The song is straight forward with its intentions, and does not have much figurative language. The most frequently used figurative language in this speech has been anastrophe, found in lines 33-35, 38, 43-44 (5.2). Some uses of anastrophe encompass a couplet such as “despised in nativity/ Shall upon their children be” (5.2.43-44) while others are short such as “ever true in loving be” (5.2.38). Other forms can be found in the repetition of the word issue (5.2.35) creating a polyptoton. Issue’s first instance was describing a child, an issue created in the marital bed. The second case of issue was referring to an actual problem. Repetition can also be found with the word “bless” in lines 47 and 49 of act 5 scene 2. Line 33 uses alliteration of the letter B with “best bride bed” (5.2). Most of the rhymes are masculine end rhymes, however the song contains 3 feminine rhymes with the words fortunate (5.2.36), nativity (5.2.43) and consecrate (5.2.45).
The mischief caused in this play was not di...
... middle of paper ...
... or be a mischief maker and was so happy he wants to sing and bless everything around him. Oberon created mischief out of emotional distress from his wife Titania, but now that they are reconciled feels the urge to bless everything and make all peaceful and loving. Oberon’s influence on the humans was balance based, and now that things are back in order, actions must be taken to right the wrongs. The singing of a song would be unusual for a King, whether or not he was from the fairy world, however as a character this speech works nicely with that of Oberon, and gives the audience closure on the fairy plot world as well as the others in the palace.
Greenblatt, Stephen, et al., ed. The Norton Shakespeare. New York: Norton, 2009. Print.
--“A Midsummer Night’s Dream.” Greenblatt 189-198
Shakespeare, William. A Midsummer Night’s Dream. Greenblatt 199-246
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