When first reading Frankenstein by Mary Shelley the examples of feminism are not apparent. Although learning more about Mary Shelley 's history helps one relate the events in Frankenstein to what occurred in Shelley 's actual life. Shelley 's feminist pedigree plays a huge role in her novel Frankenstein as it sublimely elaborates her own tragic loss of her first born child, reflects a man 's decision to create life, and Victor the creator of Frankenstein, leaves despite the connection with his own creation, and last influences Shelley 's jargon throughout her novel.For example, the moment the monster was created and throughout the rest of the story he was isolated from society. All the characters in the novel automatically feared the monster …show more content…
The crucial process in Frankenstein is Victor giving birth to a kind of human without a female womb. By doing this, he repudiates the law of nature. Bearing children is an intrinsic function and perquisite of women. Moreover, Victor decides against creating a female creature. Thus, he aims to create a patriarchal environment that consciously disregards women and consists only of men because Victor assumes women are not needed any longer. This actually backfires on Victor because the result of life without a matriarch is a monster. Accoriding to Mellor a feminist critic, "In trying to have a baby without a woman, Frankenstein denies to his child the maternal love and nurturance it requires, the very nourishment that Darwin explicitly equated with the female sex"(Anne K. Mellor, A Feminist Critique of Science). Victor Frankenstein 's unwillingness to provide his monster with motherly affection demonstartes the narrative consequences of procreation without a woman. Even if Victor was indeed able to provide his child with a mother 's care, he could not have prevented its social castigation and misery. When Victor 's monster came to life he explained how the …show more content…
His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited, where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life. (Frankenstein 41)
This section of the book obviously portrays that despite the fact that Victor proclaimed to have a connection with his creation, he abandoned him anyway. This conveys feminism because, without a female Victor 's monster wasn 't able to flourish, also women often feel as if men run away when a child is born to relinquish their responsibilities as a father. If the book was written from a male 's perspective Victor would have never neglected his creation 's needs, and his creation definatley would have been a success. Only women would perceive a man to be so weak and
For centauries, women have been forced to live life in the outskirts of a male dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job in portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters. In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society.
Certainly the male characters in ‘Frankenstein’ are more developed that those of the females. Elizabeth Fay has suggested that the female characters are ‘idealised figures’ in much of Shelley’s work, particularly in the descriptions of Caroline and Elizabeth, the two mother figures in the novel.
The novel Frankenstein touches on many controversial ideas, knowledge as threat, secrecy of Victor about monster, rejection, abortion, that captivate the readers with its fascinating narrative. One of the important concepts that is touched over and over again is the passive role of the female characters. Almost all female characters, except for Safie, have passive roles; confused, abandoned, long-waiting, lover Elizabeth, loving, sacrificial mother Caroline Beaufort, wrongly accused Justine, enslaved mother of Safie, passive-listener Margaret Saville.
This novel supports Shelley’s thought about society’s attitude toward female authors and how they were considered inferior. She demonstrates how female authors are shunned by society, just like the creature is shunned. The creature embodies the feminist ideals Shelley weaves into the novel and highlights societies unfair treatment of women. In some ways Shelley identifies with Victor because both of their creations were not what they expected them to be and were worried about the criticism they would receive for it. They both hid their creations for a while, Shelley did not immediately claim the novel and Frankenstein did not claim his experiment
The theme of masculinity is strong throughout the novel, and I will finish with what may be the strongest example of masculinity of all, although it is not a favourable one. Perhaps the character of the monster represents the flaw in masculinity in the society of that day, created without the use of a woman, and is an example of the dangers of a society without woman. And I feel that Shelley was perhaps manipulating the masculine identities in the novel to show the flaws that such attitudes towards women can create, and persuade her audience that a society without women would be disastrous.
Before Victor created the creature, he called himself father of it. Surprisingly, Victor decides to abandon his “child” at the first sight of its ugly appearance. He appears to be relentless because he abandons a creature who has no ability to live alone. The creature is just “born”, and it even does not how to speak. It is like an infant except it is huge and it can walk. As its creator, Victor has the responsibility to take care of it since it has life now. However, Victor just leaves it alone. Interestingly, he takes two years to create his “son”, and one second to desert it. Eventually, it is the abandonment of the creature leads to death of his brother. When the creature encounters Victor again, it narrates its miserable experience to Victor, and asks Victor to create a female monster which is its only chance to be happy. For the first time, Victor feels sympathy for it, and responsibility to the creature. “I was moved. I shuddered when I thought of the possible consequence of my consent, but I felt that there was some justice in his argument … and did I not as his maker owe him all the portion of happiness that it was in my power to bestow” (100). Victor consents the creature’s requirement of creating a female monster which seems to be his compensation to the creature.
Mary Shelley’s novel entitled Frankenstein demonstrates women of the Romantic Era as powerless citizens of society. Throughout the novel, the women are secondary characters and are portrayed through the men’s perspective. Therefore, many would think that these female characters are passive and dependant as they are often described as companions and nurturers. Despite the unequal rights of women, Shelley, one of the earliest feminist, has developed female characters who show agency. This trait of taking charge of one 's course of life is reflected through Justine Moritz as she is willing to die for her beliefs, in Safie who defies her father’s and religious wishes and when Victor Frankenstein decides to abort
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Throughout Mary Shelley’s Frankenstein there are many female minor characters. Some view these minor characters as passive and subordinate, the epitome of a delicate woman, that reflect the gender roles during the author’s era. This simplifying view of the intricately complex female characters does not accurately represent the powerful and firm importance of their underlying, yet commanding, voice. One of these characters is Justine Moritz who, although charmingly modest and gentle, is a testament to the dignified power of women. During her short appearance in the novel, it is clear Victor Frankenstein fears her for the bravery and strength she exquisitely exhibits through her unjust trial. In addition, the contrast between the characters is distinct. Evidently Victor fails to posses such courage and admirable traits reflecting the insufficiency of supposed male dominance as compared to feminine vigor. Mary Shelley’s minor character Justine is a subtle yet potent force who depicts the perseverance and strength of women by illustrating the considerable lack of such traits Victor Frankenstein.
Mary Shelly’s Frankenstein is book about the importance of human relationships and treating everyone with dignity and respect. The main character of the book is Victor Frankenstein who is a very intelligent man with a desire to create life in another being. After he completes his creation, he is horrified to find that what he has created is a monster. The monster is the ugliest, most disgusting creature that he has ever seen. Victor being sickened by his creation allows the monster to run off and become all alone in the world. Throughout Frankenstein, Mary Shelley uses the theme of human relationships to illustrate the bond that man has with other beings and the need for love and affection. The importance of human relationships is shown throughout the book in many ways. Victor’s mother says to him, “I have a pretty present for my Victor—tomorrow he shall have it”(18).Victor is very excited that he has such a precious gift that will always be his. They become very close and refer to each other as cousins. However, there is a deeper a relationship between the two, and Victor vows to always protect and take of the girl whose name is Elizabeth. Mary Shelley uses this quote to explain how special Elizabeth is to Victor and that she is gift sent to him. Victor’s mother reinforces this again when she says to Victor and Elizabeth, “My children, my firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father. Elizabeth, my love, you must supply my place to my younger children. Alas! I regret that I am taken from you; and, happy and beloved as I have been, is it not hard to quit you all? But these are not thoughts befitting me; I will endeavour to resign...
Many women like those in Mary Shelley’s Frankenstein suffer from inequality and oppression. Many women are treated like property and are deprived of rights that men have. The women are murdered and created in Shelley’s novel to represent how quickly women can be replaced. Women are clearly presented in the novel as classless individuals who are forced to comply as submissive beings living under the wing of man, the dominant leader in Frankenstein society.
In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence.
Smith begins her essay by looking at the historical factors that may have contributed to this seemingly sexist book. Shelley, writing in the first half of the 19th Century, was in a period in which a woman "was conditioned to think she needed a man's help" (Smith 275). In the novel itself, no women speak directly. The book has three basic narrators: Robert Walton, Victor Frankenstein, and Frankenstein's monster. The female characters are very weak in this novel, especially Elizabeth, Victor's cousin/fiancé (no they aren't from Arkansas). She is portrayed as the perfect woman, especially after Victor's mother, Caroline dies. She takes the place of the mother figure in the household. But just like all the female characters in the story, her character has little substance. Victor's character is described in detail, as is that of the monster, and Henry Clerval. When Henry gets killed, sympathy is really felt toward Victor, because he has just lost his lifetime friend. When Elizabeth is murdered, the reader finds it hard to connect with what Frankenstein is feeling. Elizabeth (and the other main female characters: Justine and Caroline) are there to reflect the men characters. Professor Smith states in her essay that "women function not in their own right but rather as signals of and conduits for men's relations with other men" (283). This is especially clear when the monster kills Elizabeth on their wedding night. The monster is upset with Victor, so instead of hurting him, he kills his wife. Elizabeth is used as a sort of ruler to measure the relationship between Victor and his monster.
Mary Shelley discusses many important themes in her famous novel Frankenstein. She presents these themes through the characters and their actions, and many of them represent occurrences from her own life. Many of the themes present debateable issues, and Shelley's thoughts on them. Three of the most important themes in the novel are birth and creation; alienation; and the family and the domestic affections.
To begin with, Victor describes how his mother, Caroline Beaufort, meets his father, Alphonse Frankenstein, after Caroline’s father died in poverty. Victor mentions, “He came like a protecting spirit to the poor girl, who committed herself to his care; and after the interment of his friend, he conducted to Geneva, and placed her under the protection of a relation” (Shelley 28). Even though Caroline is younger than Victor’s father, she has no choice, but to marry him. Without marrying Victor’s father, Caroline will still be in poverty with nobody to support her. Caroline’s decision to marry Victor’s father symbolizes a woman in need of a man to protect her.