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the emotional and physical effect of soldiers at war
the emotional and physical effect of soldiers at war
a man i killed analysis
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The Man I Killed tells the story of a man, Tim, who killed a soldier during the Vietnam War. Tim killed this story out of obligation and not because he aspired to. After killing the Viet Cong soldier, Tim O’Brien describes himself as feeling a bit guilty and compunctious. When selected soldiers enter war such as the Vietnam War, some are capable of killing while others kill because they have a legacy to uphold. Physically, a soldier may appear strong but mentally, a solider may not meet the qualifications. The author uses many literary elements such as point of view, repetition, and setting to outline the way Tim O’Brien was really feeling.
Throughout the story, O’Brien used point of view as a literary element. Azar, Kiowa, and Tim O’Brien were the only perspectives mentioned. These three character’s perspective on war was completely different. The most sensitive person throughout the story was Tim. The reader notices how sensitive he is because he is so perplexed as he analyzes the dead body of the Viet Cong soldier. “His jaw was in his throat, his upper lip and teeth were gone, ...
Eric Rauchway’s Murdering McKinley: The Making of Theodore Roosevelt’s America is an examination of the events, social conditions and dramatic political changes taking place in America immediately prior to and during the birth of the 20th century that led to the assassination of William McKinley and the rise of progressivism. It is furthermore an investigation of the motives behind the assassination, and an analysis of the events leading up to what made possible “Roosevelt’s America,” arguably the first recognizably modern period in American history from a 21st century perspective: the progressive era.
O Brien 's point of view is an accurate one as he himself because he is a Vietnam veteran. The title of the short story is meaningful because it describes each soldier’s personality and how he handles conflict within the mind and outside of the body during times of strife. The title fits the life as a soldier perfectly because it shows the reality that war is more than just strategy and attacking of forces. O’Brien narrates the story from two points of view: as the author and the view of the characters. His style keeps the reader informed on both the background of things and the story itself at the same
Tim O'Brien is confused about the Vietnam War. He is getting drafted into it, but is also protesting it. He gets to boot camp and finds it very difficult to know that he is going off to a country far away from home and fighting a war that he didn't believe was morally right. Before O'Brien gets to Vietnam he visits a military Chaplin about his problem with the war. "O'Brien I am really surprised to hear this. You're a good kid but you are betraying you country when you say these things"(60). This says a lot about O'Brien's views on the Vietnam War. In the reading of the book, If I Die in a Combat Zone, Tim O'Brien explains his struggles in boot camp and when he is a foot soldier in Vietnam.
After reading chapters 17-22, a main theme I felt was guilt among the soldiers due to the death's they caused. Tim O'Brien expresses his sense of guilt many years later, when he tells the reader of his experience with death. "For instance, I want to tell you this: twenty years ago I watched a man die on a trail near the village of My Khe. I did not kill him. But I was present, you see, and my presence was guilt enough." His sense of guilt is so intense, he feels it twenty years later in the safety of his own home. He feels so guilty, he makes up a war story, because earlier in the book, he actually describes how he contributed to this same man's death. His friend, Kiowa, has to keep reassuring O'Brien that his actions
In this chapter O’Brien talks about a young Vietnamese soldier who he had killed with a grenade. He mentions the weight of guilt he carried with him after the event that to took place the day he killed his first man. He opens the chapter with describing the dead corps by saying, “He was a slim, dead, almost dainty young man of about twenty. He lay with one leg bent beneath him, his jaw in his throat, his face neither expressive nor inexpressive. One eye was shut. The other was a star-shaped hole.” Throughout the text it is implied that O’Brien cannot stop staring at the dead body as he continues to think of how the dead Vietnamese soldier lay and what the young man’s life was like and what it could have been before he had become the soldier he was. He states, in one of the interpretation of the young Vietnamese man’s life, “He liked books. He wanted someday to be a teacher of mathematics.” O’Brien Talks about the Vietnamese soldier as if he knew him and experienced the soldier’s life himself. It’s possible that O’Brien could have talked about the dead Vietnamese life as a reference or to fantasize about his own life, and how he wish his life could’ve been if he didn’t go into war himself. O’Brien could have also thought of the young soldier’s life because of the guilt and the regret he was feeling from killing him, and
In retrospect chapter one demonstrates how Tim O’Brien and the other soldiers were influenced by the Vietnam War, many of the soldiers had to face the burdens of war, the lost of innocents and the sexual yearning for women. One of the fundamental themes introduced in the first few pages of the novel was the burdens many of soldiers encounter during the war. The soldiers in the novel carried some remarkably heavy physical and emotional burdens; these burdens almost always seem too much for them to carry. For instances Jimmy Cross the leader of the platoon was responsible for the lives of all soldiers in subdivision, however he was unable to keeping his soldiers alive. Another theme introduces in chapter one is the lost of innocent. The Vietnam War both defiles and terminates the innocence of those soldiers who participated in the war. Most of the soldiers in Vietnam War were young, not even twenty. Nevertheless, Tim O’Brien relentless points out that although they are young, they are killers when commanded. Many of the soldiers had to give up their innocence and become men immediately during the war. Other themes that emerge in chapter one is the sexual yarning for females. In addition with fighting Vietcong, soldiers had to endure living without any females around; which cause a lot of anxiety on them.
The Killings by Andre Dubus Plot is defined as, "the authors arrangement of incidents in a story it is the organizing principle that controls the controls the order of events (Meyer,64). " The element of plot is heavily relied on in the short story, "The Killings" by Andre Dubus. The plot which is completely made inside the imagination of an author (Meyer,64), gives the audience important insight to people, places, and events in the story (Meyer,64) . "The Killings" provides a somewhat conventional plot pattern, where the character is confronted with a problem and is then led into a climax, which late leads to the resolution of the story (Meyer,65). The conventional plot is easy to follow and serves as a basis for movies and other forms of fictitious entertainment (Meyer,65).
In Tim O’Brien’s The Things They Carried, the readers follow the Alpha Company’s experiences during the Vietnam War through the telling’s of the main character and narrator, Tim. At the beginning of the story, Tim describes the things that each character carries, also revealing certain aspects of the characters as can be interpreted by the audience. The book delineates what kind of person each character is throughout the chapters. As the novel progresses, the characters’ personalities change due to certain events of the war. The novel shows that due to these experiences during the Vietnam War, there is always a turning point for each soldier, especially as shown with Bob “Rat” Kiley and Azar. With this turning point also comes the loss of innocence for these soldiers. O’Brien covers certain stages of grief and self-blame associated with these events in these stories as well in order to articulate just how those involved felt so that the reader can imagine what the effects of these events would be like for them had they been a part of it.
There is O’Brien the writer/narrator, O’Brien the soldier, and Timmy O’Brien, the little boy. All three characters express different thoughts and emotional surroundings that are causing tension with one another. For instance, each character wrestles with the concept of death differently. Timmy O’Brien had to learn at the young age of nine to accept death; soldier “O’Brien” attempts to find a way to merge that lesson to deal with death during the war. O’Brien the writer connects these two lessons to help him understand death and help him transition from Vietnam back to the civilian life. The connection and the understanding of death are due to the internal conflict he feels as he tries to make peace with the different phases of his life. He searches for the love that he felt as a boy, but realizes that he will never encounter the same love again. The conflict between the three different stages of his life reveals itself as pain and guilt. Pain for the loss of his love ones, and guilt for being present during the death of his war mate but not being able to do anything about
Tim O’Brien is doing the best he can to stay true to the story for his fellow soldiers. Tim O’Brien believed that by writing the story of soldiers in war as he saw it brings some type of justice to soldiers in a war situation.
Kahn was a writer and contribute editor of magazines for wired and national geographic. Stripped for parts appeared in wired in 2003. Kahn was awarded award in 2004 for a journalism fellowship from the American Academy of Neurology. She wrote this short essay describing how organs can be transplanted. The Stripped essay is an- eye opener. Though not many people tend to think of how a body should be maintained after death. Jennifer Kahn depicts a dramatic image for her audience. She uses the terminology “the dead man “though technically correct, the patient is brain dead, but his or her heart is still beating.
The “Man I Killed” takes us into the Vietnam War and tell us about a soldiers first time of killing another individual. The author describes a Viet Cong soldier that he has killed, using vivid, physical detail with clear descriptions of the dead mans’ fatal wounds. O'Brien envisions the biography of this man and envisions the individual history of the dead Vietnamese soldier starting with his birthplace moving through his life, and finished with him enrolling in the Vietnamese Army. O'Brien also describes some of the dead soldiers’ hopes and dreams. The author uses this history in an attempt to make the dead man more realistic to the reader
Throughout the novel, Tim O’Brien illustrates the extreme changes that the soldiers went through. Tim O’Brien makes it apparent that although Vietnam stole the life of millions through the death, but also through the part of the person that died in the war. For Tim O’Brien, Rat Kiley, Mary Anne and Norman Bowker, Vietnam altered their being and changed what the world knew them as, into what the world could not understand.
"We have to start treating Vietnam as a country and not a war. It'll take the old age and death of all veterans before it stops being our 51st state (Alvarez, 2013)." In the story "The Man I Killed", Tim O'Brien, who served in the U.S military in Vietnam, describes the guilt many American soldiers felt about the atrocities they committed in Vietnam. "Vietnam is not an appendage of America. That sort of thinking got us into the mess in the first place. Were bound together by some painful history, but it’s not our liver or our appendix- it's a country (Alvarez, 2013)."
Usually when someone is murdered, people expect the murderer to feel culpable. This though, is not the case in war. When in war, a soldier is taught that the enemy deserves to die, for no other reason than that they are the nation’s enemy. When Tim O’Brien kills a man during the Vietnam War, he is shocked that the man is not the buff, wicked, and terrifying enemy he was expecting. This realization overwhelms him in guilt. O’Brien’s guilt has him so fixated on the life of his victim that his own presence in the story—as protagonist and narrator—fades to the black. Since he doesn’t use the first person to explain his guilt and confusion, he negotiates his feelings by operating in fantasy—by imagining an entire life for his victim, from his boyhood and his family to his feeling about the war and about the Americans. In The Man I Killed, Tim O’Brien explores the truth of The Vietnam War by vividly describing the dead body and the imagined life of the man he has killed to question the morality of killing in a war that seems to have no point to him.