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The themes of othello
The themes of othello
Analysis of iago in othello
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William Shakespeare 's Othello is a play that depicts manipulation, joy derived evil, and socioeconomic beliefs. It is a story that combines the negative aspects of love which lead to the demise of each character within it. Low self esteem leads to love depicted through lust and that lust leads to weakness. The character lago utilizes each of these concepts to spread misery throughout the entire cast. Some believe that he is demonic in his entire being while others question only the evil of his soul. Nevertheless, he acknowledges through the sililoquies within the play that he vengefully seeks to fulfill his own desires and how he plans to accomplish it. Iago is a man that whittingly preys on each individuals weaknesses while reveling in the
Iago 's sililoquies continue throughout the play and give readers a glimpse at the evil that rules within the mind of Iago. In Act 2, scene 3, Iago continues to unveil more of his plot of destruction, only this time, he doesn 't have an audience. "If I can fasten but one cup upon him, with that which he hath drunk tonight already, he 'll be as full of quarrel and offense as my young mistress ' dog. Now my sick fool Rodrigo, whom love hath turned almost the wrong side out, to Desdemona hath tonight caroused Potations pottle-deep, and he 's to watch. Three lads to Cyprus, noble swelling spirits (That hold their honors in a wary distance, the very elements of this warlike isle) have I tonight flustered with flowing cups, and they watch too. Now 'mongst this flock of drunkards am I to put our Cassio in some action that may offend the isle. But here they come. If consequence do but approve my dream my boat sails freely, both with wind and stream" (2.3.30-47). Here, Iago is laying out his plan of deceit beginning with getting everyone drunk. He believes that once drunk, they will be easily offended and ready to fight. It is then that he will coerce Cassio to do something to upset everyone, there will be a brawl and his plan would be a success. Although this sililoquy was depicted to himself, Iago conveys a sense of joy and excitement while rehearsing his plan of manipulation. He uses his powers of persuasion to make individuals vulnerable and then plays on their trust to seek his vindictive revenge (Jacobsen,2009,pg.507). He concentrates on their weaknesses and that is what he destroys them
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
In William Shakespeare's play, Othello, there is an example of evil personified. He is the character of Iago, and he wreaks havoc and destruction on all those under his influence. As the play develops, we see unfolded a plethora of lies, deceptions and clever schemes. Iago seizes every opportunity to advance his malicious plan to his advantage. Greed and jealousy play a major role as a motive for his various schemes.
The character of Iago has traditionally been viewed as the most infamous villain in all of Shakespeare. The conniving ringmaster of the tragedy of Othello, Iago serves as a necessary catalyst for the action of the play. He takes such a principal role in the drama that the play has commonly been described as Othello’s tragedy, but Iago’s play. Scholars have disagreed, however, as to whether or not Iago can simply be described as an ingenious villain lacking all regard for morality. Many have seen some of his most inhuman or evil qualities as the very thing that makes him human; others have attributed his manipulative ambition to a deep-seeded psychological need to belong and have drawn clear parallels between Iago and the play’s tragic hero, Othello. Clearly there is more to Iago than a simple lack of a moral compass. In the process of becoming the vehicle for the tragic actions of the play, Iago also brings about his own downfall. He is the second tragic figure of Othello, and the undoings of both Iago and Othello demonstrate both the extents and limits of human potential as well as Shakespeare’s implication that no single man can ever be greater than the world around him.
Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective, rather, was to bring justice to the wrongs done to him by Othello.
This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does. As early as the first scene of the play, Iago shows us strong motives for his actions.
Iago is the main drive for almost everything in the story. There are times where it does not even seem that Othello is the main character in the story. Iago’s role in the story is to destroy Othello and he does a very good job of convincing the reader that he despises Othello. His monologues go repetitively about how terrible of a man Othello is. The reason why Iago is furious at Othello is that it is rumored that he slept with his wife. Everybody has felt that sting of betrayal and jealousy, but there are some people that do not think before they act and are so bent on making sure people get what they deserve or wanting bad things to happen to the people that have hurt them. These individuals get lost and that is what Iago is an example of that personal event. His monologues range from utterly despicable to some of the most well thought out plans that no one would have ever thought of. The great thing about Iago is he is not a standard villain. Most villains are dumb and always fail in their plans. Iago is completely different from the generic villain; he is smart and plans his moves
As Iago's role in the play begins to define itself, the plays main theme, which is jealousy, also begins to develop. Iago's role is unclear to the reader in the first scene. He appears to be an honest, trustworthy soldier who was angry because he was overlooked for a promotion. However, the reader later finds out that he is a "malignant and destructive plotter" and would do anything to destroy Othello and anyone close to him (Epstein 381). The fact that he is an evil character remains undetected by the rest of the characters in the play. "The other characters actually call Iago honest fifteen times throughout the entire play" (Campbell 156). Iago is jealous and resentful of Othello in everyway and uses this festering hatred to infect and destroy Othello. He filled Othello's mind with thoughts of deceit and betrayal until his unwarranted jealousy towards his beautiful, trusting, and innocent wife blinded Othello himself.
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.
Though Iago may not have a purpose of participating in many of his acts of evil, he presents it as a self-obsessed, driven supremacy. He plots to destroy Othello and to gain dominance by observing each weakness from Othello, and takes advantage of it. He uses his aid of human nature to help with his evil schemes and plots throughout the play. Because he identified Othello’s weaknesses and was able to use verbal persuasion to not only gain Othello’s trust, but to also use that as a benefit to what he wanted to accomplish. It is of great importance for an evil mastermind to not only know the nature of evil but to achieve the nature of good.... ...
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with