Lysistrata and her Political Agenda Lysistrata was a story written by Aristophanes around 410 B.C.E., and is a humorous tale of how woman over take their men, and try to end a war. To summarize the story of Lysistrata, she was a wife of someone who was in the war between Sparta and Athens. She comes up with a ploy to try to end the war between the two cities. She and a group of women abstain from their “womanly duties”. This idea was to manipulate their husbands to signing a peace treaty in exchange from what was missing. This included to leave their home and set up in Acropolis and to neglect everything a woman was doing in their household. The woman neglected their wool, their seeds and food, and even their children. Most important,
According to the text, when Lysistrata told the women of their new found fort, they all started yelling and telling Lysistrata that she wasn’t thinking straight, and that they could not do it. “Well, then we must do without sex altogether. Why do you turn away? Where go you? Why turn so pale? Why those tears? Will you do it or not? What means the hesitation?”(470) was said by Lysistrata to come up with the plan. This shows that the women were not only lead by the men, but also put into a mind frame that they did not want to displease them, maybe they could have been afraid to do so. The text makes the reader believe that the women all want and adore sex with their counterparts. Lysistrata, stood her ground after the back lash of all the women, and showed how wise she was with her plan. She tells the ladies, “If we sit at home all rouged and powerful, dressed in our sheerest gowns, and neatly depilated, our men will get excited and want to take us; but if you don’t come to them and keep away, they’ll soon make a truce”(471). Showing that she actually means what she is serious about, some of the ladies ask what if they are forced, so Lysistrata tells them to “Give with a bad grace. There’s no pleasure in it for them when they have to use violence. You must torment them in every possible way.”(471) This means that even if they are being forced by their husband, to put their foot
So Lysistrata steps up once more, and has to tell the men how to make a treaty on behalf of what would make them all happy with the outcome. So wise Lysistrata, has to play mother to the soldier’s that call themselves men. Maybe there was some satire on here, that every man needs a mother figure to help them make the right decisions in life. Lysistrata makes a ploy to bring in the statue of a nude female figure to help further her cause (494). This was wise to do so because the men are all riled up by this statue and can’t even think straight. So by doing so, she manipulates the men into said truce. She tells them both to meet with her in friendship and no fighting, basically telling the men not to act like children. So she goes forth and tells them “I am a woman, it is true, but I do have a mind; I’m not badly off in native wit, and by listening to my father and my elders, I’ve had a decent schooling.” (494) She tells them this not only to imply that she is smart and wise, but she insists that it was because of her father and grandfather that implies why she got to where she was. They should not take her lightly because she is a women, in fact she should be entitled as to be, if not more, as intelligent as a man. This leads up to the famous trading of the lands, like a
In her essay on, “Athenian Women,” Sarah Ruden points out that Aristophanes in Lysistrata portray women as supportive of Athenian institutions and eager to save them. But she cautions, “To do this now they must flout law, religion, and every notion of public decency – and this is definitely no reflection on women’s attitudes, but mere satirical farce and fantasy” (Ruden 107). An important element of “satirical farce” in this spirit would be a heavy use of repetition to make people laugh at the weakness being satirized. One example would not be enough, and the audience might not be amused by less than three or four examples. So in important episodes that fill out the action of the play, we have 4 examples of women beating guards,
nature, and women's legal rights. & nbsp; Albeit in Lysistrata the women were shown as revolutionaries rising up against the men, women in classical Greece were never like that. Aristophanes created the play as a comedy, showing how the world might be in the times of the Peloponnesian war if women tried to do something. It was the women's job to stay home and tend to the house, and never leave, unlike they did in the play. women were shown as revolutionaries rising up against the men, women in classical Greece was never like that. & nbsp; The activities of women in Classical Athens were confined to "bearing children, spinning and weaving, and managing the domestic arrangements. No wandering in the beautiful streets of them. " The suppression of women went so far as to divide the house into separate areas for males and females. While the women stayed home, the men were usually out fighting, and when they weren't. fighting, they were entertaining their friends and having sexual favors.
...superior to the women, and that the women believe themselves to be subservient to men. The Peloponnesian War was important in Lysistrata in that it enabled Aristophanes to have a context within which to describe the attitudes and personalities of men and women of this time period. People are not always as they seem. The men of Athens and Sparta knew their women were bothers at home, but they found out that their actions at home were nothing compared to what could happen when a whole group got together and decided to accomplish something. Lysistrata show’s us all the value of working together as a team to accomplish a goal. As it was put by Magill Book Reviews, “LYSISTRATA is high comedy, as popular and timely today as it was when it was written. The humor is broad and bawdy. Like much good comedy, the play holds up to ridicule contemporary conditions and situations.”
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
According to research, the role of women in classical Greece was extremely limited. Men and women were segregated all over in the Greek society, even in the home (Source 9). Women were secluded in their homes to the point of not being able to leave their own quarters except on special religious occasions or as necessity dictated (Source 10). All women were tightly controlled and confined to the home to insure that their husbands were provided legitimate male heirs. Beyond this, women had no true value (Source 6). Clearly, male domination in Greek society was like enslavement to women. A marriage contract dated 92 B.C. can be located in Women's Life in Greece & Rome by Mary R. Lefkowitz and Maureen B. Fant which defines unacceptable behavior within the union of marriage. The document requires that both husband and wife be chaste within the context of the household, but although nothing prevents ...
Aristophanes’ significant contributions in the development of the theater arts and his standing in the Athenian community are well documented. His hilarious comedy, Lysistrata, reflects the disgust with war prevalent at Athens after the disastrous expedition to Sicily. It is ripe with sexual innuendo and provides much insight into the timeliness of human sexuality, desire, and the war of the sexes, yet it was intended to make a political statement regarding the folly of Athenian military aggression. Aristophanes was not suggesting that a sex strike might be an effective means of ending the Peloponnesian War, more likely that the reasons for the war itself were suspect. Lysistrata’s scheme to force the men of Greece to the peace table could never have been successful. Property concerns, gender roles, and the sexuality of Athenian men prevented Athenian women from exerting the necessary political influence.
Lysistrata, first produced in 411 B.C. is a play that represents the frustrations that Athenian women faced due to the Peloponnesian War. Lysistrata, an Athenian woman is the play's heroine; her name is significant in itself, as it means "she who disbands the armies" (Page 467, footnote 2). With the aide of other Athenian women, Lysistrata organizes a "sex strike" in an effort to cease further violence and bring peace between Athens and Sparta. Eventually, her campaign is adopted by the women of Greece, and the efforts of the Athenian women are successful. Lysistrata is not only a leader for Athenian women; she is also bold and does not represent the stereotype of traditional, domestic Athenian women.
One can hardly deny that in Euripides’ plays women are often portrayed as weak, uncertain, and torn between what they must do and what they can bring themselves to do. Other women appear to be the root of grave evils, or simply perpetrators of heinous crimes. In a day when analysis of characters and plot had yet to be invented, it is easy to see why he might have been thought to be very much against women. However, when looking back with current understanding of what Euripides was doing at the time, armed with knowledge of plot devices and Socratic philosophy, this argument simply does not hold up. In fact, a very strong argument can be made to the opposite, that Euripides was in fact very much in support of women’s rights, and thought they were treated unfairly.
In Greek classics, it is common knowledge that in that era women and men were considered unequal. Men were superior, and in most cases women were not even fit for citizenship. It is in this atmosphere and time period that Aristophanes wrote Lysistrata. The play itself is supposed to be a comedy, although the actions of the women do not seem amusing. Instead, the women’s actions, especially the main character Lysistrata, seem incredibly brave. Lysistrata rounds up her “troop” of all the women in Athens and a Spartan woman. They take charge of the acropolis and refuse to settle for anything less than a peace treaty to end the war. The only problem with this is, in ending the war, they will be bringing back the men from their duty and end up in the same social caste system as they were from the beginning. Aristophanes seems to make the point that – the only power women hold is their sexuality (Rex Par. 7). The Athenian women can withdraw from their husbands for however long they like, they still end up givi...
“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an end to the Peloponnesian War which is currently being fought by the men. After rounding up the women, she encourages them to withhold sex until the men agree to stop fighting. The women are difficult to convince, although eventually they agree to the plan. Lysistrata also tells the women if they are beaten, they may give in, since sex which results from violence will not please the men. Finally, all the women join Lysistrata in taking an oath to withhold sex from their mates. As a result of the women refraining from pleasing their husbands until they stop fighting the war, the play revolves around a battle of the sexes. The battle between the women and men is the literal conflict of the play. The war being fought between the men is a figurative used to lure the reader to the actual conflict of the play which is the battle between men and women.
In ancient Greece, women lacked many of the fundamental rights held by men. Medea feels that this is unjust. These feelings are shown on page 195 when Medea states “...we must pay a great dowry to a husband who will be the tyrant of our bodies; and there is another fearful hazard: whether we shall get a good man or a bad. For separations bring disgrace on the woman and it is not possible to renounce one’s husband…” After being rejected by the one she loved, she beings to question the morals of those around her. She assumes that Greek women are weak and naive for allowing men to treat them this way; allowing men to cast them away at their heart’s content.
In the plays Medea and Hippolytus, both by Euripides, the female psyche is a point of focus that is not explored in many other Greek tragedies. Through these plays, we can discover the way women were viewed in Ancient Greek society as well as their concerns. We can also pay attention to how women are portrayed differently between the two plays.In Medea and Hippolytus, the women we spend the most time with are Medea and Phaedra. These women have vastly different values, but the cunning and determination they use to get their ways are not as different as one may believe.
Lysistrata is portrayed as a typical commander of war that gives orders and does not take part in the war. While being the mastermind behind the sex strike, she is able to separate her self from the other women in her ability to resist her attraction for men. The women are used as pawns by this cunning and powerful, Lysistrata, who is victorious in establishing peace in Greece.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Aristophanes stereotypes women as bickering, self-centered, unintelligent people in the beginning. They are sex driven and selfish. Lysistrata is upset that the women are late for the very important meeting "Here I've called a meeting to discuss a very important matter, and they're all still fast asleep" (180). Calonice sums up what women are thought to do all day, and also what they represent to their households; "The women! What could they ever do that was any use? Sitting at home putting flowers in their hair, putting on cosmetics and saffron gowns and Cimberian see-through shifts, with slippers on our feet?" (181). It is in fact these very frivolous ideas that are used to bring peace to the two cities. Throughout the play Aristophanes begins to knock down ...