Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How is love portrayed in a midsummer night's dream
A critical analysis of the characters of the midsummer night dream
The significance of dreams in a midsummer nights dream
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How is love portrayed in a midsummer night's dream
In much of Shakespeare’s A Midsummer Night’s Dream, it appears that, as Bottom the Weaver says, ‘reason and love keep little company’. However, in some cases, this is not true.
Francis Bacon once said that ‘it is impossible to love, and to be wise.’ There are many instances in A Midsummer Night’s Dream when this is reflected; for instance when Lysander and Demetrius both suddenly start loving Helena – but perhaps most notably when Titania falls in love with Bottom the Weaver, (calling him ‘as wise as [he is] beautiful’), once he has been turned into an ass which even his friends, the other Mechanicals, run away from. He hardly seems a fitting choice for the Queen of the Fairies.
This sudden change in Titania’s feelings is of course the result of the love juice being squirted on her eyes by her husband Oberon, who wanted the young boy who was the subject of their quarrel. Indeed, the love juice – the ‘little western flower, before, milk white; now purple with love’s wound’ – is absolutely central in the story, for it is this which makes the characters change their mind about whom they love, and makes them become unreasonable to a point where they almost defy reason; as with Titania. The love juice is the sole reason why the ‘love cycle’ of who loves whom changes so often throughout the course of the story.
The fact that the juice is squirted on a person’s eyes is, I believe, important as well. Shakespeare seems to be telling us that we love only with our eyes, as opposed to our brain; which is why love can be irrational. The love juice not only affects the characters’ actions; it affects their speech as well. Beautifying words, such as those from Lysander’s speech in hyperbole in Act 3 Scene 2 (‘goddess, nymph, perfect, divine...
... middle of paper ...
...s comes back to himself in Act 4, and is explaining his new-found love for Helena, he is a very different man. He seems to value his love for her as nothing, and says that it is rational. He says; ‘like a sickness I did loathe this food. But, as in health come to my natural taste, now I do wish it, love it, long for it, and will evermore be true to it.’ He seems like a different man to the one who, earlier, told Helena that he would ‘leave [her] to the mercy of wild beasts.’
In the end, I think it fair to say that although there are some parts of the play where clearly, love changes the characters greatly; not only altering their personality, but also their mind, love is rational to an extent (as far as the rationality of love goes), in A Midsummer Night’s Dream.
But how can one answer such a question accurately, when the very concept of love is irrational?
An important passion shown in this story is the passion of friendship from Helena. Lysander and demetrius were both deeply in love with Hermia, but suddenly they became slaves for Helena, under the spell of a love potion. This antagonises Helena and she blames it all on Hermia and her cruel joke. She says to Hermia, “The sisters’ vows, the hours that we have spent, when we have chid the hasty-footed time for parting us,-o is all forgot” (III.II.199-201)? Helena asks her if she has forgotten about their friendship, about the vows they took to be like sisters and never leave each other. This shows that although Hermia may have forgotten their friendship, Helena will always remember because friendship is really important to her. Friendship is a bond Helena feels really passionate about and takes very seriously. Another quote that shows Helena’s passion for friendship is “ Both warbling of one song, both in one key, as if our hands, our sides, voices and minds have been incorporated”(III. II. 207-208). This represents that Helena took their friendship sincerely and she believed in them and nothing could break their bond. Her last bit of her anger com...
There are many instances in A Midsummer Night's Dream where love is coerced from or foisted upon unwilling persons. This romantic bondage comes from both man-made edicts and the other-worldly enchantment of love potions. Tinkering with the natural progression of love has consequences. These human and fairy-led machinations, which are brought to light under the pale, watery moon, are an affront to nature. Shakespeare knows that all must be restored to its place under fate's thumb when the party of dreamers awaken.
Every action made in A Midsummer Night’s Dream revolves around the idea of love. It is a concept which few people can understand because of the extremity a person can go through to go after their love. “Lovers and madmen have such seething brains, such shaping fantasies that apprehend more than cool reason ever comprehends.” Lovers see the world in a way which everyday people cannot comprehend. The idea of love leads to them making irrational choices which may seem
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
William Shakespeare has a habit of creating complicated plots, and A Midsummer Night’s Dream is no exception. Three distinct worlds are presented within the play, and the story’s theme is most prevalent when they collide or mirror one another. Shakespeare’s allusions very intentionally cast light on these themes as he uses them to develop characters, settings, and comedy. The point of that development is the effective delivery of the theme that love renders us equals.
The Theme of Love in A Midsummer Night’s Dream by William Shakespeare In the play ‘A Midsummer Night’s Dream’ many aspects of love are explored. In this essay I will be exploring how Shakespeare conveys the theme of love including illusion, confusion, escape, harmony and lust. Historically, it has been suggested that ‘A Midsummer Night’s Dream’ was written for a wedding, signifying the importance of love in this play, however there is no real evidence to prove this myth. Rather, the Lord Chamberlain’s men performed ‘A Midsummer Night’s Dream’ on the London stage.
“A Midsummer Night’s Dream” is a play based on a romantic love story. In this play, there are several types of love displayed between several of the main characters in the play. One of the most famous quotes from the play was by Lysander and it was “The course of true love never did run smooth” (Act 1, Scene 1). This meant that with any type of love, a person will experience its ups and downs, they will agree to disagree, but more importantly, love is unpredictable. Parenteral love, forced love, and true love are 3 types of love displayed/expressed in the play “A Midsummer Night’s Dream.”
Love can be quite chaotic at times. As much as poets and songwriters promote the idea of idyllic romantic love, the experience in reality is often fraught with emotional turmoil. When people are in love, they tend to make poor decisions, from disobeying authority figures to making rash, poorly thought-out choices. In the play A Midsummer Night’s Dream, Shakespeare uses various motifs to illustrate how love, irrationality, and disobedience are thematically linked to disorder.
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander. Helena, hearing about their plans, tells Demetrius, and all four of them end up in the woods where Lysander’s quotation, “The course of true love never did run smooth”(28), becomes extremely evident due to several supernatural mix-ups, authority, and jealousy.
In this play, A Midsummer Night’s Dream, true love plays a huge role in the play.
In his A Midsummer Night’s Dream, Shakespeare contrasts the love existing in the relationships of friends and of lovers. Love here does not refer to romantic emotion exclusively; “love” means connection and empathy with another being. The female relationships in the poem, between Hermia and Helena, and Titania and her fairies, exist with a love based on connections between the females. However, the lovers’ relationships arise from a love produced by desire for another’s differences. The females produce a strong bond with each other that exists to provide the other person with a better version of themselves and protection from destruction. Love can only exist in this relationship because it exists away from outside forces, such as sight. True love does not originate from desire but connection. This connection cannot exist romantically because lust and perception interfere. Shakespeare contrasts the love existing between the same sex versus opposite sexes to reveal the female friendship’s importance in love and virginity: the love between two females in friendship exists independent of outside forces, without domination or penetration, therefore providing the sole form of true love.
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
Reason and love in A Midsummer Night’s Dream Shakespeare’s A Midsummer Night’s Dream is often read as a dramatization of the incompatibility of “reason and love” (III.i. 127. Yet many critics pay little attention to how Shakespeare manages to draw his audience into meditating on these notions independently (Burke 116). The play is as much about the conflict between passion and reason concerning love, as it is a warning against attempting to understand love rationally. Similarly, trying to understand the play by reason alone results in an impoverished reading of the play as a whole – it is much better suited to the kind of emotive, arbitrary understanding that is characteristic of dreams. Puck apologises directly to us, the audience, in case the play “offend[s]” us, but the primary offence we can take from it is to our rational capacity to understand the narrative, which takes place in a world of inverses and contrasts.