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Since its publication in 1896, Stephen Crane’s Maggie: A Girl of the Streets has generated speculation and debate over issues like censorship (Dowling 37) and class consciousness (Lawson), but what is possibly the most heated debate concerning Maggie is less about social or literary criticism and more about a plot point—the cause of death of Maggie Johnson; some critics claim that she is murdered, while others claim that she commits suicide (Dowling 36), and, while both arguments have strong cases, they seem to have neglected the most probable cause of the death of a Stephen Crane character—death by natural causes.
Robert M. Dowling and Donald Pizer present opposing cases in their article “A Cold Case File Reopened: Was Crane’s Maggie Murdered or a Suicide?” in which Dowling presents the death by murder while Pizer claims death by suicide (Dowling 37).
Donald Pizer bases his argument on textual, historical, and critical evidence. In a textual context Pizer claims that the debate over the cause of death only began after the release of the second, edited version of the story. The key factor leading to the debate is the omission of a section of the original text that includes a “huge fat man” (Dowling 37) who is depicted menacingly in the scene just prior to the revelation of Maggie’s death. Pizer contends that the reason many claim Maggie is murdered by the fat man is not because of his inclusion in the story, but because of the attention drawn to him because of his omission. Pizer supports this assertion saying:
The possibility that Maggie is murdered did not enter criticism of the novel
until the mid-1960s, following R. W. Stallman’s and Joseph Katz’s discussions
(in 1955 and 1966 respectively) of the significant difference ...
... middle of paper ...
...aw “afar off the lights of the avenues [glittering]” (55). Maggie is not complicated enough to change so much.
Works Cited
Crane, Stephen. Maggie: A Girl of the Streets. Charleston: Createspace, 2011. Print.
Cunliffe, Marcus. “Stephen Crane and the American Background of Maggie.” American Quarterly 7.1 (1955): 31-44. JSTOR. Web. 24 April 2012.
Dowling, Robert M., and Donald Pizer. "A Cold Case File Reopened: Was Crane's Maggie Murdered or a Suicide?" American Literary Realism 42.1 (2009): 36+.Academic OneFile. Web. 23 Apr. 2012.
Lawson, Andrew. “Class Mimicry in Stephen Crane’s City.” American Literary History 16.4 (2004): 596-618. Literary Reference Center Plus. Web. 23 Apr. 2012.
Stallman, Robert Wooster. "Stephen Crane's Revision of Maggie: A Girl Of The Streets." American Literature 26.4 (1955): 528-537. Academic Search Complete. Web. 23 Apr. 2012.
However, the most traditionally "romantic" facets of his artifice are most fully manifested in a series of private correspondence between himself and a certain society maiden by the name of Nellie Crouse. It is these letters that serve to illustrate Crane's writing prowess as it transcends traditional Romantic genrefication. Through these letters, which serve as an informed testament to Crane's marked skill as a writer, we begin to examine Crane in the context of his own existence, devoid of the fictional trappings of his most acclaimed accomplishments.
There are many things which contributed to Maggie’s ultimate downfall and demise. At the end of the Novella, Maggie dies and it was because of the pressure that the tenement put forth on her. People, religion, expectations, traditionalism are all things that led to her downfall and
Schroeder, John W. "Stephen Crane Embattled," University of Kansas City Review, XVII (Winter 1950), 119 Rpt. in
Maggie is introduced into the storyline quite subtle and quickly becomes the main focus of attention by the other three main characters. From the beginning, Maggie is a harsh contrast to the slum environment she has to endure. She "blossomed in a mud puddle ... a most rare and wonderful production of a tenement district, a pretty girl" (16) that not only had the physical beauty that her family seemed to lack, but also the hope that she could be better than what was around in her environment. Therefore, the slum environment that surrounds her contrasts her character greatly. "None of the dirt of Rum Alley was in her veins" (16) as she became the talk of numerous males in the neighborhood.
Perkins, Geroge, and Barbara Perkins. The American Tradition in Literature. 12th ed. Vol. 2. New York: McGraw Hill, 2009. Print
Rochette-Crawley, S. (2004) James T. Farrell. The Literary Encyclopedia. April 2, 2004. Retrieved on May 13, 2009 from http://www.litencyc.com/php/speople.php?rec=true&UID=1487
Stephen Crane and Jack London are two contrasting authors who use their own unique writing styles to create two unique genres that capture the reader’s interest. In two of Crane’s more prolific short stories “The Bride Comes to Yellow Sky” and “The Open Boat,” the vocabulary and use of dialogue add a sense of sophistication to his short stories while also making the stories smooth to read and eye-catching; whereas in Jack London’s short story “To Build a Fire,” the protagonist in the story is used as a catalyst for character development, and as an example to the audience of the naïveté of youth. London and Crane varied immensely in their literary techniques of vocabulary, dialogue, and character development demonstrated by the use of the protagonist
Lipscomb, Elizabeth Johnston. “Sara Teasdale.” Magill’s Literary Annual 1980 (1980): 1-4. Literary Reference Center. Web. 29 Jan. 2014.
Breit, Harvey. Shirley Jackson. The New York Times June 26, 1949, 15. Rpt. in Modern American Literature, Vol. II. Ed. Dorothy Nyren Curley et al. New York: Continuum, 1989.
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Wolford, Chester L. "Stephen Crane." Critical Survey of Long Fiction. Ed. Frank N. Magill. English Language Series. Vol. 2. Englewood Cliffs, N.J.: Salem Press, 1991
Irving, Washington. The Norton Anthology American Literature. New York, NY: W.W. Norton & Company, Inc, 2013. Print.
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.