Macbeth versus The Chrysalids
William Shakespeare and John Wyndham both demonstrate a strong theme of change in the play, Macbeth, and in the novel, The Chrysalids. The theme of change is represented in both the novel and play through the characters, and their life changes. Change is revealed throughout both artifacts, and both display how the characters’ lives change dramatically from start to end. Shakespeare and Wyndham expose change in these artifacts to set the climax of the play and novel. Firstly, in the play Macbeth, the character Macbeth changes after the murder of Banquo and Duncan and his conscience is presented, this compares to the novel The Chrysalids, because during the war, the Sealanders kill the people from Waknuk and the Fringes, moreover changing the conscience of Waknuk. Secondly, Macbeth’s reputation is altered, because of his no longer high status after his death, which relates to the novel The Chrysalids, because Sophie’s status in Waknuk changes after her six toes are exposed after hiding them her whole life, along with the telepath’s telepathic powers being revealed everything changes for them. Lastly, in the play Macbeth, Macbeth and Lady Macbeth’s relationship is transformed due to his change of heart for his wife, and how he adjusts after her death, which relates to The Chrysalids because David and Sophie’s relationship is changed after Sophie leaves Waknuk. Macbeth by William Shakespeare, and The Chrysalids, by John Wyndham both include the theme of change all through the novel and play in the course of the changing of characters after deaths occur, the character’s reputation and status is altered within both artifacts, and the relationship between the characters after being separated.
To begin with, the play Macebth, and the novel, The Chrysalids, deals with the theme of change due to Macbeth and Waknuk’s conscience being introduced. Macbeth’s conscience is finally revealed after the murder of Banquo. In the beginning of the play, Macbeth is not aware of his conscience, but once he kills Banquo and Duncan, his conscience starts haunting him, which also causes the illusions of him seeing the ghosts. Macbeth’s change of conscience is publicized throughout the whole play, because Macbeth’s conscience at the beginning is good, then it is guilty and alive, and he
“This tyrant whose sole name blisters our tongues, was once thought honest…” (77). This quote represents the change of Macbeth throughout the play. The use of blood imagery is used to represent the character development of Macbeth from a noble thane to a murdering tyrant. We first see blood imagery characterizing Macbeth when he is called noble for defeating Norway. Then, the idea of un-washable blood shows that Macbeth’s character will change. When Macbeth begins to experience the blood of others on his own hands, it leads him to ultimately become the “villain” or antagonist of the play. Finally, before the death of Macbeth, blood imagery has been used to characterize Macbeth so much that he is now over confident and seems to be fueled by the idea of it. By examining the use of blood imagery, one can determine that blood represents Macbeth’s character development from an honorable thane to a disrespected tyrant.
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play. Macbeth’s rise to the throne was brought about by the same external forces that ensure his downfall.
A quote which really defines Lady Macbeth and Macbeth’s ambition regarding power is “Power does not corrupt men; fools; however, if they get into a position of power, corrupt power” George Bernard Shaw. Lady Macbeth is more ambitious in terms of gaining power then Macbeth is and that Lady Macbeth will do almost anything to gain power, even evil things that she normally wouldn’t do. This is shown when Macbeth and Lady Macbeth learn about the witches’ predictions, then roles in the plans to murder king Duncan in order to gain power and then finally after the murder, Macbeth doesn’t want to finish the plan making Lady Macbeth angry and causing a chance they might get caught and gain no power at all.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
In Macbeth, Shakespeare examines the significance of time in the form of one’s present and future through the unfortunate character of Macbeth. Macbeth is an ordinary soldier, loyal to the king as the Thane of Glamis, prior to his meeting with the three witches. The three witches reveal to Macbeth his future “All, hail Macbeth! Hail to three, Thane of Cawdor! All, hail, Macbeth, that shalt be king hereafter!” (1.3. 49-50). For the most part one does not know his or her own future. Our futures are uncertain and predictions like these do not always come true, yet Shakespeare has set Macbeth up in a way that he knows these predictions will come true. Not long after the witches state their claims
“If chance will have me king, why, chance may crown me Without my stir?” Macbeth ponders after three witches foresee that he will become king in the tragic play Macbeth written by William Shakespeare (349). Macbeth is wondering how he could become king of Scotland without him intervening as he is not in line for the throne. He believes that he will have to take action to gain this position. Macbeth was right to doubt fate, because his choices led to his ascension to the throne and, later in the play, to his downfall.
Macbeth: Shakespeare's Comparisons and Contrasts. Throughout Macbeth Shakespeare uses comparison and contrast to bring out characteristics of his main character, Macbeth. Shakespeare uses comparisons with Duncan, Lady Macbeth, and Banquo to bring out aspects of Macbeth's character. After hearing of Macbeth's courageousness on the battlefield, Duncan, a good and honest king, bestows the title of Cawdor on Macbeth.
In Shakespeare’s Macbeth, Macbeth’s morality changes throughout the course of the play. He goes from being reluctant to kill an innocent man, to paying mercenaries to kill his best friend, just because his children and descendants will be kings, according to the prophecies. Macbeth’s morality changes through influences, such as his wife’s pressuring, the witches’ prophecy, and the fact that his plan worked for so long.
While Macbeth is losing his morals, Lady Macbeth is developing hers. After Macbeth reveals his plot to kill Banquo, she is reluctant to add another murder to those already committed: “You must leave this”(3.3.40). In act three, another prophecy foretold by the witches comes true. The paradox “fair is foul and foul is fair” characterizes the changes the protagonists undergo in acts one, two, and three. Throughout the play, Macbeth, the “fair” one, becomes overcome by guilt and becomes “foul”.
In understanding the art form of expression in various ways like music and play writes, it brings together this sense of self identity that the artist wants to fulfill. Having this understanding about the life behind the scene, screen, and/or stage. My paper will present two art forms music by 50 cent “Many Men” and William Shakespeare play “Macbeth” in which I will describe similarities among the characters. My four categories for 50 cent and Macbeth are as follow Greed, Savage, Survivor and Success.
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
away if she isnt grateful for the food that she has recieved. Katharine eventually thanks her husband, but still does not get enough food to satisfy her hunger. Katharine is then told by his “loving” husband to get ready in her best outfit to meet his dad at his house. The tailor then enters the scene, and Petruchio sends the man to get a bigger cap than he initially brought for his wife. Katharine told Petruchio that she is able to talk for herself, and shows more of a dominant role in the relationship that was not initially expressed before. Then, although Katherine thinks highly of the dress, Petruchio fires the tailor after complaining about the dress that he made. Petruchio decides that it is what’s on the inside that counts, and announces
There was a common saying, “Behind every great man there's a great woman”. The men, Macbeth and Winston Smith in Shakespeare’s Macbeth and George Orwell’s 1984 may not be considered as the “great man” however, both Lady Macbeth and Julia are good examples that can be presented as the “great woman” behind the men. Both Lady Macbeth and Julia do an excellent job of pretending to be someone who they are not, they are not only affecting the men in their lives to rethink their previous position but also have a bad ending accompanied with physical and psychological issues.
Throughout the American history of many heroic leaders an excessive want for the power, leadership, and territory is what led to defeat, downfall, and even death. In the beginning of the play Macbeth was a good man ,but influenced by Lady Macbeth and her question of his manhood and the witches manipulative accusations of becoming King of Scotland forced Macbeth to murder his way to leadership and his death. Macbeth was valiant and brave ,but was influenced by the witches, Lady Macbeth, and ultimately himself.
Macbeth’s character changes dramatically when he commits the murder of king Duncan. He is immediately changed to attempting to cover up his action and placing the blame on someone else. He is upset and worried about what he has done and feels very guilty about it. Macbeth is unable to say “Amen” because of his guilty conscience. His seeing the ghost of Banquo and losing his composure at his feast with his guests also prove his guilty mind.