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Compare and contrast childhood and adulthood
Similarities of childhood and adulthood
Similarities of childhood and adulthood
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In the short story “Marigolds” by Eugenia Collier, the narrator Lizabeth realizes that she is no longer a child but a grown up woman who renounces her innocence and begins her adulthood by developing a sense of compassion. She learns that the world is more than just the dusty shantytown and a squad of kids she plays with; there are also the complex realities of depression, indifference and poverty. The reason behind this realization is that Lizabeth, at an age of 14, overhears her parents’ conversation about the harsh economic situation that their family is facing. She is filled with anger and detests the unfairness that is given to her family. All these feelings encourage her towards an explosive, malicious act of destruction. She is especially …show more content…
Before overhearing the conversation, Lizabeth already has a sense of guilt as she finishes attacking Miss Lottie: “Suddenly I was ashamed, and I did not like being ashamed.” The conflict of not being either a child or an adult yet both together has been in her mind badgering her. After overhearing the conversation, she realizes that she is the oldest kid of all the kids she plays with, and she should be aware of her responsibilities for their …show more content…
It is the first time that Lizabeth hears a man cry. She could not believe herself because her father is “a strong man who could whisk a child upon his shoulders and go singing through the house.” As the centre of the family and a hero in her heart, Lizabeth’s dad is “sobbing like the tiniest child”She discovers that her parents are not as powerful or stable as she thought they were. The feeling of powerlessness and fear surges within her as she loses the perfect relying on her dad. She says, “the world had lost its boundary lines.” the “smoldering emotions” and “fear unleashed by my father’s tears” had “combined in one great impulse toward
“Marigolds,” written by the author Eugenia W. Collier, begins with the main character, Elizabeth. The story is told in first person, being told by Elizabeth when she gets older. “Marigolds” takes place in Maryland during the Depression. The reader can tell it is the time of the Depression because in the story it says, “The Depression that gripped the nation was no new thing to us, for the black workers of rural Maryland had always been depressed.” Both the setting and time in this short story are important. It helps describe the way people lived during the time period. However, both the setting and time are important because it is the reasoning to the problem in the story. Throughout the book you see changes in Elizabeth. She is fourteen going on fifteen. She has older siblings who married young. Now she and her younger brother, Joey, are the only ones left.
Intergenerational conflicts are an undeniable facet of life. With every generation of society comes new experiences, new ideas, and many times new morals. It is the parent’s job go work around these differences to reach their children and ensure they receive the necessary lessons for life. Flannery O’Connor makes generous use of this idea in several of her works. Within each of the three short stories, we see a very strained relationship between a mother figure and their child. We quickly find that O’Conner sets up the first to be receive the brunt of our attention and to some extent loathing, but as we grow nearer to the work’s characteristic sudden and violent ending, we grow to see the finer details and what really makes these relations
The events of our childhood and interactions with our parents is an outline of our views as parents ourselves. Although Robert Hayden’s relationship with his father differentiates from the relationship of Theodore Roethke and his father, they are both pondering back to their childhood and expressing the events in a poem. “My Papa’s Waltz” and “Those winter Sundays” provide the reader with an image of a childhood event which states how fathers are being viewed by their children. These poems reflect upon the relationship of the father and child when the child was a youth. Both Roethke and Hayden both indicate that their fathers weren’t perfect although they look back admiringly at their fathers’ actions. To most individuals, a father is a man that spends time with and takes care of them which gains him love and respect. An episode of Roethke’s childhood is illustrated in “My Papa’s Waltz”. In “My Papa’s Waltz”, the father comes home showing signs of alcohol and then begins waltzing with his son. Roethke states that the father’s hands are “battered on one knuckle”. The mother was so upset about the dancing that she did nothing other than frown. At the end of the day, the father waltzed the son to bed. “Those Winter Sundays” is based on a regular Sunday morning. The father rises early to wake his family and warm the house. To warm the house, he goes out in the cold and splits wood to start a fire. This is a poem about an older boy looking back to his childhood and regretting that “No one ever thanked him.” In Those Winter Sundays'; by Robert Hayden, the poet also relinquishes on a regular occurrence in his childhood. On Sunday mornings, just as any other morning, his father rises early and puts on his clothes in the cold darkness. He ...
“Marigolds” is about change. Collier chose a “fourteen-going-on-fifteen” (1) year old girl because the transition from childhood to adulthood adds layers of conflict to the story. The initially obvious conflict is that of the woman and child inside Elizabeth. She represents the child when she pulls up the marigolds: “The fresh smell of early morning and dew-soaked marigolds spurred me on as I went tearing and mangling and sobbing” (5). She (as the child) is struggling inwardly against being a woman. At the end of her rampage, she is “more woman than child” (1), and the child in her loses the battle. As a woman, she wins “a kind of reality which is hidden to childhood” (5). The second conflict is also symbolic. Elizabeth represents fear. She has the feeling that “ something old and familiar [is] ending and something unknown and therefore terrifying [is] beginning” (1). The marigolds represent hope. The reason for her “great impulse towards destruction” (4) was a combination of fear for the future and bitterness towards the past. In this conflict, fear wins because Miss Lottie “never [plants] marigolds again” (5). The third conflict is the most important. It takes place inside of Elizabeth and is also between fear and hope. At the end of the story, fear may win symbolically, but hope wins inside of Elizabeth: “In that humiliating moment I looked beyond myself and into the depths of another person. This was the beginning of compassion” (5).
To begin with, Maricela is a sixteen-year-old pregnant girl who hates life, because she does not want to have her baby. The garden makes her appreciate what she has, and it teaches her how to be happy. Fleischman’s character Maricela says, “It seemed like I could actually see the leaves and flowers growing and changing.
The poem is written in the father’s point of view; this gives insight of the father’s character and
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
After reading and annotating Marigolds by Eugenia W. Collier, I learned that there are some things we don’t know or realize when we are a child. When we become a woman, we have a different perspective on things. That is what Eugenia learned by the end of the story. Once she ruined all of Miss Lottie’s marigolds, she immediately felt guilty. Miss Lottie stood there with no anger on her face, just disappointment. Eugenia said that was when she saw her childhood fade and womanhood start to begin. Once she began womanhood, she learned that those flowers were precious to Miss Lottie and she was tying to make some beauty out of her shanty house. She viewed Miss Lottie as “… only a broken old woman who had dared to create beauty in the midst of ugliness
The author uses the denial and concealment of truth in order to reiterate that in the closed environment of the household, pampered upbringing only yields to immaturity in the outside world. In the narration, Stella-Rondo easily regains the position of the family “favorite” through the lies she produces and the family’s seeming acceptance of these lies as pure truths. In fact, however, Mama constantly questions these lies. She reprimands Sister for suggesting that Shirley-T is Stella-Rondo’s biological daughter, but she herself wonders how Stella-Rondo could possibly prove that Shirley-T is adopted. Later, she links Shirley-T’s silence and strange behavior to Mr. Whitaker’s consumption of chemicals, suggesting that she knows that Mr. Whitaker is, in fact, Shirley-T’s biological father. The author uses this characterization of Mama in order to show, that rather than not understanding the difference between truth and lies, she prefers one version over another, therefore...
Suffering from the death of a close friend, the boy tries to ignore his feelings and jokes on his sister. His friend was a mental patient who threw himself off a building. Being really young and unable to cope with this tragedy, the boy jokes to his sister about the bridge collapsing. "The mention of the suicide and of the bridge collapsing set a depressing tone for the rest of the story" (Baker 170). Arguments about Raisinettes force the father to settle it by saying, "you will both spoil your lunch." As their day continues, their arguments become more serious and present concern for the father who is trying to understand his children better. In complete agreement with Justin Oeltzes’ paper, "A Sad Story," I also feel that this dark foreshadowing of time to come is an indication of the author’s direct intention to write a sad story.
Whether the two characters were able to realize it at the time or not, the decisions that they made, purely to prove a point to others, affected their lives greatly. When Lizabeth decided to throw the rocks at Miss. Lottie’s marigolds, she did so to prove to the other children that she was not afraid. This event was important, as it allowed Lizabeth to channel her anger and act out. If Lizabeth had not tried to destroy the marigolds, there is a possibility that she would not have completely destroyed them towards the end. The Lawyer made a similar mistake when he agreed to surrender fifteen years of his life in order to prove to the Banker that he was capable of doing so. The Lawyer put a great deal of stress upon himself to win the bet, which led to depression and loneliness. If the Lawyer had tried to make his point using a different method, he would not have been so lonely. The decisions that both characters made affected their lives in different ways, but ultimately led to the discovery of
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
The poem His stillness by Sharon Olds gave her a definite understanding of the man that she called “father.” Olds grew up in an abusive family home because her dad was always known as an alcoholic. Because of her dad’s habit, created hard living environments for her and she wished that her parents never got married. Whenever liquor was in her dad’s system, he was unemotional making life for Olds hard. She never described the things that he did to her. The visit to the doctor’s office made her opened up to her dad. She saw her dad as lovely and caring family man and she never imagine him being the man that he was at the doctor’s office. He did not overreacted when he heard news; instead he was calm and accepted the news. She felt tremendously sad for her dad and from there now she started noticing the man she never knew. Olds and her dad bond grew stronger at the doctor’s office. The man she had always known for his abusive behavior turned out the most caring man in the world.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...