Lysistrata, was performed in 1930 on Broadway by the Federal Theater Project by the Negro Repertory Company in Seattle. After one performance the play was canceled because of “historically entranched white anxieties about black sexuality and performs (Foley, 2014).” The play was performed by an all Africa American cast. Also, instead of the play being situated in Greece, it was in Africa. The performance placed emphasis on gender roles of the 1920s, much like the message of sexual stereotypes in the original Aritophanes performanc...
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...hada Amer, Palestinian playwright and director, discussed a switch of gender roles in the chorus of the play. The female chorus would have been played by men to emphasize that women in male dominated society do not have self-possession but are what men want them to be. “The men playing the female chorus would also wear hoods, to depict headless body, wearing hoods, exposing a headless body, in contrast to the male characters whose heads will be uncovered. This choice allows us to appreciate an alternative perspective of male domination over woman as a domination of the mind over the body. (Kotzamani, 2006)” Through different theatrical details, the message of the play can be interpreted differently. The comedy of Lysistrata that continues to be performed, each with its own style. The production not only gives a good laugh, it also leaves the audience with a message.
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