More often than not, literature with aspects that the readers can identify with, prompt them to reflect upon their lives. Although highly controversial, these aspects are the respective authors’ vistas of several issues of their society. Social concerns of the times; on the familial and societal front, happen to be some of the most influencing factors for the written word. Some of these concerns like family, marriage, sexuality, society and death, are notably illustrated by the authors, Gustave Flaubert in Madame Bovary and Laura Esquivel in Like Water for Chocolate.
Marital discord, which in general, may arise due to conflicts in the marriage, leading to disloyalty, infidelity, or a termination of the marriage, plays a prominent role in the development of the plots, perhaps being one major reason for the literary tension in the works under study. Marital discord may embody a silent rebellion against the societal norms prevalent in those times.
Furthermore, the characteristic attributes that may be influenced by the societal norms are also instrumental in causing strife in the marriages of Emma and Charles and Rosaura and Pedro. The lives of Emma and Tita are quite different. Their social upbringings and the family environments since their childhood were poles apart. The very prime difference being, unlike Emma, Tita had a domineering mother Mama Elena. This matriarchal figure in the book is perhaps the antagonist in Tita’s life, for as long as she lives. Although Mama Elena represents a very strong image of an independent woman, managing the “enormous responsibility of running the ranch”, guarding her family, she upheld the traditions of De la Garza family, no matter what. One of them being, the youngest daughter would take c...
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... As much as Emma wanted to be free and rich, she wanted to be happy, and under the guise of finding happiness, Emma’s marital discord becomes instrumental in attaining her sordid pleasures. Readers may observe a poor choice of decisions on Emma’s part. Likewise, Tita, by virtue of her relation with Mama Elena- being her last daughter, Tita is treated as if she were Mama Elena’s bondservant for life. However, the infidelity of Pedro for Tita quenches their thirst of passion, disregarding the customary family values. Thus, marital discord serves a very important literary purpose in these books, significantly driving their plots ahead. The books Madame Bovary and Like Water for Chocolate show us how these women, bended the rules in search of happiness, although both didn’t achieve it and hence, they stand out in literature as the sun’s vibrant presence in the skyline…
To keep her daughter’s “virtue” intact Macaria beats her. In this way the mother establishes complete control over Marcela’s sexuali...
The story begins with Titas birth prematurely when Mama Elena was chopping onions. Tita grows up with Nacha the most dominant figure in her life, and follows Mama Elenas routine of cooking, cleaning and sewing. At every incident she can, Mama Elena criticizes Tita and even beats her if she tries to speak up. One day Tita tells her mother that Pedro wants to come and ask for her hand, but according to the family tradition she cannot marry because she is the youngest daughter. Mama Elena tells Pedro he can marry Rosaura- one of her older daughters, and Pedro agrees to the arrangement just to be closer to his true love- Tita.
Gustave Flaubert incorporates and composes a realistic piece of literature using realistic literaryature techniques in his short story, “A Simple Heart.” Flaubert accomplishes this through telling a story that mimics the real life of Félicité, and writing fiction that deliberately cuts across different class hierarchies; through this method, Flaubert is able to give the reader a clear understanding of the whole society. Flaubert makes the unvarnished truth about simple hearts clear by exposing a clear replica of a realistic story, therefore, allowing the reader to clearly understand the society and the different classes of characters.
Set in the time of the Mexican Revolutionary War, the De la Garza family consisted of Mama Elena and her three daughters. “The most significant, life-changing activities women carried out in the Revolution at the outset were related to their families” (Monk). The oldest daughter was Rosaura, followed by Gertrudis and then the youngest, Tita. Tita’s father had died shortly after Tita’s birth. They lived on a self-serving farm where all members were expected to help. Each female had chores that were to be completed without complaint. Even though the fictional story revolves around recipes, other gender based ideals are revealed. “These activities were no longer carried out inside four walls, causing family survival to become essential” (Monk).
Gustave Flaubert used a unique mixture of word choice, syntax, and tone to create a writing style centered around realism. Realism was a relatively new idea in literature when Flaubert was writing Madame Bovary. He used word choice to effectively describe setting. For example, he talked about “… the smoking stove, the creaking door, the oozing walls, [and] the damp floor tiles…,” (page) when talking about a dreary dinner setting, which was common among the bourgeoisie. At this dinner, Emma Bovary became extremely irritated with Charles’ mundane lifestyle. Flaubert also used word choice to exaggerate Emma’s frustration and hopelessness. He talked about “… all the bitterness of life seemed to be served on her plate…,” (page) and “… from the depths of her soul other exhalations as it were of disgust.” (Page) These quotes demonstrate Flaubert emphasising Emma’s misery. This passage in Madame Bovary showed off Flaubert’s use of words to make a realistic point of view of the French middle class.
The novel Madame Bovary by Gustave Flaubert has numerous lessons hidden in seemingly ordinary dialogue. One of the most memorable and powerful passages contains what is a veritable moral of the novel. In the last third of the book, Emma Bovary's life goes on a rapid downward spiral, and in one significant scene, she reflects on her life, past, and what she has learned from her affairs. On page 200, one line strikes the reader: "everything was a lie!" This avowal can be applied to many different situations in the novel, and can be said to be the chief lesson Flaubert wishes to exploit.
The story begins with Tita passionately in love with Pedro Muzquiz and he with her. "She would never forget the moment their hands accidentally touched as they both slowly bent down to pick up the same tray" (18). Their romance is cursed from the start, however, because of an old family tradition, stating that the youngest daughter must remain unmarried and care for the mother as long as either may live. Pedro, unaware of the tradition, comes to the ranch to ask Tita's mother, Mama Elena, for Tita's hand. Mama Elena tells Tita, "If he intends to ask for your hand, tell him not to bother. Heíll be wasting his time and mine, too. You know perfectly well that being the youngest daughter means you have to take car...
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Gustave Flaubert incorporates and composes a realistic piece of literature using realistic literature techniques in his short story, “A Simple Heart.” Flaubert accomplishes this through telling a story that mimics the real life of Félicité, and writing fiction that deliberately cuts across different class hierarchies; through this method, Flaubert
well known to each other, or ever so similar beforehand, it does not advance their felicity in the least.
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
Madame Bovary, a novel by Gustave Flaubert, describes life in the provinces. While depicting the provincial manners, customs, codes and norms, the novel puts great emphasis on its protagonist, Emma Bovary who is a representative of a provincial woman. Concerning the fundamental typicality in Emma Bovary’s story, Flaubert points out: “My poor Bovary is no doubt suffering and weeping at this very moment in twenty French villages at once.” (Heath, 54). Yet, Emma Bovary’s story emerges as a result of her difference from the rest of the society she lives in. She is in conflict with her mediocre and tedious surroundings in respect of the responses she makes to the world she lives in. Among the three basic responses made by human beings, Emma’s response is “dreaming of an impossible absolute” while others around her “unquestionably accept things as they are” or “coldly and practically profiteer from whatever circumstances they meet.” (Fairlie, 33). However, Emma’s pursuit of ideals which leads to the imagining of passion, luxury and ecstasy prevents her from seeing the world in a realistic perspective or causes her to confuse reality and imagination with each other.
Madame Bovary is Gustave Flaubert’s first novel and is considered his masterpiece. It has been studied from various angles by the critics. Some study it as a realistic novel of the nineteenth century rooted in its social milieu. There are other critics who have studied it as a satire of romantic sensibility. It is simply assumed that Emma Bovary, the protagonist, embodied naive dreams and empty cliché that author wishes to ridicule, as excesses and mannerisms of romanticism. She is seen as a romantic idealist trapped in a mundane mercantile world. Innumerable theorists have discovered and analysed extensively a variety of questions raised by its style, themes, and aesthetic innovations. In this research paper an attempt has been made to analyse life of Emma Bovary as a paradigm of Lacanian desire.
Madame Bovary is a novel in which the personal, provincial, and emotional landscape of human relationships form a critique of humanity that supersedes individuals with their society as a whole. Though Emma Bovary belongs to a specific moment in time and space the struggles which she faces and overcomes are universal. The actions of Emma Bovary are representative of underrepresented, dissatisfied, and deprived peoples who must find ways to overcome oppressive social conventions and dismantle them in the process. Through the narrative format of Madame Bovary Flaubert explores the complexity of human physical, emotional, and psychological desires and satirizes the inhumanity of modern materialistic cultures.
In the story of Alice in Wonderland we follow Alice down a rabbit hole into a land of pure wonder, where the logic of a little girl holds no sway. In Gustave Flaubert’s Madame Bovary, we witness exactly the opposite as Emma Bovary, a most romantic creature, is purposely cast into a harshly realistic world. In either case, a creature is put into an environment unnatural to her disposition, yet in Flaubert’s example, Emma shares the world we inhabit, and thus the message her story brings is much more pertinent. To convey this message, Flaubert replicates not a world of fantasy, but rather the real world, with all its joy, sadness, and occasional monotony intact. Then he proceeds to dump an exaggeratedly sentimental woman, Bovary, with the training, appearance, and expectations of an heiress, into the common mire and leave her there to flounder in the reality of middle class life as a farmer’s daughter. From Madame Bovary’s reactions within this realistic situation, and from the novel’s outcome, a message is rendered concerning romanticism itself, and its misplacement in a cacophonous and uncomplimentary world.