Robert Banks, mostly known as Banksy, was born in 1974 in Bristol, UK. Characterized by his indescribable indoor images, he is a famous English graffiti artist whose artwork is often humorous and/or political in nature. His famous “street art”, which refers to the combination of graffiti with a distinctive stenciling technique, makes him one of the best known graffiti artists of all time, leaving a mark in all Europe, specially in London and other countries with his anonymous paintings. Out of all the options, I have chosen “The Scarlet Pimpernel of modern art,” which is not only a simple illustration but a singular and particular situation which captures so many scenes happening in just a mere second. Making spectators imagine different things and possibilities of what happened in the painting, this picture represents regret, anger, disappointment, guilt, shame, sadness, loneliness and despair, among others.
The random blue spots on top of the painting captured my sight right away. It gave me a sense of regret from the artist towards his artwork, as if he was not satisfied with his work and threw something that accidentally may have stained it. In the other hand, the blue spots may represent anger, for the artwork may depict the story of his life and painting it might have brought back bitter memories from unsuccessful love life.
There is a dark room, and a man and a woman can be perfectly seen through the painted window. The man looks angry and disappointed. Covering his face from the sun, he is trying to find the man that was with his wife while he was at work. The woman in the back, wearing black underwear and a bra, is feeling nervous and guilty and hopes that her husband does not find out anything about her secret romance. Meanwhile, hanging from the window, the man she was with is naked and trying not to be seen. With his right hand he is trying not to fall down, while he uses his other hand to cover his parts.
Appreciating the rest of the picture, I focus on several details.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
“There are no ghosts in the paintings of Van Gogh, no visions, no hallucinations. This is the torrid truth of the sun at two o’clock in the afternoon.” This quote that Antonin Artraud, stated from, Van Gogh, the Man Suicided by Society, explains the way in which Van Gogh approached his artwork. He believed in the dry truth and as a result his work was remarkably straightforward in the messages that he portrayed. While visiting Paris, France this past April, I was fortunate enough to have visited Musée d’Orsay, a museum that contains mostly French art from 1848-1914 and houses a large collection of impressionist and post-impressionist masterpieces and 19th century works from the Louvre [The Oxford Companion to Western Art]. I was also favored in having the opportunity to see the Vincent Van Gogh/Antonin Artaud exhibition, The Man Suicided by Society. The exhibition captured Antonin Artaud’s text about Van Gogh’s, “exceptional lucidity that made lesser minds uncomfortable,” or better known as his mental illness that had a major effect on his artwork [Musee d’Orsay]. In this exhibition, Vincent Van Gogh’s works visually present his life experience having spent 9 years in a mental institution and the way his imbalanced mind played a direct role on the outcome of his artwork. The darkness of Vincent Van Gogh’s illness that had a major impact on his art, was a form of expressionism which led to a collection of works that both told his life story, and later, led to his own suicide.
When you put all these aspects put together with my interpretation of what is happening in the painting, a sense of calmness and security was constructed for me. No matter what this couple may be going through at the end of the day they still lean on each other for support. The complementary colors symbolized a sensation of strength between them, the balance of the composition created a stability characteristic, and the smooth and fluid brush strokes created a tranquil energy between the
In this paper, we will focus on examining Vincent’s painting, Starry Night. The paper will begin with a short introduction about Vincent where an analysis will be conducted to explore more into the painting. Subsequently, the paper will move on to explain how Starry Night impacted the wider histories of art and the period where it was created. Lastly, The paper will further examine two accounts or interpretations of Starry Night from art historians.
Art is a severe Goddess, who in return for her smiles demands many sacrifices. No one did more to please her, and no one was so insufficiently rewarded as Van Gogh. Several times the blows that she dealt him were painful enough to make any reasonable man resign. Only fanaticism and faith in her would permit one to leap the abyss between reality and desire. With cruel, merciless method, art asked from Van Gogh everything. It was a loan that multiplied with time and was never paid back. It haunted him within the recesses of his soul, it flirted with him and raises his hopes, it took away from him everything that was dear, and when it could finally take no more, it decided to take his life.
While Vincent van Gogh is known as one of the most famous Dutch painters, next to greats such as Rembrandt, his life was filled with poverty and as well as struggle with mental illness. Many of those who have heard of Vincent van Gogh aptly remember him as the impressionist painter who cut off his own ear. This essay will cover the artist’s childhood, artistic career, and death and will serve as a comprehensive review of Van Gogh’s life.
We walked and walked looking at each art piece, which were all well displayed. Then as I looked at the back wall, a large oil canvas painting looked right back at me. I could feel its pain and so then, I decided to do my paper on this piece. The painting was The Ragpicker by Manet. (The Ragpicker. Edouard Manet.1865.Oil on canvas.) The painting was so enormous that it was hard to miss. Such a huge painting for one man, it almost looked life-like. The dimensions of this work is 76.75” x 51.25”. This scene seems to take place of a lower-class man late in his age, probably near his seventies, appears to be looking out of the corner of his eye. The ...
Art is said to be the expression of the soul; however, quite often, one is unable to truly know the artist by his or her works alone. So is the case of the postimpressionist painter Paul Gauguin. while the paintings of Paul Gauguin do not reveal all of his life, the paintings are very much so a reflection of Gauguin’s views on life.
The rise of vandalistic art produced by Banksy and others, has altered the way in which the public views graffiti culture. Where spray paint once represented gangs and violence, it now suggests an exciting and cutting edge artform that could potentially be a lucrative investment. In fact, Banksy’s work is so sought after that people are willing to take bricks out of buildings in order to steal it. In 2013, one of Banksy’s most famous pieces of artwork was stolen from the side of a store in the UK. It was later discovered at a US auction (Banksy Artwork Taken). “Street art has entered the art world’s mainstream, with Banksy pieces regularly selling for more than $1 million” (Salib
When I imagine an artist, I picture a Parisian dabbing at a sprawling masterpiece between drags on a cigarette seated in an extravagantly long holder. He stands amid a motley sea of color, great splashes of vermillion and ultramarine and yellow ochre hiding the tarp on the studio floor. Somehow, not one lonely drop of paint adorns his Italian leather shoes with their pointed toes like baguettes.
Vincent van Gogh, one of the most inspiring artists to both the world and on a personal level. Being a fan of his artwork, it was an easy choice to decide to watch the film Lust for Life, which portrayed Mr. Gogh’s life through the good, and through the not so good. While watching the film, I learned more about Vincent than I could have imagined a movie could represent. The movie was a marvel and it really showed how Vincent was an amazing artist, even though he might not have been the best human in terms of health. For the entirety of the paper, the following content, unless otherwise stated, will come directly from the movie Lust for Life by Vincent Minnelli (1965).
One of the aspects that has drawn my attention about this painting was the fight between the two men in the center. It was the only area in the painting that was brightest, since it seems like the two men are fighting in front of a sun, which suggests that they are the focal point in this painting. I also notice that the colors on the right side of the painting are much brighter than the left side of the painting, where the colors look much darker or toned down. However, I can still see a little bit of light peeping through the right side, which is actually coming from the fight between the two men. I also notice that the people in the painting are much larger than the two men in the center, and they’re strategically placed along the borders of the painting. Furthermore, each person in this painting has a very different body language and position. It actually looks as if they’re flying towards the outside of the painting because their faces are turned away from the fight, their bodies are drawn horizontally, and their arms and legs are almost at an upright position.
At the first glance, you see swirling lines that intertwine with vibrant blues, yellows and greens. The dark blue and black hues contrast the bright white and yellow. These lines appear to be thick brush strokes that create unity, and almost a texture feeling. Vincent’s painting seems to be looking over a valley town on a bright star filled night. The town is peacefully suggested next to the whirling clouds and stars. He suggests some kind of tree close up, and then layers the town behind it. The steeple is larger than the buildings and may represent unity within the town. The moon and stars are outlined like fireballs in the sky. The stars are relatively larger than the houses of the town. It leads me to believe
Impressionism is the name given to the art movement that changed art forever. Starting in France in the 1860's, Impressionism was considered a radical break from tradition.1 Through the work of artists including Édouard Manet, Claude Monet, Pierre Renoir, Camille Pissarro and Edgar Degas impressionism was born. Impressionists painted outside and focused greatly on light and its reflection. They painted quickly on primed white canvas with short visible brushstrokes and placed separate colours side by side letting the viewer’s eyes mix them. (Techniques uncommon to art at this time) Regarding their subject they again broke with tradition and painted anything they wanted including the modernity of Paris and the everyday life of its citizens. This new found freedom regarding subject along with unconventional techniques greatly displeased the L’École des Beaux-Arts where academic artists would have worked on subjects such as history, royalty and mythology.2 In contrast to the impressionists their work had a smooth varnished finish, showing little to no evidence of the artist’s presence. Having introduced Impressionism, I aim to in this essay analyse why the city of Paris is at the heart of the impressionist movement. Firstly by looking at how Paris helped create the impressionist movement and secondly how Paris fuelled it.
“There is always hope,” stands on the gray background of the concrete of the famous Banksy graffiti art. The art chosen is made of spray paint and stencil, on a concrete background. The image is a black and white portrait of a little girl, wind blowing through her hair and dress, holding out her arm towards a red, heart-shaped balloon. On the side of the image is the statement written in what appears to be the dirt and soot on the wall, “There is always hope.” The artwork stands out on the inner-city concrete walls, with the bold of the black and white image of the little girl and the brightness of the red balloon, certainly catching to the eye of parents and children in these inner-cities that have little to no hope. It portrays the message