Ever since his origin, the creature has been an outsider as an outcome of how society perceived him. He attempts to compare himself to be “like Adam, [because he] was created” (105) from the hands of another as well. The use of metaphor is an attempt to categorize the fiend to belong within at least one group. However, his existence is an oddity that can find no fit. As the creature could find no place among Adam, the author incorporated another metaphor that had the creature match himself to the likes of Satan. Even though a being as cruel as “Satan had his companions, fellow-devils, to admire and encourage him” (105), the creation still experienced a lack of companionship. Both comparisons are examples of the resurrected creature not finding his place in the world. Using two opposites as categories to fit in and still being unable to match either, is an indication for the creature’s status as an anomaly. The usage of metaphors places an importance on how the creature has no actual relation t...
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...pon Victor Frankenstein, he acted at his own discretion. It was a part of his characteristics to act the way that he had towards his creation and isolate him. Even seen as a genuine man in the community, Victor Frankenstein could not abstain from possessing corrupt components in his being.
Humanity has an innate attraction to barbarity. A large debate reoccurs as the question of nature versus nurture arises. In Mary Shelley’s Frankenstein her novel captures the essence of the battle between the characters the creature and Victor Frankenstein. It was due to the treatment others have directed towards the beast that has him fill a monstrous persona. Yet Victor’s qualities of evil were committed under his own uninfluenced decision. Monstrosity is an element in all faucets of humanity, but is dependent on an individual’s irrevocable nature or the way they are nurtured.
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