“Men in rage strike those that wish them best” (II.iii.207). Is it our fate that we as a people will be brought to destruction by our own means? In the story of Othello, through manipulation and lies, the villainous Iago proves this point by showing how people can come to quickly distrust others, and escalate situations until death. Iago’s hope is to not only cause destruction, but to watch others wreak it upon themselves. By playing the role of both trustworthy friend and sly controller, Iago illustrates how one man’s knowledge of human nature can direct the actions of those around him. Iago’s influence on others begins right way by having a pre-established trust between Othello and himself. It is evident beginning as early as Act …show more content…
Iago’s observance and quiet intake of Othello in both battle and as a leader gave Iago the upper hand in realizing the Moor’s weaknesses. A.C. Bradley, who has studied the great tragedies of Shakespeare, believes that “...Othello 's mind, for all its poetry, is very simple. He is not observant. His nature tends outward. He is quite free from introspection, and is not given to reflection. Emotion excites his imagination, but it confuses and dulls his intellect” (A.C. Bradley, Shakespearean Tragedy). Iago is well aware of Othello’s ‘quick to trust’ mentality, and uses this along with the hero’s passionate means of carrying out his business to break him down. Once the thought was repeated enough to Othello that his sweet wife Desdemona had cheated on him, Othello took this to be the truth entirely and there was no looking back for this tragic hero. Othello’s flaw that Iago wished to magnetize was the way in which he had absolute trust for those around him; in the end this very concept of always believing what one hears is what brought the Moor to his …show more content…
These reasons make Cassio a clear target for Iago’s trickery, and also make him easily used. By focusing on the relationship that Desdemona and Cassio already have, their friendship and admiration of one another, Iago is given the tools to persuade Othello of their infidelity.
“He takes her by the palm. Ay, well said, whisper! With a web as little as this I will ensnare as great a fly as Cassio” (II.i.167-169).
Iago’s objective with Cassio is to have him be the bait with which Othello is drawn in to second guess the trust he has with his wife and good friend. Iago is able to easily give proof of this admiration between Desdemona and Cassio, by creating a situation in which Cassio seeks the help of Desdemona to talk to Othello in his place. Through Iago’s persuasion both Cassio and Desdemona feel that by consulting each other privately about how to move forward with the matter of Cassio’s loss of lieutenant and rank, that they can more thoroughly show Othello what a good leader he makes. This is of course the hope of Iago; through Desdemona’s and Cassio’s meetings and this general idea of secrecy, through their mere gestures of hello, Iago is able to fully convince Othello of their
Because Iago had the public perception of being an honest man, Othello couldn’t ignore his
In William Shaspeare play Othello, Iago make Othello believe that Desdemona is having an affair with Cassio. He does by taking advantage of any situation to make of Othello doubt. Iago make Othello thing a lot of crazy thing on his head, Othello got so jelous leading him to kill his own wife, Desdemona, satisfying iago obseccion for revenge.
...ituation Iago is finding ways to twist the innocent actions of Desdemona and Cassio to make it seem as if they are flirting and carrying on this affair for almost everyone to see. Enraged and eventually consumed by his emotions Othello’s takes Desdemona’s life due to the manipulation of this so called friend and confidant. A ‘friend and confidant’ who has been to battle with Othello and fought side by side, yet Iago is the one who ultimately uses and betrays Othello.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged.
Iago is a twenty- eight years old Caucasian married man and he is soldier in the Venetian army. Iago is viewed as modest, honest, and a good friend to people in public. People refer to him as “honest Iago” which lead them to trust him. Iago plans to destroy Othello by manipulating him to believe that his wife is being unfaithful to him with his promoted lieutenant Cassio, a position Iago wanted to have. Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1)
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Iago used reputation to his advantage in order to fulfill his plan to get revenge on Othello and Cassio. He uses each characters reputation to bring out their weaknesses, which he uses to his advantage. This includes his own. Over and over, Othello calls Iago, “Honest Iago.” Because his reputation is known for being honest, he tells Othello lie after lie because he knows Othello will believe him. This in turn helps him fulfill his plan because Othello falls right into his trap. Othello believes Iago when he says that Desdemona is cheating on him. He believes when Iago tells him how Cassio had a dream about Desdemona, and he believes Iago when he says that Desdemona gave Cassio the handkerchief. Another example of Iago using reputation to his advantage is with Desdemona. She is known for being sweet and innocent, and he exploits that with Cassio and Othello. When Cassio is desperate to get his job as lieutenant back, Iago simply tells him to get help from Desdemona because, “Our generals wife is now the general” (II.III.314-315). What this is saying is that because Desdemona and Othello are now married, she can control him, because it is his job to please her as she wishes. When Cassi...
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
The situation above leaves an opening for Iago to fulfill his vital plan to bring down Othello through Desdemona. Cassio was a mental wreck and told Iago that his reputation was ruined. Iago told him that he can get his rank back through Desdemona and get back on Othello's good side. "Confess yourself freely to her, importune her help to put you in your place again (p. 54)." Once Cassio talks to Desdemona, Iago will speak with Othello and get him to think of his wife's trust. In Act three Scene three Iago is speaking to Othello and warns him to look out for Cassio and Desdemona. Othello asks Iago if it was just Cassio that left from speaking with his wife.
The tragedy, "Othello" by William Shakespeare, is not just a play of jealousy. It is a drama about the collision of two worlds. One of them is a world of an absolute cynic, Iago the manipulator. A second world is a world experienced by all the other characters of the tragedy. The ability to understand the true nature of people around Iago makes him quickly navigate the situation. Given by nature, the psychological technique of manipulation, Iago is a master to wear different masks, because he can predict the further course and he is proficient of destroying everything to achieve success.
All Iago had to do was hint at Desdemona being unfaithful and Othello’s becomes very bothered it and eventually starts believing it. The author of an essay does an analysis on Iago and says “He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.“ (Shakespeare’s Othello – Honest Iago). So Iago would hint at something going between Desdemona and Cassio so that Othello would become bothered and ask him what he means by that, it was like a game that Iago was playing, he would drop a little hint and then expect Othello to pick up on it and start questioning it and become more even suspicious. Brabantio tells Othello “Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee” (I.ii.286-287), So In this scene Brabantio warns Othello that Desdemona has already fooled him and she might fool him too, so be careful, and it turns out, Othello believed in him after all and that’s part of the reason of why he thinks that Desdemona is being unfaithful to him. It leads him to start questioning Desdemona in a very suspicious way. At one point he even hits her in front of a nobleman and that was very shocking to the nobleman because he believed him to be a very calm and collected gentleman but obviously he was a changed man. The nobleman even expresses his shock by saying that “My lord, this would not be believed in Venice, though I should swear I saw’t. ‘Tis very much make her amends; she weeps” (IV .i.217-219). This negative thinking and insecurity was one of the main reasons to Othello’s change in a negative way. A lot of this was Iago’s doing but it was also Othello’s fault to fall for Iago’s
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
Othello has had Iago as his ensign for many years. They have gone to battle many times over. In war, every little thing can affect the outcome, everything is vital information. During this time, Othello, when he was upset or unsure of what to do, has learned to trust and listen to Iago’s insights about strategy and war. Othello shows that his trust in Iago extends beyond the battlefield when he asks Iago to take care of his wife during the voyage to Cyprus.
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello.