Masaccio 's Trinity Uses Techniques Of Multiple Artists Whom Emerged During The Renaissance Period

Masaccio 's Trinity Uses Techniques Of Multiple Artists Whom Emerged During The Renaissance Period

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Masaccio’s trinity uses techniques of multiple artists whom emerged during the renaissance period. Masaccio used Brunelleschi’s approach of single-point perspective, a scientific discovery that artists perfected during the awakening of the renaissance. The invention of single point perspective is a critical point in history that is seen as a part of a whole development; also as one of a number of pictorial devices that artists may or may not in depicting their subjects. The development of this linear system for the representation of space emerged in the fifteenth century. With the increase of realism in the detail of figures, their surroundings demanded the same progress. ( footnote book 233) During this era the goal was to achieve renaissance humanism, meaning every detail had to appear as real and natural as possible. Renaissance humanism was what made artists examine perspective, three-dimensional techniques and human anatomy, this is evident in Masaccio’s painting. Artists wanted to reach perfection and in order to do so the Brunelleschi found a way to mathematically determine how to fill a space. It is believed that Brunelleschi and Masaccio were friends and that Brunelleschi assisted Masaccio with the trinity in sharing his technique of single-point perspective. A decade later Alberti describes a simplified explanation of Brunelleschi’s technique and a direct correlation is evident to Masaccio’s painting of the Trinity. The painting was commissioned by a member of the Lenzi family for the Lenzi chapel in Santa Maria Novella Florence. The Trinity was commissioned during the fifteenth century in c.1426 and was devotional art to God the father, the son and the Holy Spirit. Masaccio’s Trinity was used during mass, rituals like c...


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...ines of the vaulting system all meet at a point somewhat below the base of the cross roughly at the eye level of the viewer. Despite the unresolved aspects of the perspective Masaccio still captured the style that would overtake the renaissance world. (footnote)
Trinity, one of Masaccio’s greatest and most influencial pieces is a painting that embodies the importance of the sacrifice of Christ, God and the Virgin Mary. It is a devotional piece that commemorates Christ giving himself in order to save humanity and restore salvation, it is his funerary moment. Masaccio created a piece that would forever improve the representation of figures and surroundings in an image making the fictional space nealy impossible to differentiate from real space. Masaccio’s use of Brunelleschi’s single point perspective permanently influenced the art in the remainder of the renaissance.

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