The privileges of being a straight white man!
What would you do when you would have the privilege of a straight white man? Do you have a privilege when you are white, straight and a man? These questions are addressed in the new play from the Korean American playwright, Young Jean Lee. Straight White Men, is a sit-com comedy, which explores the struggles in the lives of three straight white brothers, who are visiting their widowed father for Christmas. While playing politically correct board games and eating Chinese takeaway food, the brothers wonder about if their status would actually bring so much privilege and how come things aren’t working out. With this play, Lee investigates the downside of what might usually be seen as the most privileged
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The Main focus will be on one actor and how this actor portrayed its character. Matt, played by Hugh Parker, is the eldest of the three brothers. He has moved back in with his father after losing his way in life. Although all the other characters are exaggerated, just as in a sit-com, Parker’s adaption of the oldest brother is in contrast very realistic. Not only in the way the character was portrayed, but also in his attitude towards life, the contrast is clearly visible, while the other brothers have found what they are in life and the oldest hasn’t. The character is effectively portrayed to convey the message and overall theme of the play, by breaking stereotypes and demonstrating which is normally seen as the most privileged, such as being the oldest brother or being a straight white man doesn’t mean that one is the most …show more content…
The duration and cost of the production have been compared to other media which provide entertainment, such as television and film. A theatre performance is more expensive to attend than cinema. The play only lasted for 85 minutes, a film can go on for two hours or even more. This can have a big influence on why people would choose one medium over the other. Accessibility has also to be taken into account when investigating the relevance of theatre in the 21st century. Television is a medium which can be accessed from home, and usually doesn’t cost a lot of money, whereas theatre costs money and is harder to access. Although the production was Australian, the actors talked with an American accent. Bearing in mind that the play was written in America, which could make it harder for an Australian audience to familiarise with the dilemmas going on, on stage, while the themes discussed seem to be more relevant there than in Australia. Overall this play doesn’t contribute to the relevance of Australian theatre in the 21st century, due to the many other sources people can access for entertainment, and because the play seems to be more relevant for an American audience rather than an
Through strong dramatic plots, characters and music, melodrama has created an engaging, well-developed form of theatre. But melodrama is not limited to one category. Like other forms of the theatre arts, melodrama can be further broken down into Victorian melodrama and Modern melodrama. As the names entail, Victorian melodrama was practiced in the Victorian Era (1837-1901) whereas Modern melodrama is still being performed today. Both equally exaggerated and emphasizing the good vs. evil conflict, these two forms of melodrama have shaped the stage theatrically and developed complexity in character and plot development.
When people hear the word stereotype, they usually think of black people, Mexicans, Native Americans, women, and other races. Most people do not think there could be a stereotype against white males. People usually think that it would be the white male that would stereotype other races and not be stereotyped themselves. The truth is that white males get stereotyped just as much, if not more, as other races. White males have been categorized as hateful, major racists, skinheads, and over-privileged. In today’s society, a white male can’t criticize any other race without fear of being called a “hater” or a “racist”. One of the biggest forms of racism towards the white male is what the government calls “Affirmative Action”. Affirmative Action is something the government made to insure ...
When my father and I first settled in the theater, I immediately scanned the crowd. On the way to the production I envisioned, as superficial as it may seem, an auditorium crammed with African Americans and college students. But to my surprise, the majority of the playhouse flooded with middle‑aged Caucasian people. With suits and dresses on, clearly they were financially well off. On the contrary, I only observed a few African American people. I expected that more African American families would attend a play that pertained so relevantly to their past. Nevertheless, the demographics still posed an interesting point about who goes to these plays.
Within Australia Theatre the 1960’s created an opportunity for marginalised groups in society to be heard as they explored ideas regarding issues of racism and multiculturalism, challenging the concept of Australia being an egalitarianism society. David Williamson’s controversial play ‘The Removalist’ written in 1971 and Jack Davis’ play ‘No sugar’ written in 1985, bring to the fore a variety of societal concerns, which were, predominate within their contexts. As a class, we further developed these ideas to expound the social concerns of corruption and violence within Australian authority due to
Lazarus, Joan. "On the Verge of Change: New Directions in Secondary Theatre Education." Applied Theatre Research 3.2 (July 2015): 149-161. EBSCOhost, doi:10.1386/atr.3.2.149_1.
Our documentary drama piece is on how migrants are unable to simply seek refuge here in Australia. Bertolt Brecht a German play writer has helped us achieve this goal as we have brought upon a range of techniques which teaches the audience to think and to remind themselves that what they have watched is theatre not real life. Important techniques which he uses include narration, song, use of placards and projection, simple staging, utilising sets, props and costumes and changing character. These help to break up the action the audience have witnesses and not become emotionally attached. Our group have incorporated these techniques into our play to create a powerful performance which raises the issue of migrants coming to Australia.
years ago the word "theater" possessed a different meaning than it does in today's society. The
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
“The theatre was created to tell people the truth about life and the social situation,” says Stella Adler. Theater is unique and intriguing because it blends literary and visual arts to tell a story. Before Theater 10, I viewed theater on the surface level: cheesy plot lines with dramatic scenarios for entertainment purposes. Throughout the course, I have learned what it means to appreciate theater, such as understanding Brechtian and Chinese theatre; however, I believe understanding theater’s ability to convey crucial historical and social messages, such as in the production of RENT, is more relevant and important for theater appreciation.
Nevertheless, the question at hand is whether theatre will have a role in the society of the future, where cinema, digital television, and computers will continue to expand and grow. The answer to this question is yes. Heading into the 21st century, theatre will only be a fraction in a solid media industry. However, despite all the excitement technology brings with it, they will never replace theatre because it has something that can not be recreated or offered anywhere else. The cinema and its larger than life world appeals as an affordable alternative. Digital television provides digital interaction between the viewer and the producer. Theatre on the other hand, and its contents may take on a larger dimension, but we receive it directly in flesh and blood – one to one. The magical atmosphere between an actor and spectator who are constantly aware of each other and the theatre’s level of engagement is fundamentally more human and far more intimate.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
“Theatre makes us think about power and the way our society works and it does this with a clear purpose, to make a change.”