Marxist Ideology

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Finding Meaning In My Favourite Text. Music is an inevitable part of a human life, and you may not be “human” if you say you don’t like or listen to music- at least one type must appeal to you. I sometimes feel like music is in my genes, and I am an appreciator of music, as long as the good beat goes with some great lyrics, and that was why Paapa Kwaku hMensa’s “Richest Man”, which tells the unheard story of the poor man who is clearly fed up with the arrogance of the rich man, “called out” to me. He feels content with what he has and refuses any help from the rich man, saying the rich man feels no pity and love for him. I was drawn initially to the song by the beat and rhythm of the song, and of course because I went to Ridge Church School with Paapa. The concepts in this paper; Ideology (for Marxist Literary theory), Identity, Hegemony and Ambivalence (for Post-colonial Theory) are tailored toward a total extrinsic analysis. Terry Eagleton, a Marxist critic, says the task of Marxist literary criticism "is to show the text as it cannot know itself, to manifest those conditions of its making (inscribed in its very letter) about which it is necessarily silent" (Marxist Literary Criticism: A Brief Guide). Ideology, as used in the “Marxist Literary Criticism: A Brief Guide” describes ideology as “the shared beliefs and values held in an unquestioning manner by a culture. It governs what that culture deems to be normative and valuable.” For Marxists, ideology is determined by economics. A rough approximation: "tell me how much money you have and I'll tell you how you think" (Marxist Literary Criticism: A Brief Guide). The dominant ideology in this text which is not immediately known is the superiority of the rich over the poor in ... ... middle of paper ... ... stand for ambivalence in this text is the bare fact that the working classman does not show any sign of envy for what he doesn’t have rather condemns the corrupt and arrogant behaviour of the colonizer. I still love “Richest Man”, maybe even more as my eyes have been opened to what unknown things the writer wanted to put out. I never listened to my music with literary ears but learning that has somewhat changed that. I still enjoy my music of course, but unconsciously analyse. I’m still baffled about this though. “The best thing in this world to get is his respect?” References (n.d.). Retrieved from PostcolDefs: www3.dbu.edu hMensa, P. K. (2013). Retrieved from Bandcamp: http://paapamusic.bandcamp.com/track/richest-man Marxist Literary Criticism: A Brief Guide. (n.d.). Retrieved from http://www1.assumption.edu/users/ady/hhgateway/gateway/Marxistlitcrit.html

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