonio should have treated him the same as all his Christian friends and family.
Shakespeare's The Merchant of Venice exemplifies a principle that is as unfortunately true in our time as it was in his - he who has money also has love, sex, and above all, power. In this case, the use of 'he' is deliberate; 'she,' in the Elizabethan era, rarely had either financial independence or much control over the course of her life. Portia, the deceitful heroine of the play, is a major exception. To put it bluntly, Portia is enormously rich. This unique position allows her to meddle in the affairs of the unsuspecting and somewhat dim male characters, and eventually gives her unprecedented power of self-determination. However, the play is more than a tale of feminine wiles overcoming male dullness of wit. Portia's wealth and intelligence may fuel her successes in marriage and the courtroom, but in each case it is her ability to usurp traditionally masculine roles that guarantees her victory. As Portia exploits the codependence of wealth, masculinity, and public power in her society, she becomes the only woman in the play who consistently controls her own destiny.
Then there is the innocent and rich “Antonio” (Merchant), who is a Christian, and is a complete Anti-Semitec. Antonio’s character is wrong, he hates Jews, he loves being regarded as rich, and would do anything to make Shylock’s life a misery. Antonio hates Jews; this is proved in Act 1 Scene 3 where Antonio says, “The Hebrew will turn Christian, he grows kind”, this is blatant racism shown against the Jews. The story progresses, a new character is introduced, Portia.
Committing deceptive deeds not only hurt others, but also the ones who deceive. The Merchant of Venice, by William Shakespeare, is a romantic-comedy play about a Christian merchant named Antonio who agrees to a bond that a Jewish moneylender named Shylock, his enemy, creates to help his best friend Bassanio see Portia, an heiress whom he is in love with. Shylock warns Antonio that if he forfeits the bond, by not repaying him three thousand ducats, he must allow him to remove a pound of his flesh. Throughout the play, deceptive behaviour causes the moral values of individuals to decline. First, this is seen through wealth as it pertains to the desire to have what is valuable. Second, moral values decline when people deceive the family members that they encounter. Finally, deceiving others through love leads to a decline of moral values. In the play, The Merchant of Venice, deception, as seen through wealth, family encounters, and love, causes the moral
The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.
We frequently see the intent of greed and selfishness covered up by the words and face of virtue. Such exploit is displayed by the exceptionally stingy Shylock, an unpopular Jew who makes his living through the practice of usury. When confronted about his unsympathetic trade, he resorts to citing scripture, thus comparing his selfish trade with the actions of holy men (I, iii, 73-87). Antonio, a well respected and honorable merchant, sees right through the falsehood of the justification and asks Shylock, "Was this inserted to make interest good? Or is your gold and silver ewes and rams?" (I, iii, 91-92). The response from Shylock to the question reveals a glimpse of his true meaning. "I cannot tell; I make it breed as fast" (I, iii, 93-94) is a rather boastful reply of his wealth than a righteous rationalization. To which Antonio can only turn to his friend and say "The devil can site Scripture for his purpose. An evil soul producing holy witness is like a villain with a smiling cheek" (I, iii, 95-97).
It is worthwhile to take a close look at the marriage and trial plots in The Merchant of Venice. The antagonists of the respective plots have similar goals; they seek access to power and privilege. However, the types of power they seek is very different. The methods they use of gaining power are also differ. Bassanio succeeds with his intent, but Shylock fails. Focusing on the before mentioned plots, one may draw some conclusions concerning the reasons of success and failure in this play.
Drama and Tension in William Shakespeare's The Merchant of Venice Introduction The merchant of Venice is about a merchant who borrows a loan to help a friend who wants to go to Belmont to Marie a woman called Portia. The person who borrows a loan is a merchant name (Antonio), and Antonio goes and gets the loan off a Jew name (Shylock). After Antonio borrows the loan, Antonio sign a bond saying that if in three month Antonio ships don’t return, shylock would have his pond of flesh.
If we want to talk about Shylock in the role of being a villain. A lot of people would agree. During the play, from the beginning we might excuse other Christians especially Antonio...
Shakespeare, William. The Merchant of Venice. 1967. Ed. W. Moelwyn Merchant. The New Penguin Shakespeare. London: Penguin Books, 1996.
William Shakespeare shows how two tradesmen can have completely different lives when others view them differently in the play The Merchant of Venice. In the play, Bassanio, Antonio’s friend, needs money to pursue his love. They seek a loan from Shylock, a Jewish moneylender in Antonio’s name. The contract is for three times the value of the bond in three months or else Shylock cuts off a pound of flesh from Antonio. While all this is happening, there are love plots going on. One of which is for Shylock’s daughter to elope with Lorenzo, a Christian. Later on, Antonio’s source of money, his ship, is reported sunken in the English Channel, dooming him to the loss of one pound of his flesh. There is a trial on the bond, and when it seems sure that Antonio will die, Portia, disguised as a doctor of laws legally gets Antonio out of the situation and Shylock recieves harsh penalties. Antonio and Shylock, two similar businessmen of Venice, are viewed differently and are treated oppositely to heighten the drama of the play and mold a more interesting plot.
Love, Hate, and the Influence of Money in “The Merchant of Venice” William Shakespeare’s The Merchant of Venice presents a battle between love and hate, influenced by money. Written during the 16th Century, Shakespeare depicts an anti-Semitic era through the eyes of both Jews and Christians. Each perspective has it’s struggles, but what stays consistent between them is what makes this play so historical. Throughout this play, it becomes clear that a culture affected by love and hatred, under the influence of money, can deliver a powerful message that still speaks to readers today. Among the many different themes presented in The Merchant of Venice, the most prominent is true love.
True Love in The Merchant of Venice Among the various themes presented in the Merchant of Venice most important is the nature of true love. The casket plot helps illustrate the theme of the book. Through a variety of suitors the descriptions of the caskets, Shakespeare shows the reader how different people view true love. He also shows what is most important to the suitors and in some cases it is not true love, but material things and outward appearance. The first suitor who tries to win Portia's hand is the Prince of Morocco.
The Duke then tries to change the tone of the conversation by appealing to the small amount of humanity that Shylock has left. His words are in stark contrast to the true nature of Shylock. The Duke makes a desperate plea by saying. But his belief lacks a sense of reality, as Shylock has repeatedly suggested that he wants nothing more than a pound of Antonio’s flesh, and has also never shown any sign of mercy or forgiveness. In this speech, the Duke tries relentlessly to persuade Shylock himself that these feelings do in fact exist, and Shylock should, therefore, act reasonably in his decision of whether or not to seek the proper forfeiture of his bond. The Duke also asks Shylock to step out of the stereotype of the alienated Jew. He begs: Shylock’s response to this request falls directly in line with Antonio’s notion of his character. Shylock states:. In asking for his “due,” Shylock implies that there is justice to be handed down here, not realizing or not caring about the clear injustice of taking a bout of...
Shakespeare’s Merchant of Venice contains many themes and elements that are considered timeless or universal. Samuel Taylor Coleridge defines a timeless or universal element as a “representation of men in all ages and all times.” A universal element is relevant to the life of every human being – it is universal. The first major theme that plays an important role in the play is the Christians’ prejudice against the Jews. A second important theme is the attitude toward money. Perhaps the most important theme of the play is the love between people. This love can occur between the same sex, or the opposite sex, platonic or romantic. In Merchant of Venice, the three timeless elements are prejudice, money, and love.
Shylock lends Antonio a sum of money, that Antonio intends to pay back when his merchant ships arrive in Venice, one month before the debt would be forfeited. When Bassarnio arranges the sum of money, Shylock befriends them, only to stand aside and utter to him self, "I hate him for he is a Christian... If I catch him once upon the hip, I will feed my ancient grudge I bear him," Act 1, Scene 3. Shortly after saying, "But ships are but boards, sailors but men... the perils of waters, winds, and rocks...Three thousand ducats; I think I may take his bond." Shylock is setting his trap here. Shylocks terms of the debt are a pound of Antonios flesh from closets his heart if it be forfeited.